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** The Music and Science list is managed by the Institute of Musical Research (www.music.sas.ac.uk) as a bulletin board and discussion forum for researchers working at the shared boundaries of science and music. ** MESSAGE FOLLOWS: Dear all, A reminder that tomorrow at 2pm, Dr John Eacott will present the seminar /Environmental sonifications 'Hour Angle' and 'Flood Tide'/. The seminar will take place in room 105 in the Electronic Engineering Department, Queen Mary University of London, Mile End Road, London E1 4NS. Directions of how to get to Queen Mary are available at http://www.elec.qmul.ac.uk/newsevents/c4dm-seminars.php as are details of future seminars. The room is under access control, so people from outside QM will need to contact C4DM to get in - the lab phone number is +44 (0)20 7882 7480 and if I'm not available, anyone else in the lab should be able to help. If you are coming from outside Queen Mary, please let me know, so I can make sure no-one's stuck outside the doors. All are welcome to attend. For those unable to do so, a video recording of the seminar will be streamed live and also made available online after a few days. Please see the above website for details. If you wish to be added to / removed from our mailing list, please send me an email and I'll be happy to do so. *Tomorrow's seminar (13 May, 2pm):* Title: */Environmental sonifications 'Hour Angle' and 'Flood Tide'/* Speaker: *Dr John Eacott School of Media Arts and Design University of Westminster* www.informal.org Abstract: Hour Angle and Flood Tide are musical works generated from gradually changing environmental data. Hour Angle uses calculations of the position of Earth and Sun while Flood Tide uses live readings of tidal flow. Common to both works are a set of algorithmic processes that translate the data into musical values. A software process that I now call LiveNotation is used to display the values as musical notation that appears on computer screens and is read and performed by musicians. In this presentation I will discuss the ideas behind the work and the processes and considerations used to generate music illustrated with extracts of previous performances. Bio: John Eacott is a trumpeter and composer whose career started in the 1980s with anarchic jazzers Loose Tubes and post-industrial metal bashers Test Dept. In the 1990s he focused on composing many works for Theatre including the worldwide touring production of Gormenghast for the David Glass Ensemble and arrangements for the 2002 Royal Shakespeare Company production of Timon of Athens. Film scores include the Miramax feature Three Steps to Heaven (1995), Escape to Life with Vanessa Redgrave (2000) and jazz arrangements for Alfie starring Jude Law (2003). His many television soundtracks include the BBC documentary series In the Footsteps of Alexander the Great BBC2 (1997). His orchestral compositions have been performed and recorded by the Scottish Chamber Orchestra and Docklands Sinfonietta. Previous algorithmic / generative works include The Street, an interactive sound environment (2000), Morpheus, a CD Rom of generative electronica (2001), and Intelligent Street, a sound space in which users alter their sound environment by sending text messages (2003). Since the completion of his PhD in 2007, John has focused on making accessible live performances using algorithmic composition methods to sonify environmental data. His tide sonification Flood Tide has been performed 9 times including performances at the Royal Shakespeare Company, Stratford Upon Avon, Greenwich Royal Observatory and Thames Festival London 2009. He is Principal Lecturer in music at the University of Westminster, London. Emmanouil Benetos -- Centre for Digital Music (C4DM) Electronic Engineering Department Queen Mary, University of London [log in to unmask] Tel: +44 (0)20 7882 7480 Fax: +44 (0)20 7882 7997 C4DM Web-site : http://www.elec.qmul.ac.uk/digitalmusic/index.html