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Dear Joan

 

I have finally read your email properly after 4 attempts during the day!!! I am sooooooooooooooo excited I could POP!!! Your powerpoint says it all so well. I am going to share it with the SeStuTHE group on Friday if I may. And your account of the dynamics in the university are fascinating and recognizable. I am hearing that many presentations allow the significance of such initiatives to become understood ...

 

Until later

Joan

 

From: Practitioner-Researcher [mailto:[log in to unmask]] On Behalf Of Joan Walton
Sent: 24 February 2010 02:37 PM
To: [log in to unmask]
Subject: Re: Educational influences

 

Dear Andy, Joan-Africa, and everyone,

Joan - I think finding ways of influencing those who have the power to make the truly signficant local and global decisions is the essence of the challenge. 

Andy - on  re-reading your very rich and detailed account of your core values and beliefs, what I hear you essentially saying is that you seek to improve the world;  that you seek to do that making the best use that you can of your own particular gifts and talents;  that you remain as mindful and aware as possible in each moment that you are doing what you can to make best use of your gifts and talents;  and that you are open to being fully accountable to others as to what you are doing, seeking constructive feedback and committed to reflecting on and modifying what you do in the light of what you learn through the feedback you receive.  

This is a simplistic and not necessarily well-worded summary of your rich account - but I have picked out the essence of what I hear you saying, as I want to see if you feel they connect with what I am currently trying to do.  

I am becoming ever more committed to the notion of seeking to transform people's approach to research so that there is much more emphasis on prioritising research that aims to improve the world not just explain or interpret it.  In setting up the Centre for the Child and Family, I am explicitly saying that it is research of this kind that it should primarily be about.  It is generating quite a substantial debate.  This week is the University's research week - and I was asked to do a presentation about the centre, which I did yesterday - my proposed title of 'Developing the CfCF as a participatory research project' was accepted.  So that is what I did.  I attach my powerpoint presentation - my slides are 1-13.  (As an aside, but to make sense of the whole pp, Linda Rush heads up the teacher education side of the faculty, and is leading a specific project that she wanted located within the centre, the third stage of which will be me working with the teachers and others to look at how they can 'improve their practice' in relation to partnership working within an integrated children's services provision.)

I obviously filled out somewhat on what is included in the pp - but basically I was giving a strong rationale as to why we should prioritise research that 'improves the world, does not just explain and interpret it' - and gave a rationale as to why we should (which included points which resonate with aspects of what you write in your 'context', Andy).  The quote from Peter Reason and Hilary Bradbury is a shortened version of one I often use to justify action research as being the primary research methodology, and to make the point that it really can be about scholarship as much as about practice.  I also developed Jack's idea of living theory rather more than the shortened framework on the slide, to include an explanation of 'living contradiction' plus its significance in the overall scheme of things.  When looking at Nigel Harrison's proposed title for his PhD, I explained how he is seeking to account for his influence on the young people his service exists to serve, whilst at the same time develops an understanding of how to create a learning organisation, exploring the nature of the interconnections between 'micro' and 'macro', with him developing his own living educational theory to give an account of his influence at each level of the organisation (and on their interconnections).  I also absolutely emphasised that in research of this order, we not only acknowledge that research cannot be value free, but actually we need to develop and live to a very clear set of core values and principles (in the way that you have done, Andy). 

The response afterwards was interesting.  The Dean of Learning and Teaching was very enthusiastic - basically saying that each time she either reads or hears what I am trying to do, she 'gets it' a little bit more each time - how radical it is - she is completely supportive - but what an enormous task it is!

The Dean of Education (who is a committed Catholic) was sitting next to the Director of the Centre for Christian Educaiton - and afterwards they were positive about the presentation - and making the point that they felt there was a strongly 'spiritual' basis to what I was saying (which I am not unhappy about) - but then went on to indicate that I was really giving a Christian message but using secular language.  On one level they might be right (but that would apply to the essential message of any religious /spiritual philosphy) - but the whole point in not connecting it to any religious belief system is that they are faith based - in the main, people are required to accept the beliefs without question (with the possible exception of Buddhism) - and that in my experience, Christians do not sign themselves up to creating and living by the kind of statement of beliefs and values that Andy has created, or develop their own 'living theory' in the way that Jack encourages.  So we had quite a lively discussion, which could have gone on a lot longer than it did!!

So - there is at this point in time an ongoing debate as to what this Centre for the Child and Family should look like.  I am hopeful that, with Jack and other's support, we will be able to develop it in the kind of way that it can provide support for the values and principles that you articulate so clearly, Andy - and that over time, we can influence the nature of research, so that one day, the ministers and directors see the value in reading and noting and acting, Joan!

With love and best wishes to all, 

Joan - LHU

On 24 February 2010 10:42, Joan Lucy Conolly <[log in to unmask]> wrote:

Dear Karen and Lee

 

I am so enjoying all these pearls of wisdom. How can we get ministers and directors of education to read and note and act?

 

Joan  

 

From: Practitioner-Researcher [mailto:[log in to unmask]] On Behalf Of Karen Thompson
Sent: 24 February 2010 12:22 PM


To: [log in to unmask]
Subject: Re: Educational influences

 

Dear Lee

This is so true of many children -no matter where they are. You have summed up what it is about being creative -and that is about feeling good about doing something and creating a piece of work in any medium -music, painting, dance, sculpture - and taking part in the process.

