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italian-studies: Scholarly discussions in any field of Italian studies

The University of Edinburgh is a charitable body, registered in
Scotland, with registration number SC005336.

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------------=_1255963253-19761-85--
=========================================================================
Date:         Mon, 19 Oct 2009 19:25:18 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         George FERZOCO <[log in to unmask]>
Subject:      Fwd: Dizionario Biografico degli Italiani
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italian-studies: Scholarly discussions in any field of Italian studies

Dear italian-studies colleagues,

I hope that you have read and acted upon Harald Hendrix's message =20
regarding the Dizionario.

In case you accidentally deleted it, then as a reminder to you I am =20
pleased to forward this similar message; I received it from the AAIS =20
mailing list (details below).

Best wishes, George

--
George FERZOCO
[log in to unmask]


Begin forwarded message:

> From: [log in to unmask]
> Date: 19 October 2009 16:27:16 BDT
> To: [log in to unmask]
> Subject: Dizionario Biografico degli Italiani
>
> Gentili colleghi,
>
> vi giro l'appello per salvare il DBI. Grazie per la vostra =20
> collaborazione.
>
> Franco Pierno
>
>
> Cari amici,
> desidero avvertirvi che il Dizionario biografico degli Italiani sta =20=

> attraversando un
> momento delicato della sua storia pluridecennale. Sul sito
> http://www.salviamoildizionariobiografico.it
> troverete un appello che esprime le preoccupazioni della redazione =20
> per i segnali di una
> possibile ristrutturazione che trasformerebbe in maniera radicale =20
> l'opera. Vi chiedo di
> sottoscriverlo e diffonderlo affinch=E9 il Dizionario possa =20
> continuare a essere
> quell'indispensabile e qualificato strumento di lavoro per tutti =20
> gli studiosi che =E8 stato
> sinora. Vi ringrazio. Vostro Franco Pignatti.
>
>
> *** Please do not reply to this message. This address does not =20
> accept reply E-mail Messages.
>
> *** To join the list and to submit messages to the list serve, =20
> Please use the AAIS Website (www.aais.info)
>
> *** To unsubscribe or to change your current address, please E-mail =20=

> [log in to unmask]

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=========================================================================
Date:         Mon, 19 Oct 2009 17:08:02 -0400
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Gregory Pell <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear colleagues,

As book review editor for Forum Italicum, I would like to pass along a =
message from our secretarial assistant, Donna Severino: if you have =
already agreed to review a book for Forum Italicum, please make sure that =
she gets the review before 31 October 2009, so that it makes it into our =
issue for the fall. E-mail the attachment to:

 [log in to unmask]

Furthermore, I would like to remind all of you that we accept unsolicited =
book reviews, as well. Please submit reviews that are informative and =
evaluative; 500 to 1000 words. Include Name of author(s) or editor(s). =
Title. Name of translator(s), if applicable. Place of publication: =
publisher, date of publication. Pp. ___ .=20

Vi ringrazio per la vostra collaborazione,
Gregory

**************
Gregory M. Pell
Dept. of Romance Languages and Lits.
310 Calkins Hall
107 Hofstra University
Hempstead, NY 11549

tel: 516/463-5437
fax:516/463-2310

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=========================================================================
Date:         Tue, 20 Oct 2009 09:49:06 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Gigliola Sulis <[log in to unmask]>
Subject:      Italian Writers in Leeds 2009: Meeting with Giorgio Faletti
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italian-studies: Scholarly discussions in any field of Italian studies

The Department of Italian at the University of Leeds and the Italian Consul=
ate in Manchester are pleased  to invite you to:

Italian Writers in Leeds 2009
From Screen to Page: a meeting with Giorgio Faletti

 On popular fiction in Italy, its international models, and the art of stor=
y-telling.


- Please note: the talk will be in English
-


Tuesday 27 October 2009 5-7 pm
Baines Wing Miall Lecture Theatre, University of Leeds

Giorgio Faletti (born in 1950) is a familiar face for Italian audiences. He=
 had a successful career as a stand-up comedian, TV and cinema actor, and t=
hen as a singer-songwriter, before turning to writing crime fiction.

His first thriller, Io uccido (2002), sold 3.5 million copies in Italy only=
, and  established him as one of the most popular contemporary Italian writ=
ers. Other titles include: Niente di vero tranne gli occhi (2004), Fuori da=
 un evidente destino (2006), Pochi inutili nascondigli (2008) and Io sono D=
io (2009).

His novels have appeared in translation in France, Germany, Greece, Hungary=
, Norway, the Netherlands, Poland, Russia, Spain and Sweden. Io uccido is a=
vailable in English translation in the U.S.A., with the title I Kill (2008)=
, and it will soon be published by Constable&Robinson in the UK.


http://giorgiofaletti.net/
http://www.leeds.ac.uk/italian


 For further information, contact: [log in to unmask]<mailto:g.sulis@leeds=
.ac.uk>


How to reach the Miall Lecture Theatre in Baines Wing, at the University of=
 Leeds
From the main entrance of the university in Woodhouse Lane, follow Universi=
ty road. Baines Wing will be on your right.
From the main entrance of Baines Wing, go straight on past the front desk.
At the end of the corridor go through the doors on the left, follow the cor=
ridor round to the right and then to the left.
At the end of the corridor on your right take the lift to the second floor =
(West) or go up 5 short flights of stairs.
The Miall Lecture Theatre (2.34) is straight opposite the lift.



Italian Writers in Leeds

Italian Writers in Leeds is a series of events featuring some of the most i=
nteresting and exciting contemporary Italian writers. It was launched in 20=
07 by the Department of Italian at the University of Leeds, in collaboratio=
n with the Italian Consulate in Manchester.

The aim of the series is to increase awareness of contemporary Italian writ=
ers in the UK and at the same time to bring these writers to the North of E=
ngland, reflecting the interest in Italian issues in the region. An account=
 of the writer's visit, in the form of an interview or discussion, will be =
published under the 'Writer's Desktop' rubric, in the journal The Italianis=
t.

Each year an Italian writer is invited to visit the Department and to give =
a lecture or lead a discussion, followed by questions. After Marcello Fois =
(May 2007), Giancarlo De Cataldo (January 2008) and Massimo Carlotto (Novem=
ber 2008), we are pleased to welcome Giorgio Faletti (October 2009).

If you would like to be kept informed about future events in the series, pl=
ease contact Gigliola Sulis at [log in to unmask], or visit www.leeds.ac.u=
k/italian







------------------------------------------

Dr Gigliola Sulis

Department of Italian (SMLC)

University of Leeds

LEEDS LS2 9JT (UK)

tel: +44 (0)1133433639

fax:  +44 (0)1133433477



www.leeds.ac.uk/italian

http://www.personal.leeds.ac.uk/~illgs/

http://www.leeds.ac.uk/italian/staff/gigliola_sulis.htm







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<p class=3DMsoNormal><em><span lang=3DIT style=3D'font-family:"Century Goth=
ic","sans-serif"'>The
Department of Italian at the University of Leeds and the Italian Consulate =
in
Manchester are pleased&nbsp;</span></em><span lang=3DIT style=3D'font-size:=
10.0pt;
font-family:"Century Gothic","sans-serif";color:blue'>&nbsp;</span><em><spa=
n
lang=3DIT style=3D'font-family:"Century Gothic","sans-serif";color:black'>t=
</span></em><em><span
lang=3DIT style=3D'font-family:"Century Gothic","sans-serif"'>o invite you =
to:</span></em><em><span
lang=3DIT style=3D'font-family:"Calibri","sans-serif"'>&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></em><span lang=3DIT><o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span lang=
=3DIT>&nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b><i><span
style=3D'font-size:24.0pt;font-family:"Century Gothic","sans-serif"'>Italia=
n
Writers in Leeds 2009 <o:p></o:p></span></i></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b><i><span
style=3D'font-size:24.0pt;font-family:"Century Gothic","sans-serif"'>From S=
creen
to Page: a meeting with Giorgio Faletti <o:p></o:p></span></i></b></p>

<h2 align=3Dcenter style=3D'margin:0cm;margin-bottom:.0001pt;text-align:cen=
ter'><span
lang=3DIT style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'><o:p>=
&nbsp;</o:p></span></h2>

<h2 align=3Dcenter style=3D'margin:0cm;margin-bottom:.0001pt;text-align:cen=
ter'><span
lang=3DIT style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>&nbsp=
;</span><i><span
style=3D'font-size:12.0pt;font-family:"Century Gothic","sans-serif"'>On pop=
ular
fiction in Italy, its international models, and the art of story-telling.<o=
:p></o:p></span></i></h2>

<p class=3DMsoBodyText align=3Dcenter style=3D'margin:0cm;margin-bottom:.00=
01pt;
text-align:center'><b><span lang=3DIT style=3D'font-size:18.0pt;font-family=
:"Arial","sans-serif"'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><em><b><spa=
n
style=3D'font-family:"Century Gothic","sans-serif"'>- </span></b></em><b><i=
><span
style=3D'font-family:"Century Gothic","sans-serif"'>Please note: the talk w=
ill be
in English</span></i></b><b><i><span style=3D'font-family:"Century Gothic",=
"sans-serif"'><o:p></o:p></span></i></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><em><b><spa=
n
style=3D'font-family:"Century Gothic","sans-serif"'>-</span></b></em><em><s=
pan
style=3D'font-size:12.0pt;font-family:"Century Gothic","sans-serif"'><o:p><=
/o:p></span></em></p>

<p class=3DMsoBodyText align=3Dcenter style=3D'margin:0cm;margin-bottom:.00=
01pt;
text-align:center'><b><span lang=3DIT style=3D'font-size:18.0pt'>&nbsp;</sp=
an></b><span
lang=3DIT style=3D'font-size:18.0pt'><o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b><span
style=3D'font-size:18.0pt;font-family:"Century Gothic","sans-serif"'>Tuesda=
y 27
October 2009 5-7 pm<o:p></o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:16.0pt;font-family:"Century Gothic","sans-serif"'>Baines=
 Wing
Miall Lecture Theatre, University of Leeds<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span lang=
=3DIT>&nbsp;</span><span
lang=3DIT style=3D'font-size:12.0pt;font-family:"Times New Roman","serif"'>=
<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b><span style=3D'font-fa=
mily:"Century Gothic","sans-serif"'>Giorgio
Faletti</span></b><span style=3D'font-family:"Century Gothic","sans-serif"'=
>
(born in 1950) is a familiar face for Italian audiences. He had a successfu=
l
career as a stand-up comedian, TV and cinema actor, and then as a
singer-songwriter, before turning to writing crime fiction.<o:p></o:p></spa=
n></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"Century Gothic","sans-serif"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"Century Gothic","sans-serif"'>His
first thriller, <i>Io uccido </i>(2002), sold 3.5 million copies in Italy o=
nly,
and&nbsp; established him as one of the most popular contemporary Italian
writers. Other titles include: <i>Niente di vero tranne gli occhi</i> (2004=
), <i>Fuori
da un evidente destino</i> (2006), <i>Pochi inutili nascondigli</i> (2008) =
and <i>Io
sono Dio</i> (2009).<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"Century Gothic","sans-serif"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"Century Gothic","sans-serif"'>His
novels have appeared in translation in France, Germany, Greece, Hungary,
Norway, the Netherlands, Poland, Russia, Spain and Sweden. <i>Io uccido</i>=
 is
available in English translation in the U.S.A., with the title <i>I Kill </=
i>(2008),
and it will soon be published by Constable&amp;Robinson in the UK.<o:p></o:=
p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span style=3D'font-famil=
y:"Century Gothic","sans-serif"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span lang=
=3DIT>&nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-family:"Century Gothic","sans-serif"'>http://giorgiofaletti.n=
et/<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-family:"Century Gothic","sans-serif"'>http://www.leeds.ac.uk/=
italian<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-family:"Century Gothic","sans-serif"'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span lang=
=3DIT>&nbsp;</span>&nbsp;<o:p></o:p></p>

<p class=3DMsoNormal align=3Dright style=3D'text-align:right'><span style=
=3D'font-size:
10.0pt;font-family:"Arial","sans-serif";color:blue'>&nbsp;</span><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>For fu=
rther
information, contact: </span><span style=3D'font-family:"Century Gothic","s=
ans-serif"'><a
href=3D"mailto:[log in to unmask]"><span style=3D'font-size:10.0pt;color:b=
lack'>[log in to unmask]</span></a></span><span
style=3D'font-family:"Century Gothic","sans-serif"'><o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span lang=
=3DIT><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Centur=
y Gothic","sans-serif"'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Centur=
y Gothic","sans-serif"'>How
to reach the Miall Lecture Theatre in Baines Wing, at the University of Lee=
ds</span></b><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'> <o:p>=
</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Century G=
othic","sans-serif"'>From
the main entrance of the university in Woodhouse Lane, follow University ro=
ad.
Baines Wing will be on your right.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Century G=
othic","sans-serif"'>From
the main entrance of Baines Wing, go straight on past the front desk. <o:p>=
</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Century G=
othic","sans-serif"'>At
the end of the corridor go through the doors on the left, follow the corrid=
or
round to the right and then to the left.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Century G=
othic","sans-serif"'>At
the end of the corridor on your right take the lift to the second floor (We=
st)
or go up 5 short flights of stairs.<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Century G=
othic","sans-serif"'>The
Miall Lecture Theatre (2.34) is straight opposite the lift.</span><span
lang=3DIT style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-seri=
f"'><o:p></o:p></span></p>

<p class=3DMsoNormal><span lang=3DIT>&nbsp;<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b><i><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'><o:p>&=
nbsp;</o:p></span></i></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b><i><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'><o:p>&=
nbsp;</o:p></span></i></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b><i><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>Italia=
n
Writers in Leeds</span></i></b><span style=3D'font-size:10.0pt;font-family:=
"Century Gothic","sans-serif"'>
<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>&nbsp;=
<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><i><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>Italia=
n
Writers in Leeds </span></i><span style=3D'font-size:10.0pt;font-family:"Ce=
ntury Gothic","sans-serif"'>is
a series of events featuring some of the most interesting and exciting cont=
emporary
Italian writers. It was launched in 2007 by the Department of Italian at th=
e
University of Leeds, in collaboration with the Italian Consulate in Manches=
ter.<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>&nbsp;=
<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>The ai=
m of
the series is to increase awareness of contemporary Italian writers in the =
UK
and at the same time to bring these writers to the North of England, reflec=
ting
the interest in Italian issues in the region. An account of the writer's vi=
sit,
in the form of an interview or discussion, will be published under the
'Writer's Desktop' rubric, in the journal <i>The Italianist</i>.<o:p></o:p>=
</span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>&nbsp;=
<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>Each y=
ear an
Italian writer is invited to visit the Department and to give a lecture or =
lead
a discussion, followed by questions. After <b>Marcello Fois</b> (May 2007),=
 <b>Giancarlo</b>
<b>De Cataldo </b>(January 2008) and <b>Massimo Carlotto</b> (November 2008=
),
we are pleased to welcome <b>Giorgio Faletti</b> (October 2009).<o:p></o:p>=
</span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>&nbsp;=
<o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'>If you=
 would
like to be kept informed about future events in the series, please contact
Gigliola Sulis at [log in to unmask], or visit www.leeds.ac.uk/italian&nbs=
p; <o:p></o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span lang=
=3DIT
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'><o:p>&=
nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span lang=
=3DIT
style=3D'font-size:10.0pt;font-family:"Century Gothic","sans-serif"'><o:p>&=
nbsp;</o:p></span></p>

<p class=3DMsoPlainText><span style=3D'font-size:10.0pt;font-family:"Centur=
y Gothic","sans-serif"'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoPlainText><o:p>&nbsp;</o:p></p>

<p class=3DMsoPlainText>------------------------------------------<o:p></o:=
p></p>

<p class=3DMsoPlainText>Dr Gigliola Sulis<o:p></o:p></p>

<p class=3DMsoPlainText>Department of Italian (SMLC)<o:p></o:p></p>

<p class=3DMsoPlainText>University of Leeds<o:p></o:p></p>

<p class=3DMsoPlainText>LEEDS LS2 9JT (UK)<o:p></o:p></p>

<p class=3DMsoPlainText>tel: +44 (0)1133433639<o:p></o:p></p>

<p class=3DMsoPlainText>fax:&nbsp; +44 (0)1133433477<o:p></o:p></p>

<p class=3DMsoPlainText><o:p>&nbsp;</o:p></p>

<p class=3DMsoPlainText>www.leeds.ac.uk/italian<o:p></o:p></p>

<p class=3DMsoPlainText>http://www.personal.leeds.ac.uk/~illgs/<o:p></o:p><=
/p>

<p class=3DMsoPlainText><a
href=3D"http://www.leeds.ac.uk/italian/staff/gigliola_sulis.htm">http://www=
.leeds.ac.uk/italian/staff/gigliola_sulis.htm</a><o:p></o:p></p>

<p class=3DMsoPlainText><o:p>&nbsp;</o:p></p>

<p class=3DMsoPlainText><o:p>&nbsp;</o:p></p>

<p class=3DMsoPlainText><o:p>&nbsp;</o:p></p>

</div>

</body>

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--_000_3138F6559AA07B4295B68C5D3ACB5E03D6F97B628FHERMES7dsleed_--
=========================================================================
Date:         Wed, 21 Oct 2009 12:42:15 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Katia Pizzi <[log in to unmask]>
Subject:      Gender Agency and Violence
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italian-studies: Scholarly discussions in any field of Italian studies

Dear colleagues,

=20

See below: Italian contributions are welcome

=20

Centre for the Interdisciplinary Study of Sexuality and Gender in Europe
(CISSGE)

Annual Conference

=20

Call for Papers

=20

=20

'Gender, Agency and Violence: European Perspectives from Medieval Times
to the Present Day'

=20

(to be held: IGRS, London: 18th and 19th March 2010)

=20

=20

=20

Papers are invited for a two-day conference that explores the cultural
impact and the role of men and women who stand out in terms of the acts
of violence they employ, whether directed against a community as a
whole; against individuals; or explicitly against the opposite sex.
Papers consider whether such (for example historical, mythical, artistic
or fictional) characters who cross accepted boundaries are indicative of
particular periods of time and / or pursue a personal agenda. While in
recent years, studies of women as victims and as perpetrators have
increased in number, this conference is concerned with both men and
women as violent agents.

=20

The conference takes an interdisciplinary approach and seeks to
establish potential patterns across times, genres and boundaries. It
pursues how violent men and women mark the long-term memory of
communities and to what degree male and female acts of violence allow
for comparisons in terms of their treatment in society. Other
considerations include

=20

- means, types and images of violence

- the importance of violent characters as potential role-models or how
they act as deterrents=20

- the promotion of ideas or change through unconventional methods

- the cross-cultural influence of violent individuals

=20

=20

A selection of papers will be published.

=20

=20

=20

For further details please contact by 25 October 2009:

=20

Dr Ulrike Zitzlsperger

School of Arts, Languages and Literatures

Queen's Building

Exeter University

Exeter EX4 4QH

[log in to unmask]

=20

=20

Dr Katia Pizzi

Institute of Germanic & Romance Studies

School of Advanced Study

University of London

Stewart House

Malet Street, London WC1E 7HU.

Tel. n. 02078628962

Fax. n. 02078628672

Email: [log in to unmask]

=20


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italian-studies: Scholarly discussions in any field of Italian studies
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<div class=3DSection1>

<p class=3DMsoNormal>Dear colleagues,<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>See below: Italian contributions are =
welcome<o:p></o:p></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b><span
style=3D'font-size:14.0pt'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b><span
style=3D'font-size:14.0pt'>Centre for the Interdisciplinary Study of =
Sexuality
and Gender in Europe (CISSGE)<o:p></o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter =
style=3D'text-align:center'><b>Annual Conference</b><b><span
style=3D'font-size:12.0pt'><o:p></o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter =
style=3D'text-align:center'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><b><span
style=3D'font-size:14.0pt'>Call for Papers<o:p></o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:12.0pt'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dcenter =
style=3D'text-align:center'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal align=3Dcenter =
style=3D'text-align:center'><b>&#8216;Gender,
Agency and Violence: European Perspectives from Medieval Times to the =
Present
Day&#8217;<o:p></o:p></b></p>

<p class=3DMsoNormal align=3Dcenter =
style=3D'text-align:center'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'>(to be =
held: IGRS,
London: 18<sup>th</sup> and 19<sup>th</sup> March =
2010)<b><o:p></o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>Papers are invited for =
a two-day
conference that explores the cultural impact and the role of men and =
women who
stand out in terms of the acts of violence they employ, whether directed
against a community as a whole; against individuals; or explicitly =
against the
opposite sex. Papers consider whether such (for example historical, =
mythical,
artistic or fictional) characters who cross accepted boundaries are =
indicative
of particular periods of time and / or pursue a personal agenda. While =
in
recent years, studies of women as victims and as perpetrators have =
increased in
number, this conference is concerned with both men and women as violent =
agents.<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>The conference takes =
an
interdisciplinary approach and seeks to establish potential patterns =
across
times, genres and boundaries. It pursues how violent men and women mark =
the
long-term memory of communities and to what degree male and female acts =
of
violence allow for comparisons in terms of their treatment in society. =
Other
considerations include<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>&#8211; means, types =
and images
of violence<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>&#8211; the importance =
of violent
characters as potential role-models or how they act as deterrents =
<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>&#8211; the promotion =
of ideas or
change through unconventional methods<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>&#8211; the =
cross-cultural
influence of violent individuals<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>A selection of papers =
will be
published.<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span =
style=3D'font-size:11.0pt'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b>For further details =
please
contact by 25 October 2009:<o:p></o:p></b></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'>Dr Ulrike =
Zitzlsperger<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>School of Arts, =
Languages and
Literatures<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>Queen&#8217;s =
Building<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>Exeter =
University<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>Exeter EX4 =
4QH<o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'>[log in to unmask]<o:p></o:p></p>=


<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Dr Katia Pizzi<o:p></o:p></p>

<p class=3DMsoNormal>Institute of Germanic &amp; Romance =
Studies<o:p></o:p></p>

<p class=3DMsoNormal>School of Advanced Study<o:p></o:p></p>

<p class=3DMsoNormal>University of London<o:p></o:p></p>

<p class=3DMsoNormal>Stewart House<o:p></o:p></p>

<p class=3DMsoNormal>Malet Street, London WC1E 7HU.<o:p></o:p></p>

<p class=3DMsoNormal>Tel. n. 02078628962<o:p></o:p></p>

<p class=3DMsoNormal>Fax. n. 02078628672<o:p></o:p></p>

<p class=3DMsoNormal>Email: [log in to unmask]<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

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------_=_NextPart_001_01CA5243.89A12929--
=========================================================================
Date:         Thu, 22 Oct 2009 13:13:53 -0400
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Gregory Pell <[log in to unmask]>
Subject:      List of Books for Review: Forum Italicum
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italian-studies: Scholarly discussions in any field of Italian studies

Dear colleagues,

below, you will find a list of books still available for review for
Forum Italicum. Should you be interested, send your request, contact
information and mailing address to  Donna Severino at:
[log in to unmask] She will then assign you that volume
and mail it to your provided address.

