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In Rivette's Paris nous appartient, the plot revolves (partly) around the mystery of what happened to Juan, apparently dead from suicide. At one point, Anne (the principal protagonist/investigator) is shown a photograph of Juan and the camera zooms immediately in to focus on his companion in the picture, so that we never actually get to see what Juan looked like. Douglas -- Film-Philosophy After hitting 'reply' please always delete the text of the message you are replying to To leave, send the message: leave film-philosophy to: [log in to unmask] Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html For technical help email: [log in to unmask], not the salon -- Film-Philosophy journal: http://www.film-philosophy.com/ Film-Philosophy Conference (6-8 July 2011): http://www.film-philosophy.com/conference/ Contact: [log in to unmask] --