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List members may be interested in a special issue on Jacques Rivette that appears in the latest edition of the Australian Journal of Film Studies (Vol. XLVII No. 2). Some of the contributions have a philosophical focus, as the table of contents below demonstrates:

 

Douglas Morrey, 'Secrets and Lies, or How (Not) to Write about Jacques Rivette'

Roland-François Lack, 'Paris nous appartient: Reading Without a Map'

Mary Wiles, 'In "Permanent Revolution": Jacques Rivette's Out 1: Noli me tangere'

Patrick ffrench, 'Play Space, Plot Structure: Theatricality and Conspiracy in the Films of Jacques Rivette'

Garin Dowd, '"Our day will come": Histoire de Marie et Julien in the Light of Les filles du feu'

Alison Smith, 'The Author and the Auteur: Jacques Rivette and Luigi Pirandello'

Margaret A. Ozierski, 'The Weak Origin of the Work of Art: La Belle Noiseuse, Nietzsche, Heidegger, Agamben, Vattimo'

Oliver C. Speck, 'Untimely Films: Jacques Rivette and the Philosophy of the Fold'

 

Anyone interested in Rivette may also like to know that Douglas Morrey and Alison Smith's volume on Rivette in Manchester University Press's French Film Directors series has now been published.  The book takes a thematic approach to Rivette's cinema and includes discussion and application of theories drawn from, amongst others, Didier Anzieu, Gaston Bachelard, Roland Barthes, Georges Bataille, Roger Caillois, Guy Debord, Gilles Deleuze, Jacques Derrida, Sigmund Freud, G. W. F. Hegel, Martin Heidegger, Friedrich Nietzsche.

For more information, see:

http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204476

 

 

Douglas Morrey

Associate Professor

Dept of French Studies

University of Warwick

Coventry CV4 7AL

UK

Co-editor, Film-Philosophy


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