Reminder of our submission format: Please submit reviews that are
informative and evaluative; 500 to 1000 words. In the review heading,
include:  Name of author(s) or editor(s). Title. Name of translator(s),
if applicable. Place of publication: publisher, date of publication. Pp.
___ .=20

I thank you in advance for your collaboration on this most important
aspect of our journal (listed here on Italinemo:
http://www.italinemo.it/riviste/dettaglio_rivista.php?Titolo=3DFORUM%20IT=
ALICUM
).=20


*********************************************
LIST of BOOKS
*********************************************


Abbona-Sneider, Cristina and Antonello Borra, and Cristina Pausini.
Trame. A Contemporary Italian Reader. New Haven and London: Yale UP,
2010.  Pp. 260.

Accolla, Paolino & d=E2=80=99Aquino, Niccolo. Italici. An Encounter with
Piero Bassetti. New York: Bordighera Press, 2008. Pp.79.

Allen, Michael, ed. Marsilio Ficino. Commentaries on Plato. Vol I.
Phaedrus and Ion. Cambrigbe, MA: Harvard University Press, 2008. Pp.
268.

Al=C3=B9, Giorgia. Beyond the Traveller=E2=80=99s Gaze. Expatriate Ladies=
 Writing
in Sicily (1848-1910). Bern, Switzerland: Peter Lang, 2008. Pp.282.

Antonello, Pierpaolo e Giuseppe Fornari, a. c. di. Identit=C3=A0 e
desiderio. La teoria mimetica e la letteratura Italiana. Massa, Italy:
Transeuropa, 2009. Pp.231.

Arnaudo, Marco. Il trionfo di vertunno. Illusiono ottiche e cultura
letteraria nell=E2=80=99et=C3=A0 della Controriforma. Lucca, Italy: Maria=
 Pacini
Fazzi editore, 2008. Pp.301.

Arnade, Peter & Rocke, Michael, ed. Power, Gender, and Ritual in Europe
and the Americas. Essays in Memory of Richard C. Trexler. Toronto:
Center for Reformation and Renaissance Studies, 2008. Pp. 364.

Bartoloni, Paolo. On the cultures of exile, translation, and writing.
West Lafayette, Indiana: Purdue University Press, 2008. Pp. 166.

Bayer, Thora & Donald Phillip Verene, ed. Giambattista Vico. Keys to
the New Science. Ithaca, New York: Cornell University Press, 2009. Pp.
209.

Bellomo, Saverio. Filologia e critica dantesca. Brescia, Italy:
Editrice La Scuola, 2008. Pp. 352.

Bonaffini, Luigi, trans. What she says about love. Poems by Tony
Magistrale. New York: Bordighera Press, 2008. Pp.107.

Brandolini, Aurelio Lippo. Republics and Kingdoms Compared. Cambrigbe,
MA: Harvard University Press, 2009. Pp. 297.=20

Brundin, Abigail and Matthew Treherne, eds. Forms of Faith in
Sixteenth-Century Italy. Burlington, VT: Ashgate, 2009. Pp. 260.

Brentano, Robert. Bishops, Saints, and Historians. Studies in the
Ecclesiastical History of  Medieval Britain and Italy. Hampshire, GR:
Ashgate Publishing Limited, 2008.=20

Massimo Cacciari.  The Unpolitical on the Radical Critique of Political
Reason. Trans. By  Massimo Verdicchio. Bronx, NY: Fordham UP, 2009. Pp.
295.

Capuana, Luigi. Sicilian Tales. Trans. by Santi V. Buscemi. Wellesley,
MA: Dante UP, 2009. Pp. 382.=20

Castellana, Ricardo. Federico Tozzi. Bibliografia delle opere e della
critica 1901-2007. Pisa, Italy: Bibliografia e Informazione, 2008.
Pp.162.

Ceallachain, Eanna, ed. Twentieh Century Italian Poetry. A critical
anthology (1900 to the Neo-Avantgarde). Leicester, UK,: Troubador
Publishing Ltd, 2008. Pp.348.

Chatfield, Mary P., trans. Cristoforo Landino. Poems. Cambrigbe, MA:
Harvard University Press, 2008. Pp. 398=20

Antonio Corbisiero. Le vie del sogno. Personaggi e luoghi
dell=E2=80=99altrove. S. Eustachio di Mercato S. Severino: Edizioni =E2=80=
=9CIl
Grappolo=E2=80=9D, 2009. Pp. 93.

Cristiano, Anthony. Contemporary Italian Cinema: Images of Italy at hte
Turn of the Century. Canada: Polypus Publishing, 2008. Pp.300.

Curreri, Luciano. A cura di. D=E2=80=99Annunzio come personaggio
nell=E2=80=99immaginario italiano ed europeo (1938-2008). Brussels: Peter
Lang, 2008. Pp. 308.

Da Dante a Quasimodo, Giornate di studio per ricordare Giocchino
Paparelli. Nuova Serie V.
Numero 1-2, 2006. Misure Critiche.

Emanuel di Pasquale. Siciliana. Bilingual Poems.  New York, NY:
Bordighera, 2009. Pp. 43.
Jonathan Druker. Primo Levi and Humanism after Auschwitz. Posthumanist
Reflections. New York, NY: Palgrave Macmillan, 2009. Pp. 173.

Fido, Franco. L=E2=80=99avvocato di buon gusto. Nuovi studi goldoniani.
Ravenna, Italy: Longo, 2008. Pp. 178.

Fort, Matthew. Sweet Home, Bitter Lemons.Travels in Sicily on a Vespa.
New York: Thomas Dunne Books, 2008. Pp.334.

Giannini, Stefano. La musa sotto i portici. Caffe e provincia nella
narrativa di Piero Chiara e Lucio Mastronardi. Firenze: Edizioni
Polistampa, 2008. Pp.236.

Paul F. Grendler. The University of Mantua, the Gonzaga & the Jesuits,
1584-1630. Baltimore, MD: The Johns Hopkins UP, 2009. Pp. 286.

Herzfeld, Michael. Evicted from eternity. The Restructuring of Modern
Rome. Chicago: The University of Chicago, 2009. Pp.373.=20

Holmes, Olivia. Dante=E2=80=99s two beloveds. Ethics and erotics in the
Divine comedy. New Haven, CT: Yale University Press, 2008. Pp. 274.

Lina N. Insana. Arduous Tasks. Primo Levi, Translation, and the
Transmission of Holocaust Testimony. Toronto: University of Toronto
Press, 2009. Pp. 319.




Klopp, Charles, ed. Bele Antiche Storie: Writing, Borders, and the
Instability of Identity. Trieste, 1791-2007. New York: Bordighera Pres,
2008. Pp. 239.

Labalme, Patricia & Sanguineti White, Laura, ed. Venice, Cit=C3=A0
Excelentissima. Selections from the Renaissance diaries of Marin Sanudo.
Baltimore: The John Hopkins University Press, 2008. Pp.598.

Lombardo, Stanley, trans. Dante. Inferno. Indianapolis, IN: Hackett
Publishing Company, 2009. Pp. 436.

Lucamante, Stefania, ed. Italy and the Bourgeoisie. The Re-Thinking of
a Class. Cranbury, NJ: Fairleigh Dickinson UP, 2009. Pp. 208.

Lucamante, Stefania. A Multitude of Women: the challenges of the
contemporary Italian novel. Toronto: University of Toronto, 2008. Pp
.323.

Luciano, Bernadette. The cinema of Silvio Soldini. Dream- Image-Voyage.
Leicester, UK: Troubador Publishing Limited, 2008. Pp. 202.

Maggi, Armando. The Resurrection of the Body. Pier Paolo Pasolini, from
Saint Paul to Sade. Chicago: The University of Chicago, 2009. Pp.410. =20

Mariani, Umberto. Living masks. The achievement of Pirandello. Toronto,
CA: Univeristy of Toronto Press Incorporated, 2008. Pp.150.

Luciano Monzali. The Italians of Dalmatia. From Italian Unification to
World War I. Toronto: University of Toronto Press, 2009. Pp. 403.

Morgan, Leslie Zarker. La Geste Francor. Edition of the Chansons de
geste of MS.Marc.Fr.XIII9=3D256). Arizona Center for Medieval and
Renaissance Studies, 2009.=20
Vols. I & II.

Mormino, Gary. Italians in Florida. New York: Bordighera Press, 2008.
Pp.137.

Mullaney, Ann, trans. Teofilo Folengo. Baldo. Volume 2, Books XIII-XV.
Cambrigbe, MA: Harvard University Press, 2008. Pp. 542.

Natale, Massimo .  Il canto delle idee. Leopardi fra =C2=ABPensiero
dominante=C2=BB e =C2=ABAspasia=C2=BB. Venezia: Marsilio, 2009. Pp. 160.

O=E2=80=99Connell, Monique. Men of Empire. Power and Negotiation in
Venice=E2=80=99s Martime State. Baltimore, MD: Johns Hopkins UP, 2009. Pp.
253.

Occhipinti, Emanuele, ed. New approaches to teaching italian language
and culture.Case studies from an international perspective. UK:
Cambridge Scolars Publishing, 2008. Pp.599.
Overell, Anne. Italian Reform and English Reformation, c. 1535-1585.
Hampshire, GR: Ashgate Publishing Limited, 2008. Pp.250.

Pope, David Paul. Unreasonable Men. A Father and Son Who Changed
America. Fort Lee, NJ: Barricade Books, 2009. Pp. 315.
=20

Prevenzano, Anthony. Tornu /The Return. Sicilian poems. Canada: Legas
Publishing, 2009. Pp.165.

Raffa, Guy. The Complete Danteworlds. A Reader=E2=80=99s Guide to the Div=
ine
Comedy. Chicago: The University of Chicago Press, 2009. Pp. 371.

Residori, Matteo, ed. Espaces chevaleresques et H=C3=A9ro=C3=AFques de Bo=
iardo au
Tasse.  Centre Interuniversitaire de Recherche Sur La Renaissance
Italienne, no. 29. 2008. Pp. 224.

Ricapito, Joseph. Second Wave. Poems. New York: Bordighera Press, 2008.
Pp .87.

Rico, Francisco, a.c. di.  Gabbiani, Francesco Petrarca. Milano, Italy:
Adelphi Editore, 2009. Pp. 101.

Rimanelli, Giose. The Three-Legged One, a glossed novel. New York:
Bordighera Press, 2009. Pp .194

Ross, Sarah Gwyneth. The Birth of Feminism. Woman as Intellect in
Renaissance Italy and England.  Cambridge, MA: Harvard UP, 2009.
Pp.405.

Saba, Umberto. Songbook: The Selected Poems of Umberto Saba. New Haven,
CT: Yale University Press, 2008. Pp. 561.

Salsano, Roberto. Avanguardia e tradizione. Saggi su Mario Verdone.
Firenze: Franco Cesati Editore, 2007. Pp.155.

Serra, Ilaria. The Imagined Immigrant. Images of Italian Emigration to
the United States between 1890 and 1924. Cranbury, NJ: Associated UP,
2009. Pp. 313.

Spaccini, Jacqueline et Viviana Agostini-Ouafi, eds. L=E2=80=99italie mag=
ique
de Massimo Bontempelli.
Transalpina, no. 11. Cedex, France: Presses universitarires de Caen,
2008. Pp. 177.

Spaccini, Jacqueline. Sotto la protezione di Artemide Diana.
L=E2=80=99elemeto pittorico nella narrativa italiana contemporanea
(1975-2000). Italy : Rubbettino editore, 2008. Pp. 341.

Terpstra, Nicholas, ed. The art of executing well. Rituals of execution
in Rennaissance Italy. Missouri: Truman State University Press, 2008.
Pp. 354.

Valerio, Anthony. The Little Sailor. New York: Bordighera Press, 2008.
Pp.81.

Verdicchio, Massimi. Reading Dante Reading. A postmodern Reading of
Dante=E2=80=99s Commedia.  Edmonton, Canada: M.V. Dimic Research Institut=
e,
2008. Pp.214.

Volponi, Paolo. Scrivo a te come guardandomi allo specchio. Lettere a
Pasolini (1945-1975). Firenze: Edizioni Polistampa, 2009. Pp.214.

Vida, Marco Girolamo. Christiad. Cambrigbe, MA: Harvard University
Press, 2009. Pp. 464.=20

Weaver, Elissa B. Ed. Scenes from Italian Convent Life. An Anthology of
Convent Theatrical Texts and Contexts. Ravenna, Italy: Longo, 2009. Pp.
254.

Zanini-Cordi, Irene. Donne sciolte. Abbandono ed identit=C3=A0 femminile
nella letteratura italiana. Ravenna, Italy: Longo, 2008. Pp.206.


**************
Gregory M. Pell
Dept. of Romance Languages and Lits.
310 Calkins Hall
107 Hofstra University
Hempstead, NY 11549

tel: 516/463-5437
fax:516/463-2310

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=========================================================================
Date:         Thu, 22 Oct 2009 21:33:22 +0200
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Hi there=20

Some time ago I distributed some stuff I had done on the history of the =
British Council in Italy, 1938 - 1958, which was a sort of hors =
d'oeuvre.=20
Some of you might also be interested in the main course, Campania 1943, =
the first volume of which I am delighted to say has just come out. =
Archibald Colquhoun, William Weaver, Antonio Ghirelli, Raffaele La =
Capria, Benedetto Croce, Robert Capa, John Steinbeck are all in there =
somewhere ...=20
I should like, therefore, to draw your attention to the site =
www.threemicebooks.com where you will find all information about this =
and forthcoming volumes.    =20

Simon Pocock    

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italian-studies: Scholarly discussions in any field of Italian studies
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
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<DIV><FONT size=3D2 face=3DArial>Hi there </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Some time ago I distributed&nbsp;some =
stuff I had=20
done on&nbsp;the history of the British Council&nbsp;in Italy, 1938 - =
1958,=20
which was a sort of hors d'oeuvre. </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Some of you might also be interested in =
the main=20
course,&nbsp;<STRONG>Campania 1943</STRONG>, the first volume of which I =

am&nbsp;delighted to say has just come out. Archibald Colquhoun, William =
Weaver,=20
Antonio Ghirelli, Raffaele La Capria, Benedetto Croce, Robert =
Capa,&nbsp;John=20
Steinbeck are all&nbsp;in there somewhere ...&nbsp;</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I&nbsp;should like, therefore, to draw =
your=20
attention to the&nbsp;site <A=20
title=3D"http://www.threemicebooks.com&#10;Ctrl + clic per seguire il =
collegamento"=20
href=3D"http://www.threemicebooks.com">www.threemicebooks.com</A>&nbsp;wh=
ere you=20
will find all information about this and forthcoming=20
volumes.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Simon Pocock=20
&nbsp;&nbsp;</FONT>&nbsp;</DIV></BODY></HTML>
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Date:         Fri, 23 Oct 2009 12:50:25 -0400
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italian-studies: Scholarly discussions in any field of Italian studies

Dear Donna:,

I am willing to review two books from the list:

1) the Plato book by Michael Allen

2) Paul Grendler's account of the city of Mantua and the Jesuits.

Thanks for sending them to my address:
Giuseppe Mazzotta
Dept. of Italian
Yale University
New Haven, Connecticut 06520

With best wishes,
Giuseppe Mazzotta






ZpAt 01:13 PM 10/22/2009, you wrote:
>italian-studies: Scholarly discussions in any field of Italian studies
>
>Dear colleagues,
>
>below, you will find a list of books still available for review for
>Forum Italicum. Should you be interested, send your request, contact
>information and mailing address to  Donna Severino at:
>[log in to unmask] She will then assign you that volume
>and mail it to your provided address.
>
>Reminder of our submission format: Please submit reviews that are
>informative and evaluative; 500 to 1000 words. In the review heading,
>include:  Name of author(s) or editor(s). Title. Name of translator(s),
>if applicable. Place of publication: publisher, date of publication. Pp.
>___ .
>
>I thank you in advance for your collaboration on this most important
>aspect of our journal (listed here on Italinemo:
>http://www.italinemo.it/riviste/dettaglio_rivista.php?Titolo=3DFORUM%20ITAL=
ICUM
>).
>
>
>*********************************************
>LIST of BOOKS
>*********************************************
>
>
>Abbona-Sneider, Cristina and Antonello Borra, and Cristina Pausini.
>Trame. A Contemporary Italian Reader. New Haven and London: Yale UP,
>2010.  Pp. 260.
>
>Accolla, Paolino & d=E2=80=99Aquino, Niccolo. Italici. An Encounter with
>Piero Bassetti. New York: Bordighera Press, 2008. Pp.79.
>
>Allen, Michael, ed. Marsilio Ficino. Commentaries on Plato. Vol I.
>Phaedrus and Ion. Cambrigbe, MA: Harvard University Press, 2008. Pp.
>268.
>
>Al=C3=B9, Giorgia. Beyond the Traveller=E2=80=99s Gaze. Expatriate Ladies=
 Writing
>in Sicily (1848-1910). Bern, Switzerland: Peter Lang, 2008. Pp.282.
>
>Antonello, Pierpaolo e Giuseppe Fornari, a. c. di. Identit=C3  e
>desiderio. La teoria mimetica e la letteratura Italiana. Massa, Italy:
>Transeuropa, 2009. Pp.231.
>
>Arnaudo, Marco. Il trionfo di vertunno. Illusiono ottiche e cultura
>letteraria nell=E2=80=99et=C3  della Controriforma. Lucca, Italy: Maria=
 Pacini
>Fazzi editore, 2008. Pp.301.
>
>Arnade, Peter & Rocke, Michael, ed. Power, Gender, and Ritual in Europe
>and the Americas. Essays in Memory of Richard C. Trexler. Toronto:
>Center for Reformation and Renaissance Studies, 2008. Pp. 364.
>
>Bartoloni, Paolo. On the cultures of exile, translation, and writing.
>West Lafayette, Indiana: Purdue University Press, 2008. Pp. 166.
>
>Bayer, Thora & Donald Phillip Verene, ed. Giambattista Vico. Keys to
>the New Science. Ithaca, New York: Cornell University Press, 2009. Pp.
>209.
>
>Bellomo, Saverio. Filologia e critica dantesca. Brescia, Italy:
>Editrice La Scuola, 2008. Pp. 352.
>
>Bonaffini, Luigi, trans. What she says about love. Poems by Tony
>Magistrale. New York: Bordighera Press, 2008. Pp.107.
>
>Brandolini, Aurelio Lippo. Republics and Kingdoms Compared. Cambrigbe,
>MA: Harvard University Press, 2009. Pp. 297.
>
>Brundin, Abigail and Matthew Treherne, eds. Forms of Faith in
>Sixteenth-Century Italy. Burlington, VT: Ashgate, 2009. Pp. 260.
>
>Brentano, Robert. Bishops, Saints, and Historians. Studies in the
>Ecclesiastical History of  Medieval Britain and Italy. Hampshire, GR:
>Ashgate Publishing Limited, 2008.
>
>Massimo Cacciari.  The Unpolitical on the Radical Critique of Political
>Reason. Trans. By  Massimo Verdicchio. Bronx, NY: Fordham UP, 2009. Pp.
>295.
>
>Capuana, Luigi. Sicilian Tales. Trans. by Santi V. Buscemi. Wellesley,
>MA: Dante UP, 2009. Pp. 382.
>
>Castellana, Ricardo. Federico Tozzi. Bibliografia delle opere e della
>critica 1901-2007. Pisa, Italy: Bibliografia e Informazione, 2008.
>Pp.162.
>
>Ceallachain, Eanna, ed. Twentieh Century Italian Poetry. A critical
>anthology (1900 to the Neo-Avantgarde). Leicester, UK,: Troubador
>Publishing Ltd, 2008. Pp.348.
>
>Chatfield, Mary P., trans. Cristoforo Landino. Poems. Cambrigbe, MA:
>Harvard University Press, 2008. Pp. 398
>
>Antonio Corbisiero. Le vie del sogno. Personaggi e luoghi
>dell=E2=80=99altrove. S. Eustachio di Mercato S. Severino: Edizioni =E2=80=
=9CIl
>Grappolo=E2=80=9D, 2009. Pp. 93.
>
>Cristiano, Anthony. Contemporary Italian Cinema: Images of Italy at hte
>Turn of the Century. Canada: Polypus Publishing, 2008. Pp.300.
>
>Curreri, Luciano. A cura di. D=E2=80=99Annunzio come personaggio
>nell=E2=80=99immaginario italiano ed europeo (1938-2008). Brussels: Peter
>Lang, 2008. Pp. 308.
>
>Da Dante a Quasimodo, Giornate di studio per ricordare Giocchino
>Paparelli. Nuova Serie V.
>Numero 1-2, 2006. Misure Critiche.
>
>Emanuel di Pasquale. Siciliana. Bilingual Poems.  New York, NY:
>Bordighera, 2009. Pp. 43.
>Jonathan Druker. Primo Levi and Humanism after Auschwitz. Posthumanist
>Reflections. New York, NY: Palgrave Macmillan, 2009. Pp. 173.
>
>Fido, Franco. L=E2=80=99avvocato di buon gusto. Nuovi studi goldoniani.
>Ravenna, Italy: Longo, 2008. Pp. 178.
>
>Fort, Matthew. Sweet Home, Bitter Lemons.Travels in Sicily on a Vespa.
>New York: Thomas Dunne Books, 2008. Pp.334.
>
>Giannini, Stefano. La musa sotto i portici. Caffe e provincia nella
>narrativa di Piero Chiara e Lucio Mastronardi. Firenze: Edizioni
>Polistampa, 2008. Pp.236.
>
>Paul F. Grendler. The University of Mantua, the Gonzaga & the Jesuits,
>1584-1630. Baltimore, MD: The Johns Hopkins UP, 2009. Pp. 286.
>
>Herzfeld, Michael. Evicted from eternity. The Restructuring of Modern
>Rome. Chicago: The University of Chicago, 2009. Pp.373.
>
>Holmes, Olivia. Dante=E2=80=99s two beloveds. Ethics and erotics in the
>Divine comedy. New Haven, CT: Yale University Press, 2008. Pp. 274.
>
>Lina N. Insana. Arduous Tasks. Primo Levi, Translation, and the
>Transmission of Holocaust Testimony. Toronto: University of Toronto
>Press, 2009. Pp. 319.
>
>
>
>
>Klopp, Charles, ed. Bele Antiche Storie: Writing, Borders, and the
>Instability of Identity. Trieste, 1791-2007. New York: Bordighera Pres,
>2008. Pp. 239.
>
>Labalme, Patricia & Sanguineti White, Laura, ed. Venice, Cit=C3
>Excelentissima. Selections from the Renaissance diaries of Marin Sanudo.
>Baltimore: The John Hopkins University Press, 2008. Pp.598.
>
>Lombardo, Stanley, trans. Dante. Inferno. Indianapolis, IN: Hackett
>Publishing Company, 2009. Pp. 436.
>
>Lucamante, Stefania, ed. Italy and the Bourgeoisie. The Re-Thinking of
>a Class. Cranbury, NJ: Fairleigh Dickinson UP, 2009. Pp. 208.
>
>Lucamante, Stefania. A Multitude of Women: the challenges of the
>contemporary Italian novel. Toronto: University of Toronto, 2008. Pp
>.323.
>
>Luciano, Bernadette. The cinema of Silvio Soldini. Dream- Image-Voyage.
>Leicester, UK: Troubador Publishing Limited, 2008. Pp. 202.
>
>Maggi, Armando. The Resurrection of the Body. Pier Paolo Pasolini, from
>Saint Paul to Sade. Chicago: The University of Chicago, 2009. Pp.410.
>
>Mariani, Umberto. Living masks. The achievement of Pirandello. Toronto,
>CA: Univeristy of Toronto Press Incorporated, 2008. Pp.150.
>
>Luciano Monzali. The Italians of Dalmatia. From Italian Unification to
>World War I. Toronto: University of Toronto Press, 2009. Pp. 403.
>
>Morgan, Leslie Zarker. La Geste Francor. Edition of the Chansons de
>geste of MS.Marc.Fr.XIII9=3D256). Arizona Center for Medieval and
>Renaissance Studies, 2009.
>Vols. I & II.
>
>Mormino, Gary. Italians in Florida. New York: Bordighera Press, 2008.
>Pp.137.
>
>Mullaney, Ann, trans. Teofilo Folengo. Baldo. Volume 2, Books XIII-XV.
>Cambrigbe, MA: Harvard University Press, 2008. Pp. 542.
>
>Natale, Massimo .  Il canto delle idee. Leopardi fra =C2=ABPensiero
>dominante=C2=BB e =C2=ABAspasia=C2=BB. Venezia: Marsilio, 2009. Pp. 160.
>
>O=E2=80=99Connell, Monique. Men of Empire. Power and Negotiation in
>Venice=E2=80=99s Martime State. Baltimore, MD: Johns Hopkins UP, 2009. Pp.
>253.
>
>Occhipinti, Emanuele, ed. New approaches to teaching italian language
>and culture.Case studies from an international perspective. UK:
>Cambridge Scolars Publishing, 2008. Pp.599.
>Overell, Anne. Italian Reform and English Reformation, c. 1535-1585.
>Hampshire, GR: Ashgate Publishing Limited, 2008. Pp.250.
>
>Pope, David Paul. Unreasonable Men. A Father and Son Who Changed
>America. Fort Lee, NJ: Barricade Books, 2009. Pp. 315.
>
>
>Prevenzano, Anthony. Tornu /The Return. Sicilian poems. Canada: Legas
>Publishing, 2009. Pp.165.
>
>Raffa, Guy. The Complete Danteworlds. A Reader=E2=80=99s Guide to the=
 Divine
>Comedy. Chicago: The University of Chicago Press, 2009. Pp. 371.
>
>Residori, Matteo, ed. Espaces chevaleresques et H=C3=A9ro=C3=AFques de=
 Boiardo au
>Tasse.  Centre Interuniversitaire de Recherche Sur La Renaissance
>Italienne, no. 29. 2008. Pp. 224.
>
>Ricapito, Joseph. Second Wave. Poems. New York: Bordighera Press, 2008.
>Pp .87.
>
>Rico, Francisco, a.c. di.  Gabbiani, Francesco Petrarca. Milano, Italy:
>Adelphi Editore, 2009. Pp. 101.
>
>Rimanelli, Giose. The Three-Legged One, a glossed novel. New York:
>Bordighera Press, 2009. Pp .194
>
>Ross, Sarah Gwyneth. The Birth of Feminism. Woman as Intellect in
>Renaissance Italy and England.  Cambridge, MA: Harvard UP, 2009.
>Pp.405.
>
>Saba, Umberto. Songbook: The Selected Poems of Umberto Saba. New Haven,
>CT: Yale University Press, 2008. Pp. 561.
>
>Salsano, Roberto. Avanguardia e tradizione. Saggi su Mario Verdone.
>Firenze: Franco Cesati Editore, 2007. Pp.155.
>
>Serra, Ilaria. The Imagined Immigrant. Images of Italian Emigration to
>the United States between 1890 and 1924. Cranbury, NJ: Associated UP,
>2009. Pp. 313.
>
>Spaccini, Jacqueline et Viviana Agostini-Ouafi, eds. L=E2=80=99italie=
 magique
>de Massimo Bontempelli.
>Transalpina, no. 11. Cedex, France: Presses universitarires de Caen,
>2008. Pp. 177.
>
>Spaccini, Jacqueline. Sotto la protezione di Artemide Diana.
>L=E2=80=99elemeto pittorico nella narrativa italiana contemporanea
>(1975-2000). Italy : Rubbettino editore, 2008. Pp. 341.
>
>Terpstra, Nicholas, ed. The art of executing well. Rituals of execution
>in Rennaissance Italy. Missouri: Truman State University Press, 2008.
>Pp. 354.
>
>Valerio, Anthony. The Little Sailor. New York: Bordighera Press, 2008.
>Pp.81.
>
>Verdicchio, Massimi. Reading Dante Reading. A postmodern Reading of
>Dante=E2=80=99s Commedia.  Edmonton, Canada: M.V. Dimic Research Institute,
>2008. Pp.214.
>
>Volponi, Paolo. Scrivo a te come guardandomi allo specchio. Lettere a
>Pasolini (1945-1975). Firenze: Edizioni Polistampa, 2009. Pp.214.
>
>Vida, Marco Girolamo. Christiad. Cambrigbe, MA: Harvard University
>Press, 2009. Pp. 464.
>
>Weaver, Elissa B. Ed. Scenes from Italian Convent Life. An Anthology of
>Convent Theatrical Texts and Contexts. Ravenna, Italy: Longo, 2009. Pp.
>254.
>
>Zanini-Cordi, Irene. Donne sciolte. Abbandono ed identit=C3  femminile
>nella letteratura italiana. Ravenna, Italy: Longo, 2008. Pp.206.
>
>
>**************
>Gregory M. Pell
>Dept. of Romance Languages and Lits.
>310 Calkins Hall
>107 Hofstra University
>Hempstead, NY 11549
>
>tel: 516/463-5437
>fax:516/463-2310
>
>**********************************************************************
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Date:         Sun, 25 Oct 2009 01:06:35 -0700
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Comments:     RFC822 error: <W> Invalid RFC822 field - "Thanks,". Rest of
              header flushed.
From:         Stammers Cintia <[log in to unmask]>
Subject:      review
MIME-Version: 1.0
Content-Type: text/plain; charset=utf-8
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italian-studies: Scholarly discussions in any field of Italian studies

Could you please send me the list of books to review again?=0AThanks,=0ACin=
tia Stammers.=0A=0A=0A      

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Date:         Sun, 25 Oct 2009 11:08:18 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Kim ROBIN <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear italian-studies colleagues,

It may be the case that you accidentally -- or purposefully -- delete  
a message from the list but then wish you could retrieve it. You can:  
you can search for it at the list's archives, at:

https://www.jiscmail.ac.uk/cgi-bin/webadmin?A0=ITALIAN-STUDIES

The archives also give the address of the person who sent the  
original message, so if you need to contact that person, it is simple  
to do so directly. (In this way, you do not need to send your message  
to the entire list).

Best wishes to all,
Kim

--
Kim ROBIN
italian-studies co-list owner (with George Ferzoco)
personal address:
[log in to unmask]
list owners' address:
[log in to unmask]

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Date:         Mon, 26 Oct 2009 10:01:14 +1100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Piera Carroli <[log in to unmask]>
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In-Reply-To:  A<[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Gentile Cintia Stammers and Donna Severino,
=20
depending on the date requested for submission, I am interested in
reviewing the following books:

Zanini-Cordi, Donne sciolte;
Lucamante Stefania, A multitude of women;
Ross, SArah, The birth of feminism

Cordiali saluti
Piera=20

Dr. Piera Carroli
Senior Lecturer & Convener=20
(professore & direttore), Italian Studies Program;
Academic Convener, ANU/Bologna & Siena Exchanges
=20
Phone: +61 (0) 2 6125 2833
Fax: + 61 (0)2 6125 3252
=20
School of Language Studies
Faculty of Arts
Australian National University (ANU)
=20
Mail: School of Language Studies
Baldessin Precinct Building (1.10)
The Australian National University
Acton ACT 0200
Australia
=20
http://arts.anu.edu.au/languages/italian/italian_homepage.asp

-----Original Message-----
From: Scholarly discussions in any field of Italian studies
[mailto:[log in to unmask]] On Behalf Of Stammers Cintia
Sent: Sunday, 25 October 2009 7:07 PM
To: [log in to unmask]
Subject: [I-S] review

italian-studies: Scholarly discussions in any field of Italian studies

Could you please send me the list of books to review again?
Thanks,
Cintia Stammers.


     =20

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=========================================================================
Date:         Sun, 25 Oct 2009 23:41:36 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Kim ROBIN <[log in to unmask]>
Subject:      please read this
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italian-studies: Scholarly discussions in any field of Italian studies

Dear italian-studies colleagues,

In the message Gregory Pell kindly sent to our list on 22 October, he  
said, in his very first paragraph:


> Dear colleagues,
>
> below, you will find a list of books still available for review for
> Forum Italicum. Should you be interested, send your request, contact
> information and mailing address to  Donna Severino at:
> [log in to unmask]
>

Gregory has instructed us very clearly on what to do. If you want to  
review a book for Forum Italicum (an excellent journal!), there is no  
need to send your replies to the list. Over one thousand other people  
probably have little interest in knowing which books you would like  
to review. (They will be interested in reading your actual review in  
Forum Italicum, but that is a different matter!)

Moreover -- assuming the list software is working (and I have checked  
-- it is working) -- if you send a message to the list, you receive  
an automated reply, asking you if you are certain you wish for your  
message to go to the list; and if you are, you are asked to click on  
a link. I do not understand why someone, receiving such a message and  
noting that their original message was sent to the list in error,  
would persist in sending that message to the list.

In short: please read the instructions that are sent to you, and act  
in accordance with them. If you have any questions whatsoever about  
the list or how it functions, please write to the list owners at:
[log in to unmask]

Thank you!

Yours truly,
Kim Robin
--
Kim ROBIN
italian-studies co-list owner
personal address:
[log in to unmask]
list owners' address:
[log in to unmask]

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=========================================================================
Date:         Mon, 26 Oct 2009 04:26:52 -0400
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         "Oldcorn, Anthony" <[log in to unmask]>
Subject:      R: [I-S] please read this
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

italian-studies: Scholarly discussions in any field of Italian studies

Dear Kim,

May I make a suggestion? That people looking for interaction out of the =
public eye, give their own email address in the message, thereby making =
it easy to reply. I wrote to Professor Pell about a couple of books and =
I wrote privately, but it took some extra research to find his email =
address at Hofstra. I hope I got it right in the end.

Anthony Oldcorn
Director, Brown University in Bologna



-----Messaggio originale-----
Da: Scholarly discussions in any field of Italian studies per conto di =
Kim ROBIN
Inviato: dom 10/25/2009 7:41
A: [log in to unmask]
Oggetto: [I-S] please read this
=20
italian-studies: Scholarly discussions in any field of Italian studies

Dear italian-studies colleagues,

In the message Gregory Pell kindly sent to our list on 22 October, he =20
said, in his very first paragraph:


> Dear colleagues,
>
> below, you will find a list of books still available for review for
> Forum Italicum. Should you be interested, send your request, contact
> information and mailing address to  Donna Severino at:
> [log in to unmask]
>

Gregory has instructed us very clearly on what to do. If you want to =20
review a book for Forum Italicum (an excellent journal!), there is no =20
need to send your replies to the list. Over one thousand other people =20
probably have little interest in knowing which books you would like =20
to review. (They will be interested in reading your actual review in =20
Forum Italicum, but that is a different matter!)

Moreover -- assuming the list software is working (and I have checked =20
-- it is working) -- if you send a message to the list, you receive =20
an automated reply, asking you if you are certain you wish for your =20
message to go to the list; and if you are, you are asked to click on =20
a link. I do not understand why someone, receiving such a message and =20
noting that their original message was sent to the list in error, =20
would persist in sending that message to the list.

In short: please read the instructions that are sent to you, and act =20
in accordance with them. If you have any questions whatsoever about =20
the list or how it functions, please write to the list owners at:
[log in to unmask]

Thank you!

Yours truly,
Kim Robin
--
Kim ROBIN
italian-studies co-list owner
personal address:
[log in to unmask]
list owners' address:
[log in to unmask]

**********************************************************************
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=========================================================================
Date:         Mon, 26 Oct 2009 04:41:42 -0400
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         "Oldcorn, Anthony" <[log in to unmask]>
Subject:      R: [I-S] please (don't) read this
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

italian-studies: Scholarly discussions in any field of Italian studies

Oops! Now I am the one making a fool of myself. I didn't notice Donna =
Severino's address until I got my own message back. Sorry!

Anthony Oldcorn


-----Messaggio originale-----
Da: Scholarly discussions in any field of Italian studies per conto di =
Kim ROBIN
Inviato: dom 10/25/2009 7:41
A: [log in to unmask]
Oggetto: [I-S] please read this
=20
italian-studies: Scholarly discussions in any field of Italian studies

Dear italian-studies colleagues,

In the message Gregory Pell kindly sent to our list on 22 October, he =20
said, in his very first paragraph:


> Dear colleagues,
>
> below, you will find a list of books still available for review for
> Forum Italicum. Should you be interested, send your request, contact
> information and mailing address to  Donna Severino at:
> [log in to unmask]
>

Gregory has instructed us very clearly on what to do. If you want to =20
review a book for Forum Italicum (an excellent journal!), there is no =20
need to send your replies to the list. Over one thousand other people =20
probably have little interest in knowing which books you would like =20
to review. (They will be interested in reading your actual review in =20
Forum Italicum, but that is a different matter!)

Moreover -- assuming the list software is working (and I have checked =20
-- it is working) -- if you send a message to the list, you receive =20
an automated reply, asking you if you are certain you wish for your =20
message to go to the list; and if you are, you are asked to click on =20
a link. I do not understand why someone, receiving such a message and =20
noting that their original message was sent to the list in error, =20
would persist in sending that message to the list.

In short: please read the instructions that are sent to you, and act =20
in accordance with them. If you have any questions whatsoever about =20
the list or how it functions, please write to the list owners at:
[log in to unmask]

Thank you!

Yours truly,
Kim Robin
--
Kim ROBIN
italian-studies co-list owner
personal address:
[log in to unmask]
list owners' address:
[log in to unmask]

**********************************************************************
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In order to report problems or to contact the list's owners, write to:
[log in to unmask]
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http://www.jiscmail.ac.uk/lists/italian-studies.html


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=========================================================================
Date:         Sun, 25 Oct 2009 23:03:01 -0400
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Mario David Bellati <[log in to unmask]>
Subject:      Fwd: Lecture on Marinetti
MIME-Version: 1.0
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italian-studies: Scholarly discussions in any field of Italian studies

----- Forwarded message from [log in to unmask] -----
     Date: Sun, 25 Oct 2009 16:28:24 -0400
     From: Penelope Meyers <[log in to unmask]>
Reply-To: Penelope Meyers <[log in to unmask]>
  Subject: Lecture on Marinetti
       To: [log in to unmask]

Dear Professor Bellati,

I=E2=80=99m writing on behalf of Phillip Usher, a professor in the French
department at Barnard College, to let you know of an upcoming lecture
at Barnard with Professor Giuseppe Gazolla about Marinetti's
unpublished translations of Mallarm=C3=A9 and which I think may be of
interest to yourself, as well as to faculty and students in your
department. I=E2=80=99d be grateful if you could pass on the information to
anyone you think might be interested. Many thanks in advance,

All best,
Penelope Meyers
Event coordinator, Translation Across the Disciplines.


MARINETTI, TRANSLATOR OF MALLARM=C3=89
A LECTURE WITH GIUSEPPE GAZZOLA

Monday, 11/02 6pm
Sulzberger Parlor
3rd Floor Barnard Hall

In this talk, Giuseppe Gazzola, a specialist of nineteenth century
Italian literature who teaches at SUNY Stonybrook, will discuss the
border crossings and literary connections between the Italian Futurist
Filippo Tommaso Marinetti (1876-1944) and the French symbolist
St=C3=A9phane Mallarm=C3=A9 (1842-1898). In particular, Gazzola will read fr=
om
and then discuss Marinetti=E2=80=99s unpublished translations of Mallarm=C3=
=A9,
with an eye to explaining how we can understand more about both poets
via this textual trace of influence. Gazzola will also talk about the
modern edition of these translations that he is currently preparing.
The talk is free and open to the public.

Information: [log in to unmask]

Sponsored by the Mellon Foundation as part of the Translation Across
the Disciplines lecture series.



----- End forwarded message -----

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=========================================================================
Date:         Mon, 26 Oct 2009 15:31:15 -0400
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Alison Cornish <[log in to unmask]>
Subject:      2010 AAIS conference in Ann Arbor, Michigan
Comments: cc: [log in to unmask], April Caldwell <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

A reminder that proposals and for sessions, panels, and roundtables  
for the 2010 AAIS conference are being accepted now until Nov 20.   
Please send them to me ([log in to unmask]) with all info in the email,  
no attachments.
For guidelines, http://www.aais.info/confguide.html.
For conference site, http://www.lsa.umich.edu/rll/aais/index.html
For list of sessions already proposed, use "conference program" link (http://www.lsa.umich.edu/rll/aais/index.html 
)
Individual paper proposals for Session and Roundtable Organizers, to  
include title, brief abstract (150-200 words) and audio-visual needs,  
will be due January 2, 2010

Keynote speaker(s) to be announced shortly.



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italian-studies: Scholarly discussions in any field of Italian studies
<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">A reminder that proposals and =
for sessions, panels, and roundtables for the 2010 AAIS conference are =
being accepted now until Nov 20. &nbsp;Please send them to me&nbsp;(<a =
href=3D"mailto:[log in to unmask]">[log in to unmask]</a>) with all info in =
the email, no attachments. &nbsp;<div>For guidelines, <a =
href=3D"http://www.aais.info/confguide.html">http://www.aais.info/confguid=
e.html</a>. &nbsp;</div><div>For conference site,&nbsp;<a =
href=3D"http://www.lsa.umich.edu/rll/aais/index.html">http://www.lsa.umich=
.edu/rll/aais/index.html</a></div><div>For list of sessions already =
proposed, use "conference program" link (<a =
href=3D"http://www.lsa.umich.edu/rll/aais/index.html)">http://www.lsa.umic=
h.edu/rll/aais/index.html)</a></div><div>Individual paper proposals for =
Session and Roundtable Organizers, to include title, brief abstract =
(150-200 words) and audio-visual needs, will be due January 2, =
2010</div><div><br></div><div>Keynote speaker(s) to be announced =
shortly.</div><div><br></div><div><br></div></body></html>=
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=========================================================================
Date:         Mon, 26 Oct 2009 23:35:18 -0700
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         LM <[log in to unmask]>
Subject:      sublet in Rome/Dec17th-Jan7th
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italian-studies: Scholarly discussions in any field of Italian studies

Hello, Please email me if you are interested in subletting
my two bedroom/2 bathroom, sunny quiet apartment on the the
sixth floor with elevator in Trastevere, Rome.=A0=20

Photos available by email.=A0 If you are interested, please
email me with your length of stay and number of occupants as
that would determine the price.=A0 Ideal for a couple.

Thank you

Liana Miuccio
[log in to unmask]
Professor of Photography
Cornell University/Rome campus
www.lianaphoto.com
=0A=0A=0A      

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italian-studies: Scholarly discussions in any field of Italian studies
<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hello, Please email me if you are interested =
in subletting<br>my two bedroom/2 bathroom, sunny quiet apartment on the th=
e<br>sixth floor with elevator in Trastevere, Rome.&nbsp; <br><br>Photos av=
ailable by email.&nbsp; If you are interested, please<br>email me with your=
 length of stay and number of occupants as<br>that would determine the pric=
e.&nbsp; Ideal for a couple.<br><br>Thank you<br><br>Liana Miuccio<br>liana=
[log in to unmask]<br>Professor of Photography<br>Cornell University/Rome cam=
pus<br>www.lianaphoto.com<br></td></tr></table><br>=0A=0A      
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=========================================================================
Date:         Tue, 27 Oct 2009 11:03:58 -0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         "TESSICINI D." <[log in to unmask]>
Subject:      Seminar on Asmara Dream: A photographic presentation and
              discussion of Eritrea (Durham, 4th November)
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italian-studies: Scholarly discussions in any field of Italian studies

Dear list members,

Durham's Department of Italian is pleased to announce the following
seminar by Dr Marco Barbon (Paris) and Neelam Srivastava (Newcastle):

Asmara Dream: A photographic presentation and discussion of Eritrea,
Italy's first overseas colony.

Abstract: Eritrea is one of the smallest African states, perched on the
coast of the Red Sea, in the Horn of Africa. Marco Barbon has just
published a book of photographs documenting the colonial architecture of
its capital, entitled Asmara Dream. The first part of the seminar will
introduce the topic of the book by tracing some aspects of Eritrea's
complex history; as Italy's first overseas colony, it was deeply marked
by the Italian presence, whose most visible traces can be seen in the
stunning modernist buildings of Asmara. This historical introduction
will be followed by a commentary on the photographic images. Starting
from a choice of images from the book, the author will talk about his
experience of Asmara and of how his initial ideas for the book developed
into the final project.


The Seminar will take place in Durham, School of Modern Languages and
Cultures, New Elvet, Elvet Riverside, DH1 3JT, Room A56 at 12 noon.=20


---------------------
Dr Dario Tessicini
Dept. of Italian,
School of Modern Languages and Cultures
University of Durham
New Elvet, Elvet Riverside,=20
Durham DH1 3JT
United Kingdom

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=========================================================================
Date:         Tue, 27 Oct 2009 06:28:28 -0700
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         James Ward <[log in to unmask]>
Subject:      A modest proposal
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italian-studies: Scholarly discussions in any field of Italian studies












Cari colleghi=2C
I would like to propose an idea for discussion among colleagues on this lis=
t: an on-line journal of Italian studies. At the present time=2C there exis=
ts=2C to my knowledge=2C no such journal=3B the only on-line resource of th=
is type of which I am aware is the excellent H-Italy=2C hosted by Michigan =
State University (www.h-net.org/~italy)=2C which publishes timely reviews o=
f Italy-related books=2C and has discussion forums for specific topics. Why=
 shouldn't we have a similar resource for scholarly articles?
This proposal comes out of my personal experience. Currently=2C if I submit=
 an article to a journal=2C I must wait at least 6 months to hear a respons=
e=2C then wait another 8-15 months before the article appears in print. At =
that point=2C I can begin to receive feedback from colleagues on the articl=
e and the ideas in it. Why should the flow of ideas and information in the =
humanities be so slow? After all=2C in the hard sciences=2C the on-line pub=
lication of articles and abstracts in a timely manner has been the norm for=
 many years=2C which generates immediate feedback and advances the pursuit =
of knowledge immensely. Are the humanities really different from the hard s=
ciences in some fundamental way? Or might we benefit also from such an acce=
lerated rhythm of the free and timely exchange of ideas? After all=2C we al=
ready have such forums as this as a means of asking scholarly questions on =
a specific topic. Why not extend this to articles as a whole?
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this proposal.
Cordiali saluti.
Jim Ward=2C Berkeley=2C CA

 		 	   		 =20
_________________________________________________________________
Windows 7: Simplify your PC. Learn more.
http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID24727::T:=
WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009=

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Cari colleghi=2C<br>I would like to propose an idea for discussion among co=
lleagues on this list: an on-line journal of Italian studies. At the presen=
t time=2C there exists=2C to my knowledge=2C no such journal=3B the only on=
-line resource of this type of which I am aware is the excellent H-Italy=2C=
 hosted by Michigan State University (www.h-net.org/~italy)=2C which publis=
hes timely reviews of Italy-related books=2C and has discussion forums for =
specific topics. Why shouldn't we have a similar resource for scholarly art=
icles?<br>This proposal comes out of my personal experience. Currently=2C i=
f I submit an article to a journal=2C I must wait at least 6 months to hear=
 a response=2C then wait another 8-15 months before the article appears in =
print. At that point=2C I can begin to receive feedback from colleagues on =
the article and the ideas in it. Why should the flow of ideas and informati=
on in the humanities be so slow? After all=2C in the hard sciences=2C the o=
n-line publication of articles and abstracts in a timely manner has been th=
e norm for many years=2C which generates immediate feedback and advances th=
e pursuit of knowledge immensely. Are the humanities really different from =
the hard sciences in some fundamental way? Or might we benefit also from su=
ch an accelerated rhythm of the free and timely exchange of ideas? After al=
l=2C we already have such forums as this as a means of asking scholarly que=
stions on a specific topic. Why not extend this to articles as a whole?<br>=
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this proposal.<br>C=
ordiali saluti.<br>Jim Ward=2C Berkeley=2C CA<br><br> 		 	   		  <br /><hr =
/>Windows 7: Simplify your PC. <a href=3D'http://www.microsoft.com/Windows/=
windows-7/default.aspx?ocid=3DPID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_everg=
reen1:102009' target=3D'_new'>Learn more.</a></body>
</html>=
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--_b70fb577-7e97-4a71-bb13-4da9bb134dbb_--
=========================================================================
Date:         Tue, 27 Oct 2009 14:01:47 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Charlotte Ross <[log in to unmask]>
Subject:      Re: A modest proposal
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear Jim,
There are already some online journals relating to Italian Studies, such as=
 the Bulletin of Italian Politics, available here: http://www.gla.ac.uk/pol=
itics/bulletinofitalianpolitics/
I am sure colleagues will be able to provide details of other online journa=
ls. While I agree that it is frustrating to wait for scholarly articles to =
come out in print, part of this time lag is due to the refereeing process.


Dr Charlotte Ross

Department of Italian Studies

University of Birmingham

Edgbaston

Birmingham

B15 2TT



Tel: +44 (0)121 4147505



Gender and Sexuality Studies at Birmingham: http://www.gender.bham.ac.uk/<h=
ttp://arts.monash.edu.au/lcl/conferences/gender-and-sexuality/index.php>

Birmingham-Warwick MA in Italian Studies: Culture and Communication: http:/=
/www.italian.bham.ac.uk/pg/ma.htm

________________________________
From: Scholarly discussions in any field of Italian studies [mailto:ITALIAN=
[log in to unmask]] On Behalf Of James Ward
Sent: 27 October 2009 13:28
To: [log in to unmask]
Subject: [I-S] A modest proposal

Cari colleghi,
I would like to propose an idea for discussion among colleagues on this lis=
t: an on-line journal of Italian studies. At the present time, there exists=
, to my knowledge, no such journal; the only on-line resource of this type =
of which I am aware is the excellent H-Italy, hosted by Michigan State Univ=
ersity (www.h-net.org/~italy), which publishes timely reviews of Italy-rela=
ted books, and has discussion forums for specific topics. Why shouldn't we =
have a similar resource for scholarly articles?
This proposal comes out of my personal experience. Currently, if I submit a=
n article to a journal, I must wait at least 6 months to hear a response, t=
hen wait another 8-15 months before the article appears in print. At that p=
oint, I can begin to receive feedback from colleagues on the article and th=
e ideas in it. Why should the flow of ideas and information in the humaniti=
es be so slow? After all, in the hard sciences, the on-line publication of =
articles and abstracts in a timely manner has been the norm for many years,=
 which generates immediate feedback and advances the pursuit of knowledge i=
mmensely. Are the humanities really different from the hard sciences in som=
e fundamental way? Or might we benefit also from such an accelerated rhythm=
 of the free and timely exchange of ideas? After all, we already have such =
forums as this as a means of asking scholarly questions on a specific topic=
. Why not extend this to articles as a whole?
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this proposal.
Cordiali saluti.
Jim Ward, Berkeley, CA

________________________________
Windows 7: Simplify your PC. Learn more.<http://www.microsoft.com/Windows/w=
indows-7/default.aspx?ocid=3DPID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergr=
een1:102009>
********************************************************************** To j=
oin the list, send the message: join italian-studies YOUR NAME to: jiscmail=
@jiscmail.ac.uk To send a message to the list, address it to: italian-studi=
[log in to unmask] To leave the list, send the message: leave italian-studie=
s to: [log in to unmask] In order to report problems or to contact the=
 list's owners, write to: [log in to unmask] For furthe=
r information, visit our web site: http://www.jiscmail.ac.uk/lists/italian-=
studies.html

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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Dear Jim,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'>There are already some online journals
relating to Italian Studies, such as the Bulletin of Italian Politics,
available here: <a
href=3D"http://www.gla.ac.uk/politics/bulletinofitalianpolitics/">http://ww=
w.gla.ac.uk/politics/bulletinofitalianpolitics/</a><o:p></o:p></span></font=
></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I am sure colleagues will be able to
provide details of other online journals. While I agree that it is frustrat=
ing
to wait for scholarly articles to come out in print, part of this time lag =
is
due to the refereeing process.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<div>

<p class=3DMsoAutoSig><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Dr <st1:PersonName w:st=3D"on">Charlot=
te
 Ross</st1:PersonName><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Department of Italian Studies</span></=
font><font
color=3Dnavy><span style=3D'color:navy'><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><st1:place w:st=3D"on"><st1:PlaceType w:st=3D"on"><fo=
nt size=3D2
  color=3Dnavy face=3DArial><span style=3D'font-size:10.0pt;font-family:Ari=
al;
  color:navy'>University</span></font></st1:PlaceType><font size=3D2 color=
=3Dnavy
 face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial;color:navy'=
> of <st1:PlaceName
 w:st=3D"on">Birmingham</st1:PlaceName></span></font></st1:place><font size=
=3D2
color=3Dnavy face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial=
;
color:navy'><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Edgbaston<o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><st1:City w:st=3D"on"><st1:place w:st=3D"on"><font si=
ze=3D2
  color=3Dnavy face=3DArial><span style=3D'font-size:10.0pt;font-family:Ari=
al;
  color:navy'>Birmingham</span></font></st1:place></st1:City><font size=3D2
color=3Dnavy face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial=
;
color:navy'><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'>B15 2TT<o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
11.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Tel: +44 (0)121 4147505</span></font><=
font
color=3Dnavy><span style=3D'color:navy'><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dnavy face=3D"Times New Roman">=
<span
style=3D'font-size:12.0pt;color:navy'>&nbsp;<o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D2 color=3Dnavy face=3DArial><span style=
=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Gender and Sexuality Studies at <st1:C=
ity
w:st=3D"on"><st1:place w:st=3D"on">Birmingham</st1:place></st1:City>: <a
href=3D"http://www.gender.bham.ac.uk/">http://www.gender.bham.ac.uk/</a></s=
pan></font><font
size=3D2 color=3Dnavy face=3DArial><span style=3D'font-size:11.0pt;font-fam=
ily:Arial;
color:navy'><a
href=3D"http://arts.monash.edu.au/lcl/conferences/gender-and-sexuality/inde=
x.php"></a></span></font><font
color=3Dnavy><span style=3D'color:navy'><o:p></o:p></span></font></p>

<p><font size=3D2 color=3Dnavy face=3DArial><span style=3D'font-size:10.0pt=
;font-family:
Arial;color:navy'>Birmingham-Warwick MA in Italian Studies: Culture and
Communication: </span></font><font size=3D2 color=3Dnavy face=3DArial><span
style=3D'font-size:11.0pt;font-family:Arial;color:navy'><a
href=3D"http://www.italian.bham.ac.uk/pg/ma.htm"><font size=3D2><span
style=3D'font-size:10.0pt'>http://www.italian.bham.ac.uk/pg/ma.htm</span></=
font></a></span></font><o:p></o:p></p>

</div>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font siz=
e=3D3
face=3D"Times New Roman"><span lang=3DEN-US style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span lang=3DEN-US
style=3D'font-size:10.0pt;font-family:Tahoma;font-weight:bold'>From:</span>=
</font></b><font
size=3D2 face=3DTahoma><span lang=3DEN-US style=3D'font-size:10.0pt;font-fa=
mily:Tahoma'>
<st1:PersonName w:st=3D"on">Scholarly discussions in any field of Italian s=
tudies</st1:PersonName>
[mailto:[log in to unmask]] <b><span style=3D'font-weight:bold'=
>On
Behalf Of </span></b>James Ward<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> 27 October 2009 13:28<=
br>
<b><span style=3D'font-weight:bold'>To:</span></b> ITALIAN-STUDIES@JISCMAIL=
.AC.UK<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> [I-S] A modest prop=
osal</span></font><span
lang=3DEN-US><o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span style=3D=
'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D2 face=3DV=
erdana><span
style=3D'font-size:10.0pt;font-family:Verdana'>Cari colleghi,<br>
I would like to propose an idea for discussion among colleagues on this lis=
t:
an on-line journal of Italian studies. At the present time, there exists, t=
o my
knowledge, no such journal; the only on-line resource of this type of which=
 I
am aware is the excellent H-Italy, hosted by Michigan State University
(www.h-net.org/~italy), which publishes timely reviews of Italy-related boo=
ks,
and has discussion forums for specific topics. Why shouldn't we have a simi=
lar
resource for scholarly articles?<br>
This proposal comes out of my personal experience. Currently, if I submit a=
n
article to a journal, I must wait at least 6 months to hear a response, the=
n
wait another 8-15 months before the article appears in print. At that point=
, I
can begin to receive feedback from colleagues on the article and the ideas =
in
it. Why should the flow of ideas and information in the humanities be so sl=
ow?
After all, in the hard sciences, the on-line publication of articles and
abstracts in a timely manner has been the norm for many years, which genera=
tes
immediate feedback and advances the pursuit of knowledge immensely. Are the
humanities really different from the hard sciences in some fundamental way?=
 Or
might we benefit also from such an accelerated rhythm of the free and timel=
y
exchange of ideas? After all, we already have such forums as this as a mean=
s of
asking scholarly questions on a specific topic. Why not extend this to arti=
cles
as a whole?<br>
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm
looking forward to hearing responses from colleagues on this proposal.<br>
Cordiali saluti.<br>
Jim Ward, <st1:place w:st=3D"on"><st1:City w:st=3D"on">Berkeley</st1:City>,=
 <st1:State
 w:st=3D"on">CA</st1:State></st1:place><br>
<br>
<o:p></o:p></span></font></p>

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e=3D2
face=3DVerdana><span style=3D'font-size:10.0pt;font-family:Verdana'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></font></div>

<p class=3DMsoNormal><font size=3D2 face=3DVerdana><span style=3D'font-size=
:10.0pt;
font-family:Verdana'>Windows 7: Simplify your PC. <a
href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID2=
4727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009"
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Date:         Tue, 27 Oct 2009 10:10:34 -0400
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
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              <[log in to unmask]>
From:         "Mario B. Mignonr" <[log in to unmask]>
Subject:      Re: A modest proposal
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italian-studies: Scholarly discussions in any field of Italian studies

Dear Jim,
Excellent idea. However, I would like to inform everyone that Forum 
Italicum will be online starting January 2010. Forty-three years of 
publication have been scanned and will be also available starting with the 
new calendar year. 

________________________
Mario B. Mignone, Editor
Forum Italicum
Center for Italian Studies
State University of New York at Stony Brook
Stony Brook, NY 11794-3358
Tel: 631-632-7444



From:   Charlotte Ross <[log in to unmask]>
To:     [log in to unmask]
Date:   10/27/2009 10:05 AM
Subject:        Re: A modest proposal
Sent by:        Scholarly discussions in any field of Italian studies 
<[log in to unmask]>



italian-studies: Scholarly discussions in any field of Italian studies 
Dear Jim,
There are already some online journals relating to Italian Studies, such 
as the Bulletin of Italian Politics, available here: 
http://www.gla.ac.uk/politics/bulletinofitalianpolitics/
I am sure colleagues will be able to provide details of other online 
journals. While I agree that it is frustrating to wait for scholarly 
articles to come out in print, part of this time lag is due to the 
refereeing process.
 
Dr Charlotte Ross
Department of Italian Studies
University of Birmingham
Edgbaston
Birmingham
B15 2TT
 
Tel: +44 (0)121 4147505
 
Gender and Sexuality Studies at Birmingham: http://www.gender.bham.ac.uk/
Birmingham-Warwick MA in Italian Studies: Culture and Communication: 
http://www.italian.bham.ac.uk/pg/ma.htm

From: Scholarly discussions in any field of Italian studies [
mailto:[log in to unmask]] On Behalf Of James Ward
Sent: 27 October 2009 13:28
To: [log in to unmask]
Subject: [I-S] A modest proposal
 
Cari colleghi,
I would like to propose an idea for discussion among colleagues on this 
list: an on-line journal of Italian studies. At the present time, there 
exists, to my knowledge, no such journal; the only on-line resource of 
this type of which I am aware is the excellent H-Italy, hosted by Michigan 
State University (www.h-net.org/~italy), which publishes timely reviews of 
Italy-related books, and has discussion forums for specific topics. Why 
shouldn't we have a similar resource for scholarly articles?
This proposal comes out of my personal experience. Currently, if I submit 
an article to a journal, I must wait at least 6 months to hear a response, 
then wait another 8-15 months before the article appears in print. At that 
point, I can begin to receive feedback from colleagues on the article and 
the ideas in it. Why should the flow of ideas and information in the 
humanities be so slow? After all, in the hard sciences, the on-line 
publication of articles and abstracts in a timely manner has been the norm 
for many years, which generates immediate feedback and advances the 
pursuit of knowledge immensely. Are the humanities really different from 
the hard sciences in some fundamental way? Or might we benefit also from 
such an accelerated rhythm of the free and timely exchange of ideas? After 
all, we already have such forums as this as a means of asking scholarly 
questions on a specific topic. Why not extend this to articles as a whole?
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm 
looking forward to hearing responses from colleagues on this proposal.
Cordiali saluti.
Jim Ward, Berkeley, CA


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italian-studies: Scholarly discussions in any field of Italian studies
<font size=2 face="sans-serif">Dear Jim,</font>
<br><font size=2 face="sans-serif">Excellent idea. However, I would like
to inform everyone that Forum Italicum will be online starting January
2010. Forty-three years of publication have been scanned and will be also
available starting with the new calendar year. </font>
<br><font size=2 face="sans-serif"><br>
________________________<br>
Mario B. Mignone, Editor</font>
<br><font size=2 face="sans-serif">Forum Italicum<br>
Center for Italian Studies<br>
State University of New York at Stony Brook<br>
Stony Brook, NY 11794-3358<br>
Tel: 631-632-7444</font>
<br>
<br>
<br>
<br><font size=1 color=#5f5f5f face="sans-serif">From: &nbsp; &nbsp; &nbsp;
&nbsp;</font><font size=1 face="sans-serif">Charlotte Ross &lt;[log in to unmask]&gt;</font>
<br><font size=1 color=#5f5f5f face="sans-serif">To: &nbsp; &nbsp; &nbsp;
&nbsp;</font><font size=1 face="sans-serif">[log in to unmask]</font>
<br><font size=1 color=#5f5f5f face="sans-serif">Date: &nbsp; &nbsp; &nbsp;
&nbsp;</font><font size=1 face="sans-serif">10/27/2009 10:05 AM</font>
<br><font size=1 color=#5f5f5f face="sans-serif">Subject: &nbsp; &nbsp;
&nbsp; &nbsp;</font><font size=1 face="sans-serif">Re: A modest
proposal</font>
<br><font size=1 color=#5f5f5f face="sans-serif">Sent by: &nbsp; &nbsp;
&nbsp; &nbsp;</font><font size=1 face="sans-serif">Scholarly discussions
in any field of Italian studies &lt;[log in to unmask]&gt;</font>
<br>
<hr noshade>
<br>
<br>
<br><font size=3>italian-studies: Scholarly discussions in any field of
Italian studies </font>
<br><font size=2 color=#000080 face="Arial">Dear Jim,</font>
<br><font size=2 color=#000080 face="Arial">There are already some online
journals relating to Italian Studies, such as the Bulletin of Italian Politics,
available here: </font><a href=http://www.gla.ac.uk/politics/bulletinofitalianpolitics/><font size=2 color=blue face="Arial"><u>http://www.gla.ac.uk/politics/bulletinofitalianpolitics/</u></font></a>
<br><font size=2 color=#000080 face="Arial">I am sure colleagues will be
able to provide details of other online journals. While I agree that it
is frustrating to wait for scholarly articles to come out in print, part
of this time lag is due to the refereeing process.</font>
<br><font size=2 color=#000080 face="Arial">&nbsp;</font>
<br><font size=2 color=#000080 face="Arial">Dr Charlotte Ross</font>
<br><font size=2 color=#000080 face="Arial">Department of Italian Studies</font>
<br><font size=2 color=#000080 face="Arial">University of Birmingham</font>
<br><font size=2 color=#000080 face="Arial">Edgbaston</font>
<br><font size=2 color=#000080 face="Arial">Birmingham</font>
<br><font size=2 color=#000080 face="Arial">B15 2TT</font>
<br><font size=2 color=#000080 face="Arial">&nbsp;</font>
<br><font size=2 color=#000080 face="Arial">Tel: +44 (0)121 4147505</font>
<br><font size=3 color=#000080 face="Times New Roman">&nbsp;</font>
<br><font size=2 color=#000080 face="Arial">Gender and Sexuality Studies
at Birmingham: </font><a href=http://www.gender.bham.ac.uk/><font size=2 color=blue face="Arial"><u>http://www.gender.bham.ac.uk/</u></font></a><a href="http://arts.monash.edu.au/lcl/conferences/gender-and-sexuality/index.php"></a>
<p><font size=2 color=#000080 face="Arial">Birmingham-Warwick MA in Italian
Studies: Culture and Communication: </font><a href=http://www.italian.bham.ac.uk/pg/ma.htm><font size=2 color=blue face="Arial"><u>http://www.italian.bham.ac.uk/pg/ma.htm</u></font></a>
<div align=center>
<br>
<hr></div>
<br><font size=2 face="Tahoma"><b>From:</b> Scholarly discussions in any
field of Italian studies [</font><a href="mailto:[log in to unmask]"><font size=2 face="Tahoma">mailto:[log in to unmask]</font></a><font size=2 face="Tahoma">]
<b>On Behalf Of </b>James Ward<b><br>
Sent:</b> 27 October 2009 13:28<b><br>
To:</b> [log in to unmask]<b><br>
Subject:</b> [I-S] A modest proposal</font>
<br><font size=3 face="Times New Roman">&nbsp;</font>
<br><font size=2 face="Verdana">Cari colleghi,<br>
I would like to propose an idea for discussion among colleagues on this
list: an on-line journal of Italian studies. At the present time, there
exists, to my knowledge, no such journal; the only on-line resource of
this type of which I am aware is the excellent H-Italy, hosted by Michigan
State University (</font><a href="www.h-net.org/~italy"><font size=2 face="Verdana">www.h-net.org/~italy</font></a><font size=2 face="Verdana">),
which publishes timely reviews of Italy-related books, and has discussion
forums for specific topics. Why shouldn't we have a similar resource for
scholarly articles?<br>
This proposal comes out of my personal experience. Currently, if I submit
an article to a journal, I must wait at least 6 months to hear a response,
then wait another 8-15 months before the article appears in print. At that
point, I can begin to receive feedback from colleagues on the article and
the ideas in it. Why should the flow of ideas and information in the humanities
be so slow? After all, in the hard sciences, the on-line publication of
articles and abstracts in a timely manner has been the norm for many years,
which generates immediate feedback and advances the pursuit of knowledge
immensely. Are the humanities really different from the hard sciences in
some fundamental way? Or might we benefit also from such an accelerated
rhythm of the free and timely exchange of ideas? After all, we already
have such forums as this as a means of asking scholarly questions on a
specific topic. Why not extend this to articles as a whole?<br>
Che ne dite? Perhaps this forum could be a place to discuss this idea.
I'm looking forward to hearing responses from colleagues on this proposal.<br>
Cordiali saluti.<br>
Jim Ward, Berkeley, CA<br>
</font>
<div align=center>
<br>
<hr></div>
<br><font size=2 face="Verdana">Windows 7: Simplify your PC. </font><a href="http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=PID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009" target=_new><font size=2 color=blue face="Verdana"><u>Learn
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              <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

We at the University of California have recently inaugurated an
electronic journal of Italian studies whose first issue should see the
light by the end of November:  California Italian Studies. =20

The first, double issue will feature more than 50 articles.  Look for an
official announcement soon.





 CIS is a new digital, peer-reviewed scholarly journal committed to
publishing in a timely manner the finest, most innovative, and most
potentially influential scholarly work being done internationally in the
field of Italian Studies, including topics related to Italy in any
discipline or cross-disciplinary and comparative field of inquiry, from
the Middle Ages to the present. CIS seeks contributions meeting one or
more of the following criteria: interdisciplinarity; comparativity;
criticality.

=20

=20

________________________________

From: Scholarly discussions in any field of Italian studies
[mailto:[log in to unmask]] On Behalf Of James Ward
Sent: Tuesday, October 27, 2009 6:28 AM
To: [log in to unmask]
Subject: A modest proposal

=20

Cari colleghi,
I would like to propose an idea for discussion among colleagues on this
list: an on-line journal of Italian studies. At the present time, there
exists, to my knowledge, no such journal; the only on-line resource of
this type of which I am aware is the excellent H-Italy, hosted by
Michigan State University (www.h-net.org/~italy), which publishes timely
reviews of Italy-related books, and has discussion forums for specific
topics. Why shouldn't we have a similar resource for scholarly articles?
This proposal comes out of my personal experience. Currently, if I
submit an article to a journal, I must wait at least 6 months to hear a
response, then wait another 8-15 months before the article appears in
print. At that point, I can begin to receive feedback from colleagues on
the article and the ideas in it. Why should the flow of ideas and
information in the humanities be so slow? After all, in the hard
sciences, the on-line publication of articles and abstracts in a timely
manner has been the norm for many years, which generates immediate
feedback and advances the pursuit of knowledge immensely. Are the
humanities really different from the hard sciences in some fundamental
way? Or might we benefit also from such an accelerated rhythm of the
free and timely exchange of ideas? After all, we already have such
forums as this as a means of asking scholarly questions on a specific
topic. Why not extend this to articles as a whole?
Che ne dite? Perhaps this forum could be a place to discuss this idea.
I'm looking forward to hearing responses from colleagues on this
proposal.
Cordiali saluti.
Jim Ward, Berkeley, CA



________________________________

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<body lang=3DEN-US link=3Dblue vlink=3Dblue>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D3 color=3Dblue face=3DCalibri><span =
style=3D'font-size:
12.0pt;font-family:Calibri;color:blue'>We at the University of =
California have
recently inaugurated an electronic journal of Italian studies whose =
first issue
should see the light by the end of November:&nbsp; California Italian =
Studies. &nbsp;<o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-align:justify'><font size=3D3 =
color=3Dblue
face=3DCalibri><span =
style=3D'font-size:12.0pt;font-family:Calibri;color:blue'>The
first, double issue will feature more than 50 articles. &nbsp;Look for =
an
official announcement soon.</span></font><o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b><span =
style=3D'-moz-background-clip: -moz-initial;
-moz-background-origin: -moz-initial;-moz-background-inline-policy: =
-moz-initial'><i><font
size=3D3 color=3Dnavy face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;
color:navy;background:#FFFF66;font-weight:bold;font-style:italic'><br>
<br>
</span></font></i></b><o:p></o:p></p>

</span>

<p class=3DMsoNormal style=3D'text-align:justify'><em><b><i><font =
size=3D3
color=3Dnavy face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;color:navy;
font-weight:bold'>&nbsp;CIS</span></font></i></b></em><font =
color=3Dnavy><span
style=3D'color:navy'> is a new digital, peer-reviewed scholarly journal =
committed
to publishing in a timely manner the finest, most innovative, and most
potentially influential scholarly work being done internationally in the =
field
of Italian Studies, including topics related to Italy in any discipline =
or
cross-disciplinary and comparative field of inquiry, from the Middle =
Ages to
the present. <b><i><span =
style=3D'font-weight:bold;font-style:italic'>CIS</span></i></b>
seeks contributions meeting one or more of the following criteria:
interdisciplinarity; comparativity; =
criticality.</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 color=3Dblue face=3DCalibri><span =
style=3D'font-size:
12.0pt;font-family:Calibri;color:blue'><o:p>&nbsp;</o:p></span></font></p=
>

<p class=3DMsoNormal><font size=3D3 color=3Dblue face=3DCalibri><span =
style=3D'font-size:
12.0pt;font-family:Calibri;color:blue'><o:p>&nbsp;</o:p></span></font></p=
>

<div>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D3
face=3D"Times New Roman"><span style=3D'font-size:12.0pt'>

<hr size=3D2 width=3D"100%" align=3Dcenter tabindex=3D-1>

</span></font></div>

<p class=3DMsoNormal><b><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'> =
Scholarly
discussions in any field of Italian studies
[mailto:[log in to unmask]] <b><span =
style=3D'font-weight:bold'>On
Behalf Of </span></b>James Ward<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Tuesday, October =
27, 2009
6:28 AM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> =
[log in to unmask]<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> A modest =
proposal</span></font><o:p></o:p></p>

</div>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D2 =
face=3DVerdana><span
style=3D'font-size:10.0pt;font-family:Verdana'>Cari colleghi,<br>
I would like to propose an idea for discussion among colleagues on this =
list:
an on-line journal of Italian studies. At the present time, there =
exists, to my
knowledge, no such journal; the only on-line resource of this type of =
which I
am aware is the excellent H-Italy, hosted by Michigan State University
(www.h-net.org/~italy), which publishes timely reviews of Italy-related =
books,
and has discussion forums for specific topics. Why shouldn't we have a =
similar
resource for scholarly articles?<br>
This proposal comes out of my personal experience. Currently, if I =
submit an
article to a journal, I must wait at least 6 months to hear a response, =
then
wait another 8-15 months before the article appears in print. At that =
point, I
can begin to receive feedback from colleagues on the article and the =
ideas in
it. Why should the flow of ideas and information in the humanities be so =
slow?
After all, in the hard sciences, the on-line publication of articles and
abstracts in a timely manner has been the norm for many years, which =
generates
immediate feedback and advances the pursuit of knowledge immensely. Are =
the
humanities really different from the hard sciences in some fundamental =
way? Or
might we benefit also from such an accelerated rhythm of the free and =
timely
exchange of ideas? After all, we already have such forums as this as a =
means of
asking scholarly questions on a specific topic. Why not extend this to =
articles
as a whole?<br>
Che ne dite? Perhaps this forum could be a place to discuss this idea. =
I'm looking
forward to hearing responses from colleagues on this proposal.<br>
Cordiali saluti.<br>
Jim Ward, Berkeley, CA<br>
<br>
<o:p></o:p></span></font></p>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D2
face=3DVerdana><span style=3D'font-size:10.0pt;font-family:Verdana'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></font></div>

<p class=3DMsoNormal><font size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;
font-family:Verdana'>Windows 7: Simplify your PC. <a
href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPI=
D24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009"
target=3D"_new">Learn more.</a><o:p></o:p></span></font></p>

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------_=_NextPart_001_01CA5716.D85DEF82--
=========================================================================
Date:         Tue, 27 Oct 2009 13:56:21 -0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         George R Talbot <[log in to unmask]>
Subject:      Re: A modest proposal
In-Reply-To:  A<[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear Jim,

=20

This seems to me an entirely sensible proposal, for all the reasons you
outline, and probably some others too such as the costs to libraries and
individuals of periodicals subscriptions. That said, I do know of at
least one initiative for admittedly a minority interest area of Italian
Studies which is shortly to launch from St Andrews (Scotland), i.e.,
Mosaici - http://www.st-andrews.ac.uk/~mosaici/index.php?sectID=3D7.

=20

Best wishes,

=20

George=20

________________

Professor G. R. Talbot

The Dean

Faculty of Arts & Social Sciences

University of Hull

00.44.1482.465562

[log in to unmask]

=20

=20

=20

=20

From: Scholarly discussions in any field of Italian studies
[mailto:[log in to unmask]] On Behalf Of James Ward
Sent: 27 October 2009 13:28
To: [log in to unmask]
Subject: [I-S] A modest proposal

=20

italian-studies: Scholarly discussions in any field of Italian studies=20

Cari colleghi,
I would like to propose an idea for discussion among colleagues on this
list: an on-line journal of Italian studies. At the present time, there
exists, to my knowledge, no such journal; the only on-line resource of
this type of which I am aware is the excellent H-Italy, hosted by
Michigan State University (www.h-net.org/~italy), which publishes timely
reviews of Italy-related books, and has discussion forums for specific
topics. Why shouldn't we have a similar resource for scholarly articles?
This proposal comes out of my personal experience. Currently, if I
submit an article to a journal, I must wait at least 6 months to hear a
response, then wait another 8-15 months before the article appears in
print. At that point, I can begin to receive feedback from colleagues on
the article and the ideas in it. Why should the flow of ideas and
information in the humanities be so slow? After all, in the hard
sciences, the on-line publication of articles and abstracts in a timely
manner has been the norm for many years, which generates immediate
feedback and advances the pursuit of knowledge immensely. Are the
humanities really different from the hard sciences in some fundamental
way? Or might we benefit also from such an accelerated rhythm of the
free and timely exchange of ideas? After all, we already have such
forums as this as a means of asking scholarly questions on a specific
topic. Why not extend this to articles as a whole?
Che ne dite? Perhaps this forum could be a place to discuss this idea.
I'm looking forward to hearing responses from colleagues on this
proposal.
Cordiali saluti.
Jim Ward, Berkeley, CA



________________________________

Windows 7: Simplify your PC. Learn more.
<http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID24727:=
:
T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009>=20

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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Dear Jim,<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>This seems to me an entirely sensible proposal, for all =
the
reasons you outline, and probably some others too such as the costs to
libraries and individuals of periodicals subscriptions. That said, I do =
know of
at least one initiative for admittedly a minority interest area of =
Italian
Studies which is shortly to launch from St Andrews (Scotland), i.e., =
<i>Mosaici</i>
- <a =
href=3D"http://www.st-andrews.ac.uk/~mosaici/index.php?sectID=3D7">http:/=
/www.st-andrews.ac.uk/~mosaici/index.php?sectID=3D7</a>.<o:p></o:p></span=
></p>

<p class=3DMsoNormal><span =
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color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Best wishes,<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
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color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>George <o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>________________<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Professor G. R. Talbot<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>The Dean<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Faculty of Arts &amp; Social =
Sciences<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>University of Hull<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>00.44.1482.465562<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>[log in to unmask]<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0cm 0cm 0cm'>

<p class=3DMsoNormal><b><span lang=3DEN-US =
style=3D'font-size:10.0pt;font-family:
"Tahoma","sans-serif"'>From:</span></b><span lang=3DEN-US =
style=3D'font-size:10.0pt;
font-family:"Tahoma","sans-serif"'> Scholarly discussions in any field =
of
Italian studies [mailto:[log in to unmask]] <b>On Behalf Of =
</b>James
Ward<br>
<b>Sent:</b> 27 October 2009 13:28<br>
<b>To:</b> [log in to unmask]<br>
<b>Subject:</b> [I-S] A modest proposal<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>italian-studies: Scholarly discussions in any field =
of
Italian studies <o:p></o:p></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:10.0pt;
font-family:"Verdana","sans-serif"'>Cari colleghi,<br>
I would like to propose an idea for discussion among colleagues on this =
list:
an on-line journal of Italian studies. At the present time, there =
exists, to my
knowledge, no such journal; the only on-line resource of this type of =
which I
am aware is the excellent H-Italy, hosted by Michigan State University
(www.h-net.org/~italy), which publishes timely reviews of Italy-related =
books,
and has discussion forums for specific topics. Why shouldn't we have a =
similar
resource for scholarly articles?<br>
This proposal comes out of my personal experience. Currently, if I =
submit an
article to a journal, I must wait at least 6 months to hear a response, =
then
wait another 8-15 months before the article appears in print. At that =
point, I
can begin to receive feedback from colleagues on the article and the =
ideas in
it. Why should the flow of ideas and information in the humanities be so =
slow?
After all, in the hard sciences, the on-line publication of articles and
abstracts in a timely manner has been the norm for many years, which =
generates
immediate feedback and advances the pursuit of knowledge immensely. Are =
the
humanities really different from the hard sciences in some fundamental =
way? Or
might we benefit also from such an accelerated rhythm of the free and =
timely
exchange of ideas? After all, we already have such forums as this as a =
means of
asking scholarly questions on a specific topic. Why not extend this to =
articles
as a whole?<br>
Che ne dite? Perhaps this forum could be a place to discuss this idea. =
I'm
looking forward to hearing responses from colleagues on this =
proposal.<br>
Cordiali saluti.<br>
Jim Ward, Berkeley, CA<br>
<br>
<o:p></o:p></span></p>

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<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></div>

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D24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009"
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Date:         Tue, 27 Oct 2009 15:00:20 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Veronica Periani <[log in to unmask]>
Subject:      Re: A modest proposal
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italian-studies: Scholarly discussions in any field of Italian studies

Dear Jim and all colleagues,

I am a new entry in this mailing list, so maybe I should firstly introduce
myself.
My name is Veronica Periani and I am just starting a PhD at the University
of Birmingham, UK, on the connections between Italian contemporary
literature and Web 2.0, with a particular focus on the new literary trend
termed "New Italian Epic'.  Although, for obvious reasons, I still don't
have any experience about articles' publication, I find interesting Jim's
reflections, especially the comparison he advances between publications
modalities in humanities and hard sciences.

If I understand correctly, what you propose, Jim, is not the creation of
another online journal, rather speeding up the peer-review process? In a few
words, extending the purpose of this mailing list, also including peer
review on articles by list members?
I think this could be feasible and not particularly complicated, if a
certain number of collegues were available. Let's wait and see what
happens...

P.S. By the way, I often make reference to this database of Italian
journals: http://www.italinemo.it/.
It includes Italian studies journals from all over the world.

Greetings,

Veronica.


2009/10/27 James Ward <[log in to unmask]>

> italian-studies: Scholarly discussions in any field of Italian studies
> Cari colleghi,
> I would like to propose an idea for discussion among colleagues on this
> list: an on-line journal of Italian studies. At the present time, there
> exists, to my knowledge, no such journal; the only on-line resource of this
> type of which I am aware is the excellent H-Italy, hosted by Michigan State
> University (www.h-net.org/~italy <http://www.h-net.org/%7Eitaly>), which
> publishes timely reviews of Italy-related books, and has discussion forums
> for specific topics. Why shouldn't we have a similar resource for scholarly
> articles?
> This proposal comes out of my personal experience. Currently, if I submit
> an article to a journal, I must wait at least 6 months to hear a response,
> then wait another 8-15 months before the article appears in print. At that
> point, I can begin to receive feedback from colleagues on the article and
> the ideas in it. Why should the flow of ideas and information in the
> humanities be so slow? After all, in the hard sciences, the on-line
> publication of articles and abstracts in a timely manner has been the norm
> for many years, which generates immediate feedback and advances the pursuit
> of knowledge immensely. Are the humanities really different from the hard
> sciences in some fundamental way? Or might we benefit also from such an
> accelerated rhythm of the free and timely exchange of ideas? After all, we
> already have such forums as this as a means of asking scholarly questions on
> a specific topic. Why not extend this to articles as a whole?
> Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm
> looking forward to hearing responses from colleagues on this proposal.
> Cordiali saluti.
> Jim Ward, Berkeley, CA
>
>
> ------------------------------
> Windows 7: Simplify your PC. Learn more.<http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=PID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009>
> ********************************************************************** To
> join the list, send the message: join italian-studies YOUR NAME to:
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italian-studies: Scholarly discussions in any field of Italian studies
Dear Jim and all colleagues,<br><br>I am a new entry in this mailing list, =
so maybe I should firstly introduce myself.<br>My name is Veronica Periani =
and I am just starting a PhD at the University of Birmingham, UK, on the co=
nnections between Italian contemporary literature and Web 2.0, with a parti=
cular focus on the new literary trend termed &quot;New Italian Epic&#39;.=
=A0 Although, for obvious reasons, I still don&#39;t have any experience ab=
out articles&#39; publication, I find interesting Jim&#39;s reflections, es=
pecially the comparison he advances between publications modalities in huma=
nities and hard sciences. <br>
<br>If I understand correctly, what you propose, Jim, is not the creation o=
f another online journal, rather speeding up the peer-review process? In a =
few words, extending the purpose of this mailing list, also including peer =
review on articles by list members? <br>
I think this could be feasible and not particularly complicated, if a certa=
in number of collegues were available. Let&#39;s wait and see what happens.=
..<br><br>P.S. By the way, I often make reference to this database of Itali=
an journals: <a href=3D"http://www.italinemo.it/">http://www.italinemo.it/<=
/a>. <br>
It includes Italian studies journals from all over the world. <br><br>Greet=
ings, <br><br>Veronica.<br><br><br><div class=3D"gmail_quote">2009/10/27 Ja=
mes Ward <span dir=3D"ltr">&lt;<a href=3D"mailto:[log in to unmask]">bezb=
[log in to unmask]</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">italian-studies: =
Scholarly discussions in any field of Italian studies




<div>










Cari colleghi,<br>I would like to propose an idea for discussion among coll=
eagues on this list: an on-line journal of Italian studies. At the present =
time, there exists, to my knowledge, no such journal; the only on-line reso=
urce of this type of which I am aware is the excellent H-Italy, hosted by M=
ichigan State University (<a href=3D"http://www.h-net.org/%7Eitaly" target=
=3D"_blank">www.h-net.org/~italy</a>), which publishes timely reviews of It=
aly-related books, and has discussion forums for specific topics. Why shoul=
dn&#39;t we have a similar resource for scholarly articles?<br>
This proposal comes out of my personal experience. Currently, if I submit a=
n article to a journal, I must wait at least 6 months to hear a response, t=
hen wait another 8-15 months before the article appears in print. At that p=
oint, I can begin to receive feedback from colleagues on the article and th=
e ideas in it. Why should the flow of ideas and information in the humaniti=
es be so slow? After all, in the hard sciences, the on-line publication of =
articles and abstracts in a timely manner has been the norm for many years,=
 which generates immediate feedback and advances the pursuit of knowledge i=
mmensely. Are the humanities really different from the hard sciences in som=
e fundamental way? Or might we benefit also from such an accelerated rhythm=
 of the free and timely exchange of ideas? After all, we already have such =
forums as this as a means of asking scholarly questions on a specific topic=
. Why not extend this to articles as a whole?<br>
Che ne dite? Perhaps this forum could be a place to discuss this idea. I&#3=
9;m looking forward to hearing responses from colleagues on this proposal.<=
br>Cordiali saluti.<br>Jim Ward, Berkeley, CA<br><br> 		 	   		  <br><hr>
Windows 7: Simplify your PC. <a href=3D"http://www.microsoft.com/Windows/wi=
ndows-7/default.aspx?ocid=3DPID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergre=
en1:102009" target=3D"_blank">Learn more.</a></div>
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</blockquote></div><br>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear Jim,

Couldn't agree more on the frustration. However, there are by now  
several online journals in Italian Studies.

In many ways, rather than have a generic Italian Studies venture, it  
would seem to be best to continue to develop sub-area specific e- 
periodicals. The risk with a generic super-venture would be the size  
and the identity of the operation.

On processing times. Web productions are quite time consuming and do  
require investment and staff. So again, while it is great to have  
these new facilities and expect faster processing times, we should  
bear in mind that e-editors (i.e., busy academics) take on all roles,  
going well beyond conventional editing, incl. web designing,  
publishing and promoting.

Can I invite you and other list members to visit the EJGS - Edinburgh  
Journal of Gadda Studies - http://www.arts.ed.ac.uk/italian/gadda/index.php

The EJGS is going for 10 next year. To mark the anniversary, the EJGS  
Team is planning a series of events (soon to be announced to the list)  
and a Decennial Special Edition.

All best,

Federica
Federica G. Pedriali

Professor of Literary Metatheory and Modern Italian Studies
Director and General Editor of the Edinburgh Journal of Gadda Studies
IPSE Honorary Director and Patron
Head of Italian

School of Literatures Languages and Cultures
University of Edinburgh
David Hume Tower
George Square
Edinburgh EH8 9JX
Scotland UK
direct dial: +44 0131 650 3642
fax: +44 0131 651 1482

personal web: http://www.selc.ed.ac.uk/italian/staff/f_pedriali.htm
departmental web: http://www.selc.ed.ac.uk/italian/
Gadda web: http://www.arts.ed.ac.uk/italian/gadda/index.php
Gadda departmental web: http://www.selc.ed.ac.uk/italian/gadda.htm

On 27 Oct 2009, at 13:28, James Ward wrote:

> italian-studies: Scholarly discussions in any field of Italian  
> studies Cari colleghi,
> I would like to propose an idea for discussion among colleagues on  
> this list: an on-line journal of Italian studies. At the present  
> time, there exists, to my knowledge, no such journal; the only on- 
> line resource of this type of which I am aware is the excellent H- 
> Italy, hosted by Michigan State University (www.h-net.org/~italy),  
> which publishes timely reviews of Italy-related books, and has  
> discussion forums for specific topics. Why shouldn't we have a  
> similar resource for scholarly articles?
> This proposal comes out of my personal experience. Currently, if I  
> submit an article to a journal, I must wait at least 6 months to  
> hear a response, then wait another 8-15 months before the article  
> appears in print. At that point, I can begin to receive feedback  
> from colleagues on the article and the ideas in it. Why should the  
> flow of ideas and information in the humanities be so slow? After  
> all, in the hard sciences, the on-line publication of articles and  
> abstracts in a timely manner has been the norm for many years, which  
> generates immediate feedback and advances the pursuit of knowledge  
> immensely. Are the humanities really different from the hard  
> sciences in some fundamental way? Or might we benefit also from such  
> an accelerated rhythm of the free and timely exchange of ideas?  
> After all, we already have such forums as this as a means of asking  
> scholarly questions on a specific topic. Why not extend this to  
> articles as a whole?
> Che ne dite? Perhaps this forum could be a place to discuss this  
> idea. I'm looking forward to hearing responses from colleagues on  
> this proposal.
> Cordiali saluti.
> Jim Ward, Berkeley, CA
>
>
> Windows 7: Simplify your PC. Learn more.  
> ********************************************************************** To 
>  join the list, send the message: join italian-studies YOUR NAME to:[log in to unmask] 
>  To send a message to the list, address it to: [log in to unmask] 
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> visit our web site: http://www.jiscmail.ac.uk/lists/italian-studies.html