I have seen this happen too, where children who were previously not really engaged (I think it was Dylan Wiliam who called them 'radiator children' because they sit next to the radiator and stare out of the window) who then suddenly discover a creative talent and blossom.

 

There was a lesson for me here too - I did a three day workshop on Family Arts where parents and children came in to school (age range 4 - 7 yrs) and made things out of packaging, paper, sweets and all kinds of stuff. The general theme was 'Childhood Memories' and parents brought in pictures, old album covers and memorabilia from their own childhoods. We then had four areas in the school hall where people made things with their child, helped by teaching assistants. It was wonderful creative mayhem. They made robots from food packaging, and mobiles and 'shoe pictures' and all kinds of stuff!

 

Some of the boys made amazing things and also used 'photoshopping' on my laptop to 'change' the pictures they had taken of sweets they had arranged into shapes and patterns. (I was amazed they didn;t try to eat them, but they didn;t!). I went back in to the school some time after to do a watercolour class with them in the classroom situation, and to my surprise I discovered that some of the boys I had worked with on the Family Arts day were not, as I had assumed from their active engagement and creative skill , in the top academic attainment of the class. However, because they had sudeenly started to achieve and create, they improved academically - just like you said Lee, they had found 'something' and started to do better all round.

 

My lesson was that I should not assume that because these pupils were so wonderfully creative and enthusiastic in the session,  that they were also achieving academically. It's probably the opposite in many cases.  As I had never met them before, I had not considered this aspect and didn't really think about it. So now I do.

They were also with a parent or grandparent or uncle or aunt. They could 'show off' their talents to someone who mattered to them, and be praised for it. The parents also talked about when they had fun in school and said they too enjoyed working with their child.  

That's most important - everything is so serious and we should allow a bit more fun. Enjoyment. Happiness.

 

As pictures speak louder than words, I have attached a couple. (The school is a small Infant school and is not in an economically rich area - quite the opposite.)

Thanks Lee for making this real!....KOOOOLLLL!

Love

Karen

 

-----Original Message-----
From: Lee Nicole Scott <[log in to unmask]>
To: [log in to unmask]
Sent: Wed, 24 Feb 2010 8:52
Subject: Re: Educational influences

Dear Andy-hi
I very much believe that creativity raises confidence levels and with that help 
to develop aspirations. I know this because I was one of those funny kids in 
junior school that didn't belong, picked on,(sob, sob)(I laugh at my self!) and 
was only happy on my own in the bush. (I grew up in Zimbabwe on a farm) Because 
I was so 'alone', I, at the age of 9 in standard 3, was failing and the thought 
of being held back a year was devastating. Then something happened, I discovered 
I could do something better than anyone else, I could draw and paint and the 
kids in my class now looked up to me. Because of this recognition I passed std 3 
and have not stopped creating since then. Being a creative person and being an 
artist and acknowledging I am an educator, is a life style. My sense of well 
being/self worth is very much connected /intertwined with being an artist. I 
want people to feel good about themselves , even in the minutest way, so they 
can grow and be able to face the challenges of life.
 
 That belief in self that was fostered in those young years because of that one 
monumental, yet very small incident( I can still see the painting in my head 
that I was working on in class that day), has stayed with me. I want to and do, 
I think, foster in people this sense of self worth that I believe happens with 
the actions of being creative.
 
Thank you for sending your core values and principles.
 
With love from another 'living contradiction'! I like being a living 
contradiction-soooo kool!
 
Cheers
lee
 
-----Original Message-----
From: Practitioner-Researcher [mailto:[log in to unmask]] On 
Behalf Of Andrew Henon
Sent: Tuesday, February 23, 2010 1:14 PM
To: [log in to unmask]
Subject: Re: Educational influences
 
Dear Jack and the practitioner researcher forum
 
I have been working with an action learning set convened by Arts Council
England South West. A group of the foremost practitioners in the field of
socially engaged arts and work with Children and young People specialism. We
have now had 5 days residential and will reconvene on 11th March to decide
the future direction our work together may take, or not?
 
Since my first studies in Design and Fine Art. The discipline required that
someone embarking on a career as and artist or designer write their own brief
first. This is for a number of reasons primarily because it was considered that 
a
designer or artist has significant influence in the world by what they bring 
into
being and that one had to have a clear ethical view or direction in your work in
order to decide the levels of compromise you are willing to accept or not with
a commissioners of your services, process or products. Here responsibility for
bringing work into the world lies jointly between the designer and the
commissioner as embodied values, implicit in the work and explicit in it's use.
 
In education there are for me extra layers to be considered with regard to
meaning and purpose some of which I hope are clearly stated in the attached.
 
I offer the attached for any comment and feedback but as a contribution
regarding educational influences and the link between 'Intent' and 'Influence'
 
With love and best wishes Andy
 
 
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--
Dr Joan Walton
Faculty of Education
Liverpool Hope University
Hope Park
Liverpool
L16 9JD

Phone: 0151 291 2115
Email: [log in to unmask]



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