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*To remind everyone that the deadline - 1st December 2010 - for submission
of paper proposals to Doing Women's Film History: Reframing Cinema Past and
Future, 13-15 April 2011, is fast approaching.*
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Women’s Film History Network – UK/Ireland



Doing Women’s Film History: Reframing

Cinema Past and Future



13-15 April 2011

 Centre for Research in Media and Cultural Studies

University of Sunderland





Despite their marginalization in film history, women continue to be widely
involved in cinema as producers, directors, scriptwriters, cinematographers,
editors, designers, actresses, distributors, programmers, cinema managers,
publicists, critics, audiences. This international conference brings
together researchers, archivists, filmmakers and those involved in
distributing and programming films to explore new research in women’s film
history, asking how this impacts on conceptions of cinema and how women’s
filmmaking can be made more visible, accessible and relevant.



Plenary Speakers and Panelists include: Monica Dall’Asta (Bologna
University; Non solo dive. Pioniere del cinema italiano); Jane Gaines (Columbia
University, Women Film Pioneers Project); Christine Geraghty (Glasgow
University; Women and Soap Opera); Karola Gramman (Kinothek Asta Neilsen,
Frankfurt); Debbie Horsfield (Theatre/TV writer/producer); Margo Harkin (Besom
Productions; Northern Ireland Film Commission); Sue Harper (Portsmouth
University; Women in British Cinema); Clare Holden (Sally Potter Archive); Kate
Kinninmont (Women in Film & TV – UK); Neepa Majumdar (Pittsburg
University, Wanted,
Cultured Ladies Only: Female Stardom in India 1930s-1950s); Laura
Mulvey (Birkbeck,
London University; feminist filmmaker & writer); Tessa Ross (Controller,
Film4); Heide Schlüpmann (Goethe Universität, Frankfurt; The Uncanny
Gaze); Felicity
Sparrow (Central St Martins; Circles); Debra Zimmerman (Women Make Movies,
New York).



The conference will also include •screenings •forums on teaching & the
curriculum •the future development of Women’s Film History Network –
UK/Ireland.



Papers are invited on a broad range of issues raised by women’s involvement
in cinema: •women’s film historiography: filling gaps or changing film
history? •relationship between feminism & women’s film history •historising
women’s film collectives of 1970s and 80s

•impact of women on cinema as audiences, campaigners, fans •women’s career
moves from other creative industries into cinema •migrant and diasporic
women’s filmmaking •cross-national connections & comparisons • strategies
for archiving, preservation & exhibition of women’s films •sources &
methodologies for gender-oriented film research •impact of digitisation on
women’s filmmaking & future histories • ‘women’s cinema’ as critical
category in post-feminist contexts • women’s film history & women’s film
practice now •changing the curriculum: critical canons, teaching & film
programming



Women’s History Review, Journal of British Cinema and Television, History
Workshop Journal and Framework have indicated interest in publishing
suitable papers, subject to reviewers’ reports. Proposals from post-graduate
researchers are welcome and some bursaries offered.



Proposals (150 word limit) for presentations of 20 minutes (including
audiovisual material) should be sent by 1st December 2010 to: Lianne Hopper,
The David Puttnam Media Centre, Sir Tom Cowie Campus at St Peter’s, St
Peter’s Way, Sunderland, SR6 ODD, UK; or by email to:
[log in to unmask] For more information please visit the
conference blog at http://wfhnsunderland.blogspot.com/p/directions.html.
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