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italian-studies: Scholarly discussions in any field of Italian studies
<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; -webk=
it-line-break: after-white-space; ">Dear Jim,&nbsp;<div><br></div><div>Coul=
dn't agree more on the frustration. However, there are by now several onlin=
e journals in Italian Studies.&nbsp;</div><div><br></div><div>In many ways,=
&nbsp;rather than have a generic Italian Studies venture,&nbsp;it would see=
m to be best to continue to develop sub-area specific e-periodicals. The ri=
sk with a generic super-venture would be the size and the identity of the o=
peration.&nbsp;</div><div><br></div><div>On processing times. Web productio=
ns are quite time consuming and do require investment and staff. So again, =
while it is great to have these new facilities and expect faster processing=
 times, we should bear in mind that e-editors (i.e., busy academics) take o=
n all roles, going well beyond conventional editing, incl. web designing, p=
ublishing and promoting.&nbsp;</div><div><div><br class=3D"webkit-block-pla=
ceholder"></div><div>Can I invite you and other list members to visit the E=
JGS - Edinburgh Journal of Gadda Studies -&nbsp;<a href=3D"http://www.arts.=
ed.ac.uk/italian/gadda/index.php">http://www.arts.ed.ac.uk/italian/gadda/in=
dex.php</a></div><div><br></div><div>The EJGS is going for 10 next year. To=
 mark the anniversary, the EJGS Team is planning a series of events (soon t=
o be announced to the list) and a Decennial Special Edition.</div><div>&nbs=
p;</div><div>All best,&nbsp;</div><div><br></div><div apple-content-edited=
=3D"true"> <span class=3D"Apple-style-span" style=3D"border-collapse: separ=
ate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-sty=
le: normal; font-variant: normal; font-weight: normal; letter-spacing: norm=
al; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; te=
xt-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -web=
kit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -=
webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -w=
ebkit-text-stroke-width: 0; "><div style=3D"word-wrap: break-word; -webkit-=
nbsp-mode: space; -webkit-line-break: after-white-space; "><span class=3D"A=
pple-style-span" style=3D"border-collapse: separate; color: rgb(0, 0, 0); f=
ont-family: Helvetica; font-size: 12px; font-style: normal; font-variant: n=
ormal; font-weight: normal; letter-spacing: normal; line-height: normal; or=
phans: 2; text-indent: 0px; text-transform: none; white-space: normal; wido=
ws: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-b=
order-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -web=
kit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style=3D=
"word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after=
-white-space; "><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; fon=
t-style: normal; font-variant: normal; font-weight: normal; letter-spacing:=
 normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform:=
 none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-ho=
rizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-d=
ecorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-st=
roke-width: 0px; "><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: =
space; -webkit-line-break: after-white-space; "><span class=3D"Apple-style-=
span" style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font=
-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; t=
ext-indent: 0px; text-transform: none; white-space: normal; widows: 2; word=
-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-verti=
cal-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-si=
ze-adjust: auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap:=
 break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-spac=
e; "><span class=3D"Apple-style-span" style=3D"border-collapse: separate; c=
olor: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: no=
rmal; font-variant: normal; font-weight: normal; letter-spacing: normal; li=
ne-height: normal; orphans: 2; text-indent: 0px; text-transform: none; whit=
e-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-sp=
acing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-=
in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width:=
 0px; "><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; -web=
kit-line-break: after-white-space; "><span class=3D"Apple-style-span" style=
=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica;=
 font-size: 12px; font-style: normal; font-variant: normal; font-weight: no=
rmal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent:=
 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0=
px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing=
: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: break-word=
; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><=
div style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-=
break: after-white-space; "><div style=3D"word-wrap: break-word; -webkit-nb=
sp-mode: space; -webkit-line-break: after-white-space; "><div><div><div sty=
le=3D"word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div style=3D"word-wrap: break-word; -webkit-nbsp-mode=
: space; -webkit-line-break: after-white-space; "><div><div>Federica</div><=
div>Federica G. Pedriali</div><div><br>Professor of Literary Metatheory and=
 Modern Italian Studies<br>Director and General Editor of the Edinburgh Jou=
rnal of Gadda Studies<br></div><div>IPSE Honorary Director and Patron</div>=
<div>Head of Italian</div><div><br></div><div>School of Literatures Languag=
es and Cultures<br></div><div>University of Edinburgh</div><div>David Hume =
Tower<br>George Square<br>Edinburgh EH8 9JX<br>Scotland UK<br>direct dial: =
+44 0131 650 3642<br>fax: +44 0131 651 1482<br><br>personal web:&nbsp;<a hr=
ef=3D"http://www.selc.ed.ac.uk/italian/staff/f_pedriali.htm">http://www.sel=
c.ed.ac.uk/italian/staff/f_pedriali.htm</a><br>departmental web:&nbsp;<a hr=
ef=3D"http://www.selc.ed.ac.uk/italian/">http://www.selc.ed.ac.uk/italian/<=
/a><br>Gadda web:&nbsp;<a href=3D"http://www.arts.ed.ac.uk/italian/gadda/in=
dex.php">http://www.arts.ed.ac.uk/italian/gadda/index.php</a><br>Gadda depa=
rtmental web:&nbsp;<a href=3D"http://www.selc.ed.ac.uk/italian/gadda.htm">h=
ttp://www.selc.ed.ac.uk/italian/gadda.htm</a></div></div></div></div></div>=
</div></div></div></div></div></span></div></span></div></span></div></span=
></div></span></div></span> </div><br><div><div>On 27 Oct 2009, at 13:28, J=
ames Ward wrote:</div><br class=3D"Apple-interchange-newline"><blockquote t=
ype=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: sep=
arate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-s=
tyle: normal; font-variant: normal; font-weight: normal; letter-spacing: no=
rmal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -w=
ebkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;=
 -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; =
-webkit-text-stroke-width: 0; "><div class=3D"hmmessage" style=3D"font-size=
: 10pt; font-family: Verdana; ">italian-studies: Scholarly discussions in a=
ny field of Italian studies<span class=3D"Apple-converted-space">&nbsp;</sp=
an>Cari colleghi,<br>I would like to propose an idea for discussion among c=
olleagues on this list: an on-line journal of Italian studies. At the prese=
nt time, there exists, to my knowledge, no such journal; the only on-line r=
esource of this type of which I am aware is the excellent H-Italy, hosted b=
y Michigan State University (<a href=3D"http://www.h-net.org/~italy)">www.h=
-net.org/~italy)</a>, which publishes timely reviews of Italy-related books=
, and has discussion forums for specific topics. Why shouldn't we have a si=
milar resource for scholarly articles?<br>This proposal comes out of my per=
sonal experience. Currently, if I submit an article to a journal, I must wa=
it at least 6 months to hear a response, then wait another 8-15 months befo=
re the article appears in print. At that point, I can begin to receive feed=
back from colleagues on the article and the ideas in it. Why should the flo=
w of ideas and information in the humanities be so slow? After all, in the =
hard sciences, the on-line publication of articles and abstracts in a timel=
y manner has been the norm for many years, which generates immediate feedba=
ck and advances the pursuit of knowledge immensely. Are the humanities real=
ly different from the hard sciences in some fundamental way? Or might we be=
nefit also from such an accelerated rhythm of the free and timely exchange =
of ideas? After all, we already have such forums as this as a means of aski=
ng scholarly questions on a specific topic. Why not extend this to articles=
 as a whole?<br>Che ne dite? Perhaps this forum could be a place to discuss=
 this idea. I'm looking forward to hearing responses from colleagues on thi=
s proposal.<br>Cordiali saluti.<br>Jim Ward, Berkeley, CA<br><br><br><hr>Wi=
ndows 7: Simplify your PC.<span class=3D"Apple-converted-space">&nbsp;</spa=
n><a href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=
=3DPID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009" target=3D"_ne=
w">Learn more.</a><span class=3D"Apple-converted-space">&nbsp;</span>******=
**************************************************************** To join th=
e list, send the message: join italian-studies YOUR NAME to:<a href=3D"mail=
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Date:         Tue, 27 Oct 2009 16:32:29 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Manuela Gieri <[log in to unmask]>
Subject:      Re: A modest proposal
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Esistenti come online journals, naturalmente. Scusate, ma mancava un  
pezzo importante. . .
mg


Il giorno 27/ott/09, alle ore 14:28, James Ward ha scritto:

> italian-studies: Scholarly discussions in any field of Italian  
> studies Cari colleghi,
> I would like to propose an idea for discussion among colleagues on  
> this list: an on-line journal of Italian studies. At the present  
> time, there exists, to my knowledge, no such journal; the only on- 
> line resource of this type of which I am aware is the excellent H- 
> Italy, hosted by Michigan State University (www.h-net.org/~italy),  
> which publishes timely reviews of Italy-related books, and has  
> discussion forums for specific topics. Why shouldn't we have a  
> similar resource for scholarly articles?
> This proposal comes out of my personal experience. Currently, if I  
> submit an article to a journal, I must wait at least 6 months to  
> hear a response, then wait another 8-15 months before the article  
> appears in print. At that point, I can begin to receive feedback  
> from colleagues on the article and the ideas in it. Why should the  
> flow of ideas and information in the humanities be so slow? After  
> all, in the hard sciences, the on-line publication of articles and  
> abstracts in a timely manner has been the norm for many years,  
> which generates immediate feedback and advances the pursuit of  
> knowledge immensely. Are the humanities really different from the  
> hard sciences in some fundamental way? Or might we benefit also  
> from such an accelerated rhythm of the free and timely exchange of  
> ideas? After all, we already have such forums as this as a means of  
> asking scholarly questions on a specific topic. Why not extend this  
> to articles as a whole?
> Che ne dite? Perhaps this forum could be a place to discuss this  
> idea. I'm looking forward to hearing responses from colleagues on  
> this proposal.
> Cordiali saluti.
> Jim Ward, Berkeley, CA
>
>
> Windows 7: Simplify your PC. Learn more.  
> ********************************************************************** 
>  To join the list, send the message: join italian-studies YOUR NAME  
> to: [log in to unmask] To send a message to the list, address  
> it to: [log in to unmask] To leave the list, send the  
> message: leave italian-studies to: [log in to unmask] In order  
> to report problems or to contact the list's owners, write to:  
> [log in to unmask] For further information,  
> visit our web site: http://www.jiscmail.ac.uk/lists/italian- 
> studies.html


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italian-studies: Scholarly discussions in any field of Italian studies
<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Esistenti come online journals, =
naturalmente. Scusate, ma mancava un pezzo importante. . =
.<div>mg</div><div><br></div><div><br><div><div>Il giorno 27/ott/09, =
alle ore 14:28, James Ward ha scritto:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">italian-studies: Scholarly discussions in any field of =
Italian studies    <style> .hmmessage P {margin:0px;padding:0px;} =
body.hmmessage {font-size:10pt;font-family:Verdana;} </style> <style> =
.hmmessage P {margin:0px;padding:0px;} body.hmmessage =
{font-size:10pt;font-family:Verdana;} </style> Cari colleghi,<br>I would =
like to propose an idea for discussion among colleagues on this list: an =
on-line journal of Italian studies. At the present time, there exists, =
to my knowledge, no such journal; the only on-line resource of this type =
of which I am aware is the excellent H-Italy, hosted by Michigan State =
University (<a =
href=3D"http://www.h-net.org/~italy">www.h-net.org/~italy</a>), which =
publishes timely reviews of Italy-related books, and has discussion =
forums for specific topics. Why shouldn't we have a similar resource for =
scholarly articles?<br>This proposal comes out of my personal =
experience. Currently, if I submit an article to a journal, I must wait =
at least 6 months to hear a response, then wait another 8-15 months =
before the article appears in print. At that point, I can begin to =
receive feedback from colleagues on the article and the ideas in it. Why =
should the flow of ideas and information in the humanities be so slow? =
After all, in the hard sciences, the on-line publication of articles and =
abstracts in a timely manner has been the norm for many years, which =
generates immediate feedback and advances the pursuit of knowledge =
immensely. Are the humanities really different from the hard sciences in =
some fundamental way? Or might we benefit also from such an accelerated =
rhythm of the free and timely exchange of ideas? After all, we already =
have such forums as this as a means of asking scholarly questions on a =
specific topic. Why not extend this to articles as a whole?<br>Che ne =
dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this =
proposal.<br>Cordiali saluti.<br>Jim Ward, Berkeley, CA<br><br> 		=
 	   		  <br><hr>Windows 7: Simplify your PC. <a =
href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID=
24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009" =
target=3D"_new">Learn more.</a> =
********************************************************************** =
To join the list, send the message: join italian-studies YOUR NAME to: =
[log in to unmask] To send a message to the list, address it to: =
[log in to unmask] To leave the list, send the message: =
leave italian-studies to: [log in to unmask] In order to report =
problems or to contact the list's owners, write to: =
[log in to unmask] For further information, visit =
our web site: <a =
href=3D"http://www.jiscmail.ac.uk/lists/italian-studies.html">http://www.j=
iscmail.ac.uk/lists/italian-studies.html</a></blockquote></div><br></div><=
/body></html>=
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Date:         Tue, 27 Oct 2009 16:31:31 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
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              <[log in to unmask]>
From:         Manuela Gieri <[log in to unmask]>
Subject:      Re: A modest proposal
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italian-studies: Scholarly discussions in any field of Italian studies

Penso che sia sempre una buona idea far nascere nuovi luoghi in cui =20
far circolare le nostre idee, ed in maniera sempre pi=F9 agile, ma =20
bisognerebbe costruire la rivista tenendo presente le realt=E0 gi=E0 =20
esistenti, quali quelle che sono gi=E0 state menzionate, ma anche =20
Italianistica Online (Roma Tre) , The Journal of Italian Studies =20
(Routledge), Studi Novecenteschi, eccetera eccetera. . .dunque, =20
forse, la prima cosa da fare sarebbe censire tutte le riviste di =20
italianistica esistenti.
mg




Il giorno 27/ott/09, alle ore 14:28, James Ward ha scritto:

> italian-studies: Scholarly discussions in any field of Italian =20
> studies Cari colleghi,
> I would like to propose an idea for discussion among colleagues on =20
> this list: an on-line journal of Italian studies. At the present =20
> time, there exists, to my knowledge, no such journal; the only on-=20
> line resource of this type of which I am aware is the excellent H-=20
> Italy, hosted by Michigan State University (www.h-net.org/~italy), =20
> which publishes timely reviews of Italy-related books, and has =20
> discussion forums for specific topics. Why shouldn't we have a =20
> similar resource for scholarly articles?
> This proposal comes out of my personal experience. Currently, if I =20
> submit an article to a journal, I must wait at least 6 months to =20
> hear a response, then wait another 8-15 months before the article =20
> appears in print. At that point, I can begin to receive feedback =20
> from colleagues on the article and the ideas in it. Why should the =20
> flow of ideas and information in the humanities be so slow? After =20
> all, in the hard sciences, the on-line publication of articles and =20
> abstracts in a timely manner has been the norm for many years, =20
> which generates immediate feedback and advances the pursuit of =20
> knowledge immensely. Are the humanities really different from the =20
> hard sciences in some fundamental way? Or might we benefit also =20
> from such an accelerated rhythm of the free and timely exchange of =20
> ideas? After all, we already have such forums as this as a means of =20=

> asking scholarly questions on a specific topic. Why not extend this =20=

> to articles as a whole?
> Che ne dite? Perhaps this forum could be a place to discuss this =20
> idea. I'm looking forward to hearing responses from colleagues on =20
> this proposal.
> Cordiali saluti.
> Jim Ward, Berkeley, CA
>
>
> Windows 7: Simplify your PC. Learn more. =20
> **********************************************************************=20=

>  To join the list, send the message: join italian-studies YOUR NAME =20=

> to: [log in to unmask] To send a message to the list, address =20
> it to: [log in to unmask] To leave the list, send the =20
> message: leave italian-studies to: [log in to unmask] In order =20=

> to report problems or to contact the list's owners, write to: =20
> [log in to unmask] For further information, =20
> visit our web site: http://www.jiscmail.ac.uk/lists/italian-=20
> studies.html


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italian-studies: Scholarly discussions in any field of Italian studies
<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Penso che sia sempre una buona idea far nascere nuovi luoghi in cui far =
circolare le nostre idee, ed in maniera sempre pi=F9 agile, ma =
bisognerebbe costruire la rivista tenendo presente le realt=E0 gi=E0 =
esistenti, quali quelle che sono gi=E0 state menzionate, ma anche =
Italianistica Online (Roma Tre) , The Journal of Italian Studies =
(Routledge), Studi Novecenteschi, eccetera eccetera. . .dunque, forse, =
la prima cosa da fare sarebbe censire tutte le riviste di italianistica =
esistenti.<div>mg</div><div><br></div><div><br></div><div><br></div><div><=
br><div><div>Il giorno 27/ott/09, alle ore 14:28, James Ward ha =
scritto:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">italian-studies: Scholarly discussions in any field of =
Italian studies    <style> .hmmessage P {margin:0px;padding:0px;} =
body.hmmessage {font-size:10pt;font-family:Verdana;} </style> <style> =
.hmmessage P {margin:0px;padding:0px;} body.hmmessage =
{font-size:10pt;font-family:Verdana;} </style> Cari colleghi,<br>I would =
like to propose an idea for discussion among colleagues on this list: an =
on-line journal of Italian studies. At the present time, there exists, =
to my knowledge, no such journal; the only on-line resource of this type =
of which I am aware is the excellent H-Italy, hosted by Michigan State =
University (<a =
href=3D"http://www.h-net.org/~italy">www.h-net.org/~italy</a>), which =
publishes timely reviews of Italy-related books, and has discussion =
forums for specific topics. Why shouldn't we have a similar resource for =
scholarly articles?<br>This proposal comes out of my personal =
experience. Currently, if I submit an article to a journal, I must wait =
at least 6 months to hear a response, then wait another 8-15 months =
before the article appears in print. At that point, I can begin to =
receive feedback from colleagues on the article and the ideas in it. Why =
should the flow of ideas and information in the humanities be so slow? =
After all, in the hard sciences, the on-line publication of articles and =
abstracts in a timely manner has been the norm for many years, which =
generates immediate feedback and advances the pursuit of knowledge =
immensely. Are the humanities really different from the hard sciences in =
some fundamental way? Or might we benefit also from such an accelerated =
rhythm of the free and timely exchange of ideas? After all, we already =
have such forums as this as a means of asking scholarly questions on a =
specific topic. Why not extend this to articles as a whole?<br>Che ne =
dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this =
proposal.<br>Cordiali saluti.<br>Jim Ward, Berkeley, CA<br><br> 		=
 	   		  <br><hr>Windows 7: Simplify your PC. <a =
href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID=
24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009" =
target=3D"_new">Learn more.</a> =
********************************************************************** =
To join the list, send the message: join italian-studies YOUR NAME to: =
[log in to unmask] To send a message to the list, address it to: =
[log in to unmask] To leave the list, send the message: =
leave italian-studies to: [log in to unmask] In order to report =
problems or to contact the list's owners, write to: =
[log in to unmask] For further information, visit =
our web site: <a =
href=3D"http://www.jiscmail.ac.uk/lists/italian-studies.html">http://www.j=
iscmail.ac.uk/lists/italian-studies.html</a></blockquote></div><br></div><=
/body></html>=
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Date:         Tue, 27 Oct 2009 15:56:31 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
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From:         Penny Morris <[log in to unmask]>
Subject:      CONFERENCE: Italy and the Emotions, London Nov 09
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italian-studies: Scholarly discussions in any field of Italian studies

Registration is now open for the following conference. The full=20
programme is also available. Please go to:=20
http://igrs.sas.ac.uk/index.php?id=3D369

Association for the Study of Modern Italy (ASMI)
Annual Conference 2009

ITALY AND THE EMOTIONS
PERSPECTIVES FROM THE 18^TH CENTURY TO THE PRESENT

Institute for Germanic and Romance Studies, University of London
27-28 November 2009

Keynote speakers: Professor Alberto Mario Banti (University of Pisa)
Professor Luisa Passerini (University of Turin)
Special guest: Natalia Aspesi, journalist, /La Repubblica/

Starting from the premise that emotions are historically and culturally=20
conditioned, this conference focuses on emotions in historical=20
perspective in Italy =96 an area whose modes of social interaction and=20
cultural production have long had an influential role in shaping ideas=20
about emotions well beyond its own geographical borders. Among the=20
themes examined by over 65 speakers will be

    * Emotions, politics and public life
    * The emotions of war, colonial conquest, victory and defeat
    * Emotion in Italian art, music, literature and cinema
    * Fascism as a politics of emotion
    * The gendering of emotions
    * Religion and the emotional imagination
    * Italy=92s international influence on concepts of emotion

The conference is the first of its kind, and as the range of themes=20
suggests, it offers valuable potential for interdisciplinary exchange.=20
The keynote speakers are internationally pioneering scholars whose work=20
on the emotions has led the way in re-thinking major areas of research=20
such as politics and war. As well as bringing together established=20
scholars from Europe, the USA, and Australasia, the conference also=20
provides a forum for younger researchers to contribute to an approach=20
that places emotions at the forefront of humanities research rather than=20
seeing them as a by-product of other historical processes.

As the whole western world is increasingly forced to re-evaluate its=20
unsustainable addiction to consumption as the basis of happiness, this=20
focus on human emotions in historical perspective is particularly=20
timely. The conference therefore aims not only to develop new ways of=20
approaching research in its own subject areas, but also to contribute to=20
a broader process of reflection about the trajectories =96 past, present=20
and future =96 of western society.

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Date:         Tue, 27 Oct 2009 18:37:05 +0100
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italian-studies: Scholarly discussions in any field of Italian studies

Among the Italian Studies journals, may I mention that Italian Studies  
in Southern Africa (not a mainstream one, I am aware) is online at AJOL:

http://ajol.info/index.php/issa

Speaking of the proposal, I think that discussing new ways of  
scholarly exchange of ideas is important, not only regarding online  
journals, but also the ways in which conferences and meetings are  
made. I went to a congress recently and I had to present a paper  
within a one-and-half-hour panel with at least another ten-twelve  
people. You can do the math about the speaking time we had. I really  
doubt that the traditional paper presentation is fit for such a  
crowded session (not to speak of questions and answers), and I was  
wondering if some sort of preliminary exchange of material could in  
some way help. Usually this kind of papers are not full-length  
articles, but research-in-the-making presentations, so why not sending  
online a work-in-progress version and use the face-to-face session for  
real Q&A?

Cordiali saluti,
Giorgio Guzzetta

Il giorno 27/ott/09, alle ore 14:28, James Ward ha scritto:

> italian-studies: Scholarly discussions in any field of Italian  
> studies Cari colleghi,
> I would like to propose an idea for discussion among colleagues on  
> this list: an on-line journal of Italian studies. At the present  
> time, there exists, to my knowledge, no such journal; the only on- 
> line resource of this type of which I am aware is the excellent H- 
> Italy, hosted by Michigan State University (www.h-net.org/~italy),  
> which publishes timely reviews of Italy-related books, and has  
> discussion forums for specific topics. Why shouldn't we have a  
> similar resource for scholarly articles?
> This proposal comes out of my personal experience. Currently, if I  
> submit an article to a journal, I must wait at least 6 months to  
> hear a response, then wait another 8-15 months before the article  
> appears in print. At that point, I can begin to receive feedback  
> from colleagues on the article and the ideas in it. Why should the  
> flow of ideas and information in the humanities be so slow? After  
> all, in the hard sciences, the on-line publication of articles and  
> abstracts in a timely manner has been the norm for many years, which  
> generates immediate feedback and advances the pursuit of knowledge  
> immensely. Are the humanities really different from the hard  
> sciences in some fundamental way? Or might we benefit also from such  
> an accelerated rhythm of the free and timely exchange of ideas?  
> After all, we already have such forums as this as a means of asking  
> scholarly questions on a specific topic. Why not extend this to  
> articles as a whole?
> Che ne dite? Perhaps this forum could be a place to discuss this  
> idea. I'm looking forward to hearing responses from colleagues on  
> this proposal.
> Cordiali saluti.
> Jim Ward, Berkeley, CA
>
>
> Windows 7: Simplify your PC. Learn more.  
> ********************************************************************** To 
>  join the list, send the message: join italian-studies YOUR NAME to: [log in to unmask] 
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> to: [log in to unmask] For further information,  
> visit our web site: http://www.jiscmail.ac.uk/lists/italian-studies.html

Giorgio Guzzetta, PhD
Honorary Research Fellow
School of Languages and Literatures
University of Witwatersrand
Johannesburg, South Africa





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italian-studies: Scholarly discussions in any field of Italian studies
<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Among the Italian Studies =
journals, may I mention that Italian Studies in Southern Africa (not a =
mainstream one, I am aware) is online at =
AJOL:</div><div><br></div><div><a =
href=3D"http://ajol.info/index.php/issa">http://ajol.info/index.php/issa</=
a></div><div><br></div><div>Speaking of the proposal,&nbsp;I think that =
discussing new ways of scholarly exchange of ideas is important, not =
only regarding online journals, but also the ways in which conferences =
and meetings are made. I went to a congress recently and I had to =
present a paper within a one-and-half-hour panel with at least another =
ten-twelve people. You can do the math about the speaking time we had. I =
really doubt that the traditional paper presentation is fit for such a =
crowded session (not to speak of questions and answers), and I was =
wondering if some sort of preliminary exchange of material could in some =
way help. Usually this kind of papers are not full-length articles, but =
research-in-the-making presentations, so why not sending online a =
work-in-progress version and use the face-to-face session for real =
Q&amp;A?&nbsp;</div><div><br></div><div>Cordiali =
saluti,</div><div>Giorgio Guzzetta</div><br><div><div>Il giorno =
27/ott/09, alle ore 14:28, James Ward ha scritto:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
class=3D"hmmessage" style=3D"font-size: 10pt; font-family: Verdana; =
">italian-studies: Scholarly discussions in any field of Italian =
studies<span class=3D"Apple-converted-space">&nbsp;</span>Cari =
colleghi,<br>I would like to propose an idea for discussion among =
colleagues on this list: an on-line journal of Italian studies. At the =
present time, there exists, to my knowledge, no such journal; the only =
on-line resource of this type of which I am aware is the excellent =
H-Italy, hosted by Michigan State University (<a =
href=3D"http://www.h-net.org/~italy)">www.h-net.org/~italy)</a>, which =
publishes timely reviews of Italy-related books, and has discussion =
forums for specific topics. Why shouldn't we have a similar resource for =
scholarly articles?<br>This proposal comes out of my personal =
experience. Currently, if I submit an article to a journal, I must wait =
at least 6 months to hear a response, then wait another 8-15 months =
before the article appears in print. At that point, I can begin to =
receive feedback from colleagues on the article and the ideas in it. Why =
should the flow of ideas and information in the humanities be so slow? =
After all, in the hard sciences, the on-line publication of articles and =
abstracts in a timely manner has been the norm for many years, which =
generates immediate feedback and advances the pursuit of knowledge =
immensely. Are the humanities really different from the hard sciences in =
some fundamental way? Or might we benefit also from such an accelerated =
rhythm of the free and timely exchange of ideas? After all, we already =
have such forums as this as a means of asking scholarly questions on a =
specific topic. Why not extend this to articles as a whole?<br>Che ne =
dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this =
proposal.<br>Cordiali saluti.<br>Jim Ward, Berkeley, =
CA<br><br><br><hr>Windows 7: Simplify your PC.<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID=
24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009" =
target=3D"_new">Learn more.</a><span =
class=3D"Apple-converted-space">&nbsp;</span>*****************************=
***************************************** To join the list, send the =
message: join italian-studies YOUR NAME to:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:[log in to unmask]">[log in to unmask]</a><span =
class=3D"Apple-converted-space">&nbsp;</span>To send a message to the =
list, address it to:<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:[log in to unmask]">[log in to unmask]
.uk</a><span class=3D"Apple-converted-space">&nbsp;</span>To leave the =
list, send the message: leave italian-studies to:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:[log in to unmask]">[log in to unmask]</a><span =
class=3D"Apple-converted-space">&nbsp;</span>In order to report problems =
or to contact the list's owners, write to:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:[log in to unmask]">italian-studies-req=
[log in to unmask]</a><span =
class=3D"Apple-converted-space">&nbsp;</span>For further information, =
visit our web site:<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.jiscmail.ac.uk/lists/italian-studies.html">http://www.j=
iscmail.ac.uk/lists/italian-studies.html</a></div></blockquote></div><br><=
div> <span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 24px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div>Giorgio Guzzetta, PhD</div><div><div>Honorary =
Research Fellow</div><div>School of Languages and =
Literatures</div><div>University of =
Witwatersrand</div><div>Johannesburg, South =
Africa</div><div><br></div></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"> </div><br></body></html>=
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Date:         Tue, 27 Oct 2009 11:30:54 -0700
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Subject:      Re: A modest proposal
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italian-studies: Scholarly discussions in any field of Italian studies


I am all for more online journals in Italian Studies. So CIS is about to pu=
blish an online issue with 50 articles? I propose--modestly=2C of course--t=
hat the new venture aim for 100. As many people as possible should be able =
to disseminate their ideas as quickly as they can. After all=2C in just fou=
r to sixth months=2C a major paradigm shift in say=2C Petrarch studies=2C c=
ould invalidate years of prior scholarship=2C let alone something I may be =
composing furiously right now.=20

=20

Sincerely=2C

=20

Michelle Rioux =20
=20


Date: Tue=2C 27 Oct 2009 14:50:25 +0000
From: [log in to unmask]
Subject: Re: [I-S] A modest proposal
To: [log in to unmask]

italian-studies: Scholarly discussions in any field of Italian studies Dear=
 Jim=2C=20


Couldn't agree more on the frustration. However=2C there are by now several=
 online journals in Italian Studies.=20


In many ways=2C rather than have a generic Italian Studies venture=2C it wo=
uld seem to be best to continue to develop sub-area specific e-periodicals.=
 The risk with a generic super-venture would be the size and the identity o=
f the operation.=20


On processing times. Web productions are quite time consuming and do requir=
e investment and staff. So again=2C while it is great to have these new fac=
ilities and expect faster processing times=2C we should bear in mind that e=
-editors (i.e.=2C busy academics) take on all roles=2C going well beyond co=
nventional editing=2C incl. web designing=2C publishing and promoting.=20


Can I invite you and other list members to visit the EJGS - Edinburgh Journ=
al of Gadda Studies - http://www.arts.ed.ac.uk/italian/gadda/index.php


The EJGS is going for 10 next year. To mark the anniversary=2C the EJGS Tea=
m is planning a series of events (soon to be announced to the list) and a D=
ecennial Special Edition.
=20
All best=2C=20

















Federica
Federica G. Pedriali

Professor of Literary Metatheory and Modern Italian Studies
Director and General Editor of the Edinburgh Journal of Gadda Studies

IPSE Honorary Director and Patron
Head of Italian


School of Literatures Languages and Cultures

University of Edinburgh
David Hume Tower
George Square
Edinburgh EH8 9JX
Scotland UK
direct dial: +44 0131 650 3642
fax: +44 0131 651 1482

personal web: http://www.selc.ed.ac.uk/italian/staff/f_pedriali.htm
departmental web: http://www.selc.ed.ac.uk/italian/
Gadda web: http://www.arts.ed.ac.uk/italian/gadda/index.php
Gadda departmental web: http://www.selc.ed.ac.uk/italian/gadda.htm


On 27 Oct 2009=2C at 13:28=2C James Ward wrote:

italian-studies: Scholarly discussions in any field of Italian studies Cari=
 colleghi=2C
I would like to propose an idea for discussion among colleagues on this lis=
t: an on-line journal of Italian studies. At the present time=2C there exis=
ts=2C to my knowledge=2C no such journal=3B the only on-line resource of th=
is type of which I am aware is the excellent H-Italy=2C hosted by Michigan =
State University (www.h-net.org/~italy)=2C which publishes timely reviews o=
f Italy-related books=2C and has discussion forums for specific topics. Why=
 shouldn't we have a similar resource for scholarly articles?
This proposal comes out of my personal experience. Currently=2C if I submit=
 an article to a journal=2C I must wait at least 6 months to hear a respons=
e=2C then wait another 8-15 months before the article appears in print. At =
that point=2C I can begin to receive feedback from colleagues on the articl=
e and the ideas in it. Why should the flow of ideas and information in the =
humanities be so slow? After all=2C in the hard sciences=2C the on-line pub=
lication of articles and abstracts in a timely manner has been the norm for=
 many years=2C which generates immediate feedback and advances the pursuit =
of knowledge immensely. Are the humanities really different from the hard s=
ciences in some fundamental way? Or might we benefit also from such an acce=
lerated rhythm of the free and timely exchange of ideas? After all=2C we al=
ready have such forums as this as a means of asking scholarly questions on =
a specific topic. Why not extend this to articles as a whole?
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this proposal.
Cordiali saluti.
Jim Ward=2C Berkeley=2C CA




Windows 7: Simplify your PC. Learn more. **********************************=
************************************ To join the list=2C send the message: =
join italian-studies YOUR NAME to:[log in to unmask] To send a message=
 to the list=2C address it to: [log in to unmask] To leave the =
list=2C send the message: leave italian-studies to: [log in to unmask]
 In order to report problems or to contact the list's owners=2C write to: i=
[log in to unmask] For further information=2C visit our =
web site: http://www.jiscmail.ac.uk/lists/italian-studies.html
********************************************************************** To j=
oin the list=2C send the message: join italian-studies YOUR NAME to: jiscma=
[log in to unmask] To send a message to the list=2C address it to: italian-s=
[log in to unmask] To leave the list=2C send the message: leave italian-=
studies to: [log in to unmask] In order to report problems or to conta=
ct the list's owners=2C write to: [log in to unmask] Fo=
r further information=2C visit our web site: http://www.jiscmail.ac.uk/list=
s/italian-studies.html 		 	   		 =20
_________________________________________________________________
Windows 7: It helps you do more. Explore Windows 7.
http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID24727::T:=
WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen3:102009=

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italian-studies: Scholarly discussions in any field of Italian studies
<html>
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<body class=3D'hmmessage'>
I am all for&nbsp=3Bmore online journals in Italian Studies.&nbsp=3BSo CIS =
is about to publish an online issue&nbsp=3Bwith 50 articles?&nbsp=3BI propo=
se--modestly=2C of course--that&nbsp=3Bthe new venture aim for 100.&nbsp=3B=
As many people as possible should be able to&nbsp=3Bdisseminate their ideas=
 as quickly as they can.&nbsp=3BAfter all=2C in just four&nbsp=3Bto sixth m=
onths=2C a major paradigm shift in say=2C Petrarch studies=2C could invalid=
ate years of prior scholarship=2C let alone something I may be composing fu=
riously right now. <BR>
&nbsp=3B<BR>
Sincerely=2C<BR>
&nbsp=3B<BR>
Michelle Rioux&nbsp=3B&nbsp=3B<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Tue=2C 27 Oct 2009 14:50:25 +0000<BR>From: [log in to unmask]<BR>Sub=
ject: Re: [I-S] A modest proposal<BR>To: [log in to unmask]<BR>=
<BR>italian-studies: Scholarly discussions in any field of Italian studies =
Dear Jim=2C&nbsp=3B
<DIV><BR></DIV>
<DIV>Couldn't agree more on the frustration. However=2C there are by now se=
veral online journals in Italian Studies.&nbsp=3B</DIV>
<DIV><BR></DIV>
<DIV>In many ways=2C&nbsp=3Brather than have a generic Italian Studies vent=
ure=2C&nbsp=3Bit would seem to be best to continue to develop sub-area spec=
ific e-periodicals. The risk with a generic super-venture would be the size=
 and the identity of the operation.&nbsp=3B</DIV>
<DIV><BR></DIV>
<DIV>On processing times. Web productions are quite time consuming and do r=
equire investment and staff. So again=2C while it is great to have these ne=
w facilities and expect faster processing times=2C we should bear in mind t=
hat e-editors (i.e.=2C busy academics) take on all roles=2C going well beyo=
nd conventional editing=2C incl. web designing=2C publishing and promoting.=
&nbsp=3B</DIV>
<DIV>
<DIV><BR class=3Decxwebkit-block-placeholder></DIV>
<DIV>Can I invite you and other list members to visit the EJGS - Edinburgh =
Journal of Gadda Studies -&nbsp=3B<A href=3D"http://www.arts.ed.ac.uk/itali=
an/gadda/index.php">http://www.arts.ed.ac.uk/italian/gadda/index.php</A></D=
IV>
<DIV><BR></DIV>
<DIV>The EJGS is going for 10 next year. To mark the anniversary=2C the EJG=
S Team is planning a series of events (soon to be announced to the list) an=
d a Decennial Special Edition.</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>All best=2C&nbsp=3B</DIV>
<DIV><BR></DIV>
<DIV><SPAN style=3D"TEXT-TRANSFORM: none=3B TEXT-INDENT: 0px=3B BORDER-COLL=
APSE: separate=3B FONT: 12px Helvetica=3B WHITE-SPACE: normal=3B LETTER-SPA=
CING: normal=3B COLOR: rgb(0=2C0=2C0)=3B WORD-SPACING: 0px" class=3DecxAppl=
e-style-span>
<DIV style=3D"WORD-WRAP: break-word"><SPAN style=3D"TEXT-TRANSFORM: none=3B=
 TEXT-INDENT: 0px=3B BORDER-COLLAPSE: separate=3B FONT: 12px Helvetica=3B W=
HITE-SPACE: normal=3B LETTER-SPACING: normal=3B COLOR: rgb(0=2C0=2C0)=3B WO=
RD-SPACING: 0px" class=3DecxApple-style-span>
<DIV style=3D"WORD-WRAP: break-word"><SPAN style=3D"TEXT-TRANSFORM: none=3B=
 TEXT-INDENT: 0px=3B BORDER-COLLAPSE: separate=3B FONT: 12px Helvetica=3B W=
HITE-SPACE: normal=3B LETTER-SPACING: normal=3B COLOR: rgb(0=2C0=2C0)=3B WO=
RD-SPACING: 0px" class=3DecxApple-style-span>
<DIV style=3D"WORD-WRAP: break-word"><SPAN style=3D"TEXT-TRANSFORM: none=3B=
 TEXT-INDENT: 0px=3B BORDER-COLLAPSE: separate=3B FONT: 12px Helvetica=3B W=
HITE-SPACE: normal=3B LETTER-SPACING: normal=3B COLOR: rgb(0=2C0=2C0)=3B WO=
RD-SPACING: 0px" class=3DecxApple-style-span>
<DIV style=3D"WORD-WRAP: break-word"><SPAN style=3D"TEXT-TRANSFORM: none=3B=
 TEXT-INDENT: 0px=3B BORDER-COLLAPSE: separate=3B FONT: 12px Helvetica=3B W=
HITE-SPACE: normal=3B LETTER-SPACING: normal=3B COLOR: rgb(0=2C0=2C0)=3B WO=
RD-SPACING: 0px" class=3DecxApple-style-span>
<DIV style=3D"WORD-WRAP: break-word"><SPAN style=3D"TEXT-TRANSFORM: none=3B=
 TEXT-INDENT: 0px=3B BORDER-COLLAPSE: separate=3B FONT: 12px Helvetica=3B W=
HITE-SPACE: normal=3B LETTER-SPACING: normal=3B COLOR: rgb(0=2C0=2C0)=3B WO=
RD-SPACING: 0px" class=3DecxApple-style-span>
<DIV style=3D"WORD-WRAP: break-word">
<DIV>
<DIV style=3D"WORD-WRAP: break-word">
<DIV style=3D"WORD-WRAP: break-word">
<DIV>
<DIV>
<DIV style=3D"WORD-WRAP: break-word">
<DIV style=3D"WORD-WRAP: break-word">
<DIV>
<DIV>Federica</DIV>
<DIV>Federica G. Pedriali</DIV>
<DIV><BR>Professor of Literary Metatheory and Modern Italian Studies<BR>Dir=
ector and General Editor of the Edinburgh Journal of Gadda Studies<BR></DIV=
>
<DIV>IPSE Honorary Director and Patron</DIV>
<DIV>Head of Italian</DIV>
<DIV><BR></DIV>
<DIV>School of Literatures Languages and Cultures<BR></DIV>
<DIV>University of Edinburgh</DIV>
<DIV>David Hume Tower<BR>George Square<BR>Edinburgh EH8 9JX<BR>Scotland UK<=
BR>direct dial: +44 0131 650 3642<BR>fax: +44 0131 651 1482<BR><BR>personal=
 web:&nbsp=3B<A href=3D"http://www.selc.ed.ac.uk/italian/staff/f_pedriali.h=
tm">http://www.selc.ed.ac.uk/italian/staff/f_pedriali.htm</A><BR>department=
al web:&nbsp=3B<A href=3D"http://www.selc.ed.ac.uk/italian/">http://www.sel=
c.ed.ac.uk/italian/</A><BR>Gadda web:&nbsp=3B<A href=3D"http://www.arts.ed.=
ac.uk/italian/gadda/index.php">http://www.arts.ed.ac.uk/italian/gadda/index=
.php</A><BR>Gadda departmental web:&nbsp=3B<A href=3D"http://www.selc.ed.ac=
.uk/italian/gadda.htm">http://www.selc.ed.ac.uk/italian/gadda.htm</A></DIV>=
</DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></SPAN></DIV></SPAN><=
/DIV></SPAN></DIV></SPAN></DIV></SPAN></DIV></SPAN></DIV><BR>
<DIV>
<DIV>On 27 Oct 2009=2C at 13:28=2C James Ward wrote:</DIV><BR class=3DecxAp=
ple-interchange-newline>
<BLOCKQUOTE><SPAN style=3D"TEXT-TRANSFORM: none=3B TEXT-INDENT: 0px=3B BORD=
ER-COLLAPSE: separate=3B FONT: 12px Helvetica=3B WHITE-SPACE: normal=3B LET=
TER-SPACING: normal=3B COLOR: rgb(0=2C0=2C0)=3B WORD-SPACING: 0px" class=3D=
ecxApple-style-span>
<DIV style=3D"FONT-FAMILY: Verdana=3B FONT-SIZE: 10pt" class=3Decxhmmessage=
>italian-studies: Scholarly discussions in any field of Italian studies<SPA=
N class=3DecxApple-converted-space>&nbsp=3B</SPAN>Cari colleghi=2C<BR>I wou=
ld like to propose an idea for discussion among colleagues on this list: an=
 on-line journal of Italian studies. At the present time=2C there exists=2C=
 to my knowledge=2C no such journal=3B the only on-line resource of this ty=
pe of which I am aware is the excellent H-Italy=2C hosted by Michigan State=
 University (<A href=3D"http://www.h-net.org/~italy)">www.h-net.org/~italy)=
</A>=2C which publishes timely reviews of Italy-related books=2C and has di=
scussion forums for specific topics. Why shouldn't we have a similar resour=
ce for scholarly articles?<BR>This proposal comes out of my personal experi=
ence. Currently=2C if I submit an article to a journal=2C I must wait at le=
ast 6 months to hear a response=2C then wait another 8-15 months before the=
 article appears in print. At that point=2C I can begin to receive feedback=
 from colleagues on the article and the ideas in it. Why should the flow of=
 ideas and information in the humanities be so slow? After all=2C in the ha=
rd sciences=2C the on-line publication of articles and abstracts in a timel=
y manner has been the norm for many years=2C which generates immediate feed=
back and advances the pursuit of knowledge immensely. Are the humanities re=
ally different from the hard sciences in some fundamental way? Or might we =
benefit also from such an accelerated rhythm of the free and timely exchang=
e of ideas? After all=2C we already have such forums as this as a means of =
asking scholarly questions on a specific topic. Why not extend this to arti=
cles as a whole?<BR>Che ne dite? Perhaps this forum could be a place to dis=
cuss this idea. I'm looking forward to hearing responses from colleagues on=
 this proposal.<BR>Cordiali saluti.<BR>Jim Ward=2C Berkeley=2C CA<BR><BR><B=
R>
<HR>
Windows 7: Simplify your PC.<SPAN class=3DecxApple-converted-space>&nbsp=3B=
</SPAN><A href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?o=
cid=3DPID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009">Learn more=
.</A><SPAN class=3DecxApple-converted-space>&nbsp=3B</SPAN>****************=
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Date:         Tue, 27 Oct 2009 15:19:20 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Julia Bolton Holloway <[log in to unmask]>
Subject:      Re: A modest proposal
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Forwarded from another list:

I am pleased to announce the publication of the second volume of "Ravenna",
an online interdisciplinary journal devoted to the relationship between the
British Decadent movement and Italy. Ravenna is edited by Elisa Bizzotto an=
d
Luca Caddia and published by Steven Halliwell at The Rivendale Press as one
of THE OSCHOLARS group of fin de si=E8cle journals under the general editor=
ship
of D.C. Rose.

http://www.oscholars.com/Ravenna/Ravenna2/toc.htm


This issue includes the following articles:

David Fettig: "The Discordant Melody of Change: Giacomo Puccini, George
Egerton, and Orchestrations of the New Woman in Fin de Si=E8cle London";
=09
Simon Po=EB: "Made in Italy: Roddam Spencer Stanhope=92s =91Patience on a
Monument, Smiling at Grief=92".


And reviews:

Derek Duncan, "Reading and Writing Italian Homosexuality: A Case of Possibl=
e
Difference" [by Vincenzo Bavaro];

Elisabetta Girelli, "Beauty and the Beast: Italianness in British Cinema" [=
by
Anna Viola Sborgi];

Yvonne Ivory, "The Homosexual Revival of Renaissance Style, 1850-1930" [by
Stefano Evangelista].=09
=09
=09
=09
"Ravenna" is now accepting submissions for articles and reviews of recent
books for future issues. If you are interested in sending a proposal, pleas=
e
contact the editors at the following email addresses:

Elisa Bizzotto ([log in to unmask])
Luca Caddia ([log in to unmask])


Thank you very much for your attention. I hope you will enjoy "Ravenna" 2!


Best Regards,


Luca Caddia


--=20
Julia Bolton Holloway, Mediatheca 'Fioretta Mazzei',  'English' Cemetery,
Piazzale Donatello, 38,
I-50132 Firenze, Italy
http://www.umilta.net  http://www.florin.ms
http://piazzaledonatello.blogspot.com

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italian-studies: Scholarly discussions in any field of Italian studies
Forwarded from another list:<br><pre><font size=3D"2">I am pleased to annou=
nce the publication of the second volume of &quot;Ravenna&quot;, <br>an onl=
ine interdisciplinary journal devoted to the relationship between the <br>
British Decadent movement and Italy. Ravenna is edited by Elisa Bizzotto an=
d <br>Luca Caddia and published by Steven Halliwell at The Rivendale Press =
as one <br>of THE OSCHOLARS group of fin de si=E8cle journals under the gen=
eral editorship <br>
of D.C. Rose.<br><br><a class=3D"moz-txt-link-freetext" href=3D"http://www.=
oscholars.com/Ravenna/Ravenna2/toc.htm">http://www.oscholars.com/Ravenna/Ra=
venna2/toc.htm</a><br><br><br>This issue includes the following articles:<b=
r>
<br>David Fettig: &quot;The Discordant Melody of Change: Giacomo Puccini, G=
eorge <br>Egerton, and Orchestrations of the New Woman in Fin de Si=E8cle L=
ondon&quot;;<br>	<br>Simon Po=EB: &quot;Made in Italy: Roddam Spencer Stanh=
ope=92s =91Patience on a <br>
Monument, Smiling at Grief=92&quot;.<br><br><br>And reviews:<br><br>Derek D=
uncan, &quot;Reading and Writing Italian Homosexuality: A Case of Possible =
<br>Difference&quot; [by Vincenzo Bavaro];<br><br>Elisabetta Girelli, &quot=
;Beauty and the Beast: Italianness in British Cinema&quot; [by <br>
Anna Viola Sborgi];<br><br>Yvonne Ivory, &quot;The Homosexual Revival of Re=
naissance Style, 1850-1930&quot; [by <br>Stefano Evangelista].	<br>	<br>	<b=
r>	<br>&quot;Ravenna&quot; is now accepting submissions for articles and re=
views of recent <br>
books for future issues. If you are interested in sending a proposal, pleas=
e <br>contact the editors at the following email addresses:<br><br>Elisa Bi=
zzotto (<a class=3D"moz-txt-link-abbreviated" href=3D"mailto:[log in to unmask]
it">[log in to unmask]</a>)<br>
Luca Caddia (<a class=3D"moz-txt-link-abbreviated" href=3D"mailto:luca.cadd=
[log in to unmask]">[log in to unmask]</a>)<br><br><br>Thank you very mu=
ch for your attention. I hope you will enjoy &quot;Ravenna&quot; 2!<br><br>
<br>Best Regards,<br><br><br>Luca Caddia</font></pre><br>-- <br>Julia Bolto=
n Holloway, Mediatheca &#39;Fioretta Mazzei&#39;, =A0&#39;English&#39; Ceme=
tery, Piazzale Donatello, 38,<br>I-50132 Firenze, Italy<br><a href=3D"http:=
//www.umilta.net">http://www.umilta.net</a> =A0<a href=3D"http://www.florin=
.ms">http://www.florin.ms</a><br>
<a href=3D"http://piazzaledonatello.blogspot.com">http://piazzaledonatello.=
blogspot.com</a><br>
**********************************************************************
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Date:         Tue, 27 Oct 2009 21:28:23 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         luciana d'arcangeli <[log in to unmask]>
Subject:      Re: A modest proposal
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies


Dear All=2C the following e-journal is open but not limited to Italian Stud=
ies:
FULGOR=2C Flinders University Languages Group Online Review=2C is a freely =
accessible=2Cfully refereed international e-journal=2C normally published t=
wice a year by the Department of Languages =2C Flinders University=2C Adela=
ide=2C Australia.The journal aims to publish high-quality academic work pro=
duced by scholars associated with tertiary institutions who are conducting =
research in the areas of French=2C Italian=2C Modern Greek and Spanish Stud=
ies=2C Applied linguistics=2C Language Education=2C Migration Studies. Prev=
iously-unpublished papers are invited from researchers in both Australian a=
nd overseas universities. Postgraduate and Honours students are also encour=
aged to submit papers. The journal from time to time will publish special i=
ssues=2C e.g. on a particular theme or containing a selection of conference=
 papers. The journal reserves the right to publish invited papers. It is ha=
ppy to receive reader feedback and to publish news of coming events and con=
ferences.In keeping with its title=2C as an electronic journal FULGOR provi=
des lightning-fast accessibility=2C strives to enlighten=2C and aspires to =
excellence.
Cordiali saluti=2C
=20
Luciana d'Arcangeli=20
Cassamarca Lecturer in Italian

School of Humanities (room 208)=2C Flinders University
GPO Box 2100=2C Adelaide 5001 Australia
[log in to unmask]

***=20
"L'amare il proprio lavoro costituisce la migliore approssimazione concreta=
 alla felicit=E0 sulla terra" -=20
"Loving your work is the closest you can get to happiness on earth"=20
P. Levi=2C La chiave a stella=20
"Non si possono scoprire nuovi oceani se non si ha il coraggio di perdere d=
i vista la riva" -"You can't discover new oceans if you don't have the cour=
age to lose sight of the shore"=20
Andre' Gide=20





Date: Tue=2C 27 Oct 2009 06:28:28 -0700
From: [log in to unmask]
Subject: [I-S] A modest proposal
To: [log in to unmask]

italian-studies: Scholarly discussions in any field of Italian studies

















Cari colleghi=2C
I would like to propose an idea for discussion among colleagues on this lis=
t: an on-line journal of Italian studies. At the present time=2C there exis=
ts=2C to my knowledge=2C no such journal=3B the only on-line resource of th=
is type of which I am aware is the excellent H-Italy=2C hosted by Michigan =
State University (www.h-net.org/~italy)=2C which publishes timely reviews o=
f Italy-related books=2C and has discussion forums for specific topics. Why=
 shouldn't we have a similar resource for scholarly articles?
This proposal comes out of my personal experience. Currently=2C if I submit=
 an article to a journal=2C I must wait at least 6 months to hear a respons=
e=2C then wait another 8-15 months before the article appears in print. At =
that point=2C I can begin to receive feedback from colleagues on the articl=
e and the ideas in it. Why should the flow of ideas and information in the =
humanities be so slow? After all=2C in the hard sciences=2C the on-line pub=
lication of articles and abstracts in a timely manner has been the norm for=
 many years=2C which generates immediate feedback and advances the pursuit =
of knowledge immensely. Are the humanities really different from the hard s=
ciences in some fundamental way? Or might we benefit also from such an acce=
lerated rhythm of the free and timely exchange of ideas? After all=2C we al=
ready have such forums as this as a means of asking scholarly questions on =
a specific topic. Why not extend this to articles as a whole?
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this proposal.
Cordiali saluti.
Jim Ward=2C Berkeley=2C CA

 		 	   		 =20
Windows 7: Simplify your PC. Learn more.
**********************************************************************
To join the list=2C send the message: join italian-studies YOUR NAME
to: [log in to unmask]
To send a message to the list=2C address it to:
[log in to unmask]
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to: [log in to unmask]
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[log in to unmask]
For further information=2C visit our web site:
http://www.jiscmail.ac.uk/lists/italian-studies.html 		 	   		 =20
_________________________________________________________________
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italian-studies: Scholarly discussions in any field of Italian studies
<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
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font-family:Verdana
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<body class=3D'hmmessage'>
<span class=3D"Apple-style-span" style=3D"font-family: Times=3B font-size: =
12pt=3B "><p style=3D"font-family: 'Times New Roman'=2C Times=2C serif=3B t=
ext-align: justify=3B ">Dear All=2C&nbsp=3B</p><p style=3D"font-family: 'Ti=
mes New Roman'=2C Times=2C serif=3B text-align: justify=3B ">the following =
e-journal is open but not limited to Italian Studies:</p><p style=3D"font-f=
amily: 'Times New Roman'=2C Times=2C serif=3B text-align: justify=3B "><br>=
</p><p style=3D"font-family: 'Times New Roman'=2C Times=2C serif=3B text-al=
ign: justify=3B ">FULGOR=2C Flinders University Languages Group Online Revi=
ew=2C is a<b>&nbsp=3B</b>freely accessible=2C<b>fully refereed</b>&nbsp=3Bi=
nternational e-journal=2C normally published twice a year by the&nbsp=3B<a =
name=3D"B_Hlt535640162"></a><a href=3D"http://ehlt.flinders.edu.au/deptlang=
/">Department of Languages</a>&nbsp=3B<a name=3D"B_Hlt535640198"></a>=2C Fl=
inders University=2C Adelaide=2C Australia.</p><p style=3D"font-family: 'Ti=
mes New Roman'=2C Times=2C serif=3B text-align: justify=3B ">The journal ai=
ms to publish high-quality academic work produced by scholars associated wi=
th tertiary institutions who are conducting research in the areas of French=
=2C Italian=2C Modern Greek and Spanish Studies=2C Applied linguistics=2C L=
anguage Education=2C Migration Studies. Previously-unpublished papers are i=
nvited from researchers in both Australian and overseas universities. Postg=
raduate and Honours students are also encouraged to submit papers. The jour=
nal from time to time will publish special issues=2C e.g. on a particular t=
heme or containing a selection of conference papers. The journal reserves t=
he right to publish invited papers. It is happy to receive reader feedback =
and to publish news of coming events and conferences.</p><p style=3D"font-f=
amily: 'Times New Roman'=2C Times=2C serif=3B text-align: justify=3B ">In k=
eeping with its title=2C as an electronic journal FULGOR provides lightning=
-fast accessibility=2C strives to enlighten=2C and aspires to excellence.</=
p></span><div><br></div>Cordiali saluti=2C<div><br>&nbsp=3B<br><font face=
=3D"Geneva=2C Arial=2C Sans-serif">Luciana d'Arcangeli </font><font face=3D=
"Geneva=2C Arial=2C Sans-serif"><em><br></em><span style=3D"font-size:10pt=
=3Bfont-family:'Comic Sans MS'"><font color=3D"#000000"><strong>Cassamarca =
Lecturer in Italian</strong></font></span></font><br>
<p class=3D"EC_MsoNormal" style=3D""><span style=3D"font-size:10pt=3Bfont-f=
amily:'Comic Sans MS'"><font color=3D"#000000"><font face=3D"Geneva=2C Aria=
l=2C Sans-serif">School of Humanities (room 208)=2C Flinders University</fo=
nt></font></span></p>
<p class=3D"EC_MsoNormal" style=3D""><font face=3D"Geneva=2C Arial=2C Sans-=
serif"><span style=3D"font-size:10pt=3Bfont-family:'Comic Sans MS'"><font c=
olor=3D"#000000">GPO Box 2100=2C </font></span><span style=3D"font-size:10p=
t=3Bfont-family:'Comic Sans MS'"><font color=3D"#000000">Adelaide 5001 Aust=
ralia</font></span></font></p>
<p class=3D"EC_MsoNormal" style=3D""><span style=3D"font-size:10pt=3Bfont-f=
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<p class=3D"EC_MsoNormal" style=3D""><font face=3D"Geneva=2C Arial=2C Sans-=
serif"><font class=3D"Apple-style-span" face=3D"'Comic Sans MS'=2C Arial=2C=
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><font size=3D"1">*** <br><font color=3D"#800080"><em>"L'amare il proprio l=
avoro costituisce la migliore approssimazione concreta alla felicit=E0 sull=
a terra" - </em></font></font></font></p>
<p class=3D"EC_MsoNormal" style=3D""><font face=3D"Geneva=2C Arial=2C Sans-=
serif"><em><font size=3D"1"><font color=3D"#800080">"Loving your work is th=
e closest you can get to happiness on earth" </font></font><br></em></font>=
<font size=3D"1"><font face=3D"Geneva=2C Arial=2C Sans-serif"><font color=
=3D"#800080">P. Levi=2C <em>La chiave a stella</em> </font><br></font><font=
 face=3D"Geneva=2C Arial=2C Sans-serif"><font color=3D"#0000ff"><em>"Non&nb=
sp=3Bsi&nbsp=3Bpossono&nbsp=3Bscoprire&nbsp=3Bnuovi&nbsp=3Boceani&nbsp=3Bse=
&nbsp=3Bnon&nbsp=3Bsi&nbsp=3Bha&nbsp=3Bil&nbsp=3Bcoraggio&nbsp=3Bdi&nbsp=3B=
perdere&nbsp=3Bdi&nbsp=3Bvista&nbsp=3Bla&nbsp=3Briva" -"You&nbsp=3Bcan't&nb=
sp=3Bdiscover&nbsp=3Bnew&nbsp=3Boceans&nbsp=3Bif&nbsp=3Byou&nbsp=3Bdon't&nb=
sp=3Bhave&nbsp=3Bthe&nbsp=3Bcourage&nbsp=3Bto&nbsp=3Blose&nbsp=3Bsight&nbsp=
=3Bof&nbsp=3Bthe&nbsp=3Bshore" </em></font></font></font></p>
<p class=3D"EC_MsoNormal" style=3D""><font size=3D"1"><font face=3D"Geneva=
=2C Arial=2C Sans-serif"><font color=3D"#0000ff">Andre'&nbsp=3BGide </font>=
<br></font><font face=3D"Tahoma=2CHelvetica=2CSans-Serif"><br></font></font=
></p><font size=3D"1"><font face=3D"Tahoma=2CHelvetica=2CSans-Serif"></font=
></font><br><br><br><br><hr id=3D"stopSpelling">Date: Tue=2C 27 Oct 2009 06=
:28:28 -0700<br>From: [log in to unmask]<br>Subject: [I-S] A modest propo=
sal<br>To: [log in to unmask]<br><br>italian-studies: Scholarly=
 discussions in any field of Italian studies




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Cari colleghi=2C<br>I would like to propose an idea for discussion among co=
lleagues on this list: an on-line journal of Italian studies. At the presen=
t time=2C there exists=2C to my knowledge=2C no such journal=3B the only on=
-line resource of this type of which I am aware is the excellent H-Italy=2C=
 hosted by Michigan State University (www.h-net.org/~italy)=2C which publis=
hes timely reviews of Italy-related books=2C and has discussion forums for =
specific topics. Why shouldn't we have a similar resource for scholarly art=
icles?<br>This proposal comes out of my personal experience. Currently=2C i=
f I submit an article to a journal=2C I must wait at least 6 months to hear=
 a response=2C then wait another 8-15 months before the article appears in =
print. At that point=2C I can begin to receive feedback from colleagues on =
the article and the ideas in it. Why should the flow of ideas and informati=
on in the humanities be so slow? After all=2C in the hard sciences=2C the o=
n-line publication of articles and abstracts in a timely manner has been th=
e norm for many years=2C which generates immediate feedback and advances th=
e pursuit of knowledge immensely. Are the humanities really different from =
the hard sciences in some fundamental way? Or might we benefit also from su=
ch an accelerated rhythm of the free and timely exchange of ideas? After al=
l=2C we already have such forums as this as a means of asking scholarly que=
stions on a specific topic. Why not extend this to articles as a whole?<br>=
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this proposal.<br>C=
ordiali saluti.<br>Jim Ward=2C Berkeley=2C CA<br><br> 		 	   		  <br><hr>Wi=
ndows 7: Simplify your PC. <a href=3D"http://www.microsoft.com/Windows/wind=
ows-7/default.aspx?ocid=3DPID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen=
1:102009">Learn more.</a>
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--_61c905bd-d13f-489f-a769-55b7e7745990_--
=========================================================================
Date:         Wed, 28 Oct 2009 12:27:55 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         alex marlow-mann <[log in to unmask]>
Subject:      Wanted: Neapolitan films
Content-Type: multipart/alternative;
              boundary="_1331348d-7fb3-4d18-8966-8a797fdb33fc_"
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italian-studies: Scholarly discussions in any field of Italian studies


Dear colleagues=2C

=20

I was wondering whether anyone on the list might have a copy of any of the =
following films:

=20
Malemare (1997=2C Pasquale Marrazzo)
Rose e pistole (1999=2C Carla Apuzzo)
I cinghiali di Portici (2003/2006=2C Diego Olivares)
Ossidiana (2007=2C Silvana Maja)
=20
None of these are commercially available and I=92ve been after them for qui=
te a while as background for a book I am writing. Any help that you can pro=
vide would be greatly appreciated!
=20

Alex Marlow-Mann
British Film Institute
=20
 		 	   		 =20
_________________________________________________________________
New Windows 7: Find the right PC for you. Learn more.
http://www.microsoft.com/uk/windows/buy/=

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italian-studies: Scholarly discussions in any field of Italian studies
<html>
<head>
<style><!--
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<body class=3D'hmmessage'>
<SPAN lang=3DIT style=3D"FONT-FAMILY: 'Caecilia Roman'"><FONT size=3D3>Dear=
&nbsp=3Bcolleagues=2C</FONT></SPAN><BR>
<SPAN lang=3DIT style=3D"FONT-FAMILY: 'Caecilia Roman'"><FONT size=3D3></FO=
NT></SPAN>&nbsp=3B<BR>
<SPAN lang=3DIT style=3D"FONT-FAMILY: 'Caecilia Roman'"><FONT size=3D3>I&nb=
sp=3Bwas wondering whether anyone on the list might have a copy of any of t=
he following films:<?xml:namespace prefix =3D o ns =3D "urn:schemas-microso=
ft-com:office:office" /><o:p></o:p></FONT></SPAN><BR>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DIT style=3D=
"FONT-FAMILY: 'Caecilia Roman'"><o:p><FONT size=3D3>&nbsp=3B</FONT></o:p></=
SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DIT style=3D=
"FONT-FAMILY: 'Caecilia Roman'"><FONT size=3D3>Malemare (1997=2C Pasquale M=
arrazzo)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt=3B mso-layout-grid-align:=
 none"><SPAN lang=3DIT style=3D"FONT-FAMILY: 'Caecilia Roman'=3B mso-fareas=
t-language: EN-GB=3B mso-bidi-font-family: 'Caecilia Roman'"><FONT size=3D3=
>Rose e pistole (1999=2C Carla Apuzzo)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt=3B mso-layout-grid-align:=
 none"><SPAN lang=3DIT style=3D"FONT-FAMILY: 'Caecilia Roman'=3B mso-fareas=
t-language: EN-GB=3B mso-bidi-font-family: 'Caecilia Roman'"><FONT size=3D3=
>I cinghiali di Portici (2003/2006=2C Diego Olivares)<o:p></o:p></FONT></SP=
AN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DIT style=3D=
"FONT-FAMILY: 'Caecilia Roman'=3B mso-fareast-language: EN-GB=3B mso-bidi-f=
ont-family: 'Caecilia Roman'"><FONT size=3D3>Ossidiana (2007=2C Silvana Maj=
a)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DIT style=3D=
"FONT-FAMILY: 'Caecilia Roman'"><o:p><FONT size=3D3>&nbsp=3B</FONT></o:p></=
SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DIT style=3D=
"FONT-FAMILY: 'Caecilia Roman'"><FONT size=3D3>None of these are commercial=
ly available and I=92ve been after them for quite a while as background for=
 a book I am writing. Any help that you can provide would be greatly apprec=
iated!<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DIT style=3D=
"FONT-FAMILY: 'Caecilia Roman'"><o:p><FONT size=3D3>&nbsp=3B</FONT></o:p></=
SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DIT style=3D=
"FONT-FAMILY: 'Caecilia Roman'"><o:p><FONT size=3D3></FONT></o:p></SPAN></P=
>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DIT style=3D=
"FONT-FAMILY: 'Caecilia Roman'"><FONT size=3D3>Alex Marlow-Mann<o:p></o:p><=
/FONT></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><SPAN lang=3DIT style=3D=
"FONT-FAMILY: 'Caecilia Roman'"><FONT size=3D3>British Film Institute<o:p><=
/o:p></FONT></SPAN></P>
&nbsp=3B<BR> 		 	   		  <br /><hr />New Windows 7: Find the right PC for yo=
u. <a href=3D'http://www.microsoft.com/uk/windows/buy/' target=3D'_new'>Lea=
rn more.</a></body>
</html>=
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--_1331348d-7fb3-4d18-8966-8a797fdb33fc_--
=========================================================================
Date:         Wed, 28 Oct 2009 12:25:37 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Charlotte Ross <[log in to unmask]>
Subject:      Re: CFP Sexuality in Contemporary Italy
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear colleagues,
I am forwarding this to the list on behalf of Giovanni Porfido.

CALL FOR PAPERS

The Politics of Sexuality in Contemporary Italy=20

Guest Editors: Isabel Crowhurst (Birkbeck, University of London), Giovanni =
Porfido (University of Birmingham), and Chiara Bertone (Universit=E0 del Pi=
emonte Orientale).

The aim of this special issue is to discuss the politics of sexuality in co=
ntemporary Italian cultural and social life. The analysis of how sexuality =
may articulate citizenship, social inclusion/exclusion, belonging and parti=
cipation, racial, class and gender relations (Lister 2007, Bell and Binnie =
2000, Weeks 1998; Seidman 1997; Rubin 1982) is still a relatively under-res=
earched area of study in the Italian context. Nevertheless, recent heated d=
ebates and troubling events in Italian public life, including the increase =
in homophobic violence, disputes over same-sex partnerships and a new prost=
itution law, suggest that a rigorous critical engagement with these issues =
is much needed.=20

Key questions to be explored include: Which sexualities are constructed and=
 treated as privileged and which are minoritized or/and stigmatized? What a=
ccounts for these distinctions (sexual orientation, 'race', ethnicity, disa=
bility, gender)? How/Do these differentiations map out onto policies and so=
cial practices? What are the tensions between and within dominant normative=
 sexualities and minoritized ones?=20

Potential contributions might address the following issues and topics: sexu=
ality and 'the family'; heterosexual normativity; social and legal recognit=
ion of same-sex relationships; the regulation of sexual practices; reproduc=
tive rights; transgender recognition; sex work and prostitution; sexuality =
and politics; sexuality and religion; sexuality and migration; sexuality an=
d the constructions of 'the nation'; sexual rights; sexuality and the welfa=
re agenda.

The editors of Modern Italy have expressed a strong interest in dedicating =
the early 2013 issue of the journal to this theme. We therefore invite prop=
osals for high-quality interdisciplinary articles from different theoretica=
l and methodological approaches exploring the proposed theme, with a view t=
o further developing an understanding of sexual policies, politics and prac=
tices in contemporary Italy.=20

Expressions of interest in the form of 400-500 word abstracts and a brief C=
V should be sent to the guest-editors: [log in to unmask]; g.porfido@bha=
m.ac.uk and [log in to unmask] by 15th January 2010. We plan to no=
tify authors whether their abstracts have been accepted by early February 2=
010. To discuss ideas for submission in advance, or for further questions, =
please send an email to: [log in to unmask]

For information on Modern Italy, the journal of the Association for the Stu=
dy of Modern Italy published by Routledge, please visit: http://www.tandf.c=
o.uk/journals/titles/13532944.asp

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=========================================================================
Date:         Wed, 28 Oct 2009 13:05:05 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Alvise Sforza <[log in to unmask]>
Subject:      Re: A modest proposal
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear colleagues,
  please allow me to advertise Skepsi, the online postgraduate journal  
of the School of European Culture and Languages, based at the  
University of Kent, UK. While not strictly dedicated to Italian  
studies, the journal welcomes proposals from all the humanities, with  
special attention to modern European languages, thought and literature.
Submissions for the forthcoming third issue are now closed, and we  
would like to announce that the fourth issue will be a collaborative  
effort with the Centre for Medieval and Early Modern Studies, and will  
be dedicated to 'Bad Behaviour'.
You can find more information at this website: http://www.kent.ac.uk/secl/journals/skepsi/index.html 
  or writing to me at the following address: [log in to unmask]
I hope this may be of interest to you,
with my best regards,

Alvise Sforza Tarabochia


On 27 Oct 2009, at 14:01, Charlotte Ross wrote:

> italian-studies: Scholarly discussions in any field of Italian studies
> Dear Jim,
> There are already some online journals relating to Italian Studies,  
> such as the Bulletin of Italian Politics, available here: http://www.gla.ac.uk/politics/bulletinofitalianpolitics/
> I am sure colleagues will be able to provide details of other online  
> journals. While I agree that it is frustrating to wait for scholarly  
> articles to come out in print, part of this time lag is due to the  
> refereeing process.
>
> Dr Charlotte Ross
> Department of Italian Studies
> University of Birmingham
> Edgbaston
> Birmingham
> B15 2TT
>
> Tel: +44 (0)121 4147505
>
> Gender and Sexuality Studies at Birmingham: http://www.gender.bham.ac.uk/
> Birmingham-Warwick MA in Italian Studies: Culture and Communication: http://www.italian.bham.ac.uk/pg/ma.htm
>
> From: Scholarly discussions in any field of Italian studies  
> [mailto:[log in to unmask]] On Behalf Of James Ward
> Sent: 27 October 2009 13:28
> To: [log in to unmask]
> Subject: [I-S] A modest proposal
>
> Cari colleghi,
> I would like to propose an idea for discussion among colleagues on  
> this list: an on-line journal of Italian studies. At the present  
> time, there exists, to my knowledge, no such journal; the only on- 
> line resource of this type of which I am aware is the excellent H- 
> Italy, hosted by Michigan State University (www.h-net.org/~italy),  
> which publishes timely reviews of Italy-related books, and has  
> discussion forums for specific topics. Why shouldn't we have a  
> similar resource for scholarly articles?
> This proposal comes out of my personal experience. Currently, if I  
> submit an article to a journal, I must wait at least 6 months to  
> hear a response, then wait another 8-15 months before the article  
> appears in print. At that point, I can begin to receive feedback  
> from colleagues on the article and the ideas in it. Why should the  
> flow of ideas and information in the humanities be so slow? After  
> all, in the hard sciences, the on-line publication of articles and  
> abstracts in a timely manner has been the norm for many years, which  
> generates immediate feedback and advances the pursuit of knowledge  
> immensely. Are the humanities really different from the hard  
> sciences in some fundamental way? Or might we benefit also from such  
> an accelerated rhythm of the free and timely exchange of ideas?  
> After all, we already have such forums as this as a means of asking  
> scholarly questions on a specific topic. Why not extend this to  
> articles as a whole?
> Che ne dite? Perhaps this forum could be a place to discuss this  
> idea. I'm looking forward to hearing responses from colleagues on  
> this proposal.
> Cordiali saluti.
> Jim Ward, Berkeley, CA
>
>
> Windows 7: Simplify your PC. Learn more.
> ********************************************************************** To 
>  join the list, send the message: join italian-studies YOUR NAME to: [log in to unmask] 
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> to: [log in to unmask] For further information,  
> visit our web site: http://www.jiscmail.ac.uk/lists/italian-studies.html********************************************************************** 
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> to: [log in to unmask] To send a message to the list, address  
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>  For further information, visit our web site: http://www.jiscmail.ac.uk/lists/italian-studies.html


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italian-studies: Scholarly discussions in any field of Italian studies
<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Dear =
colleagues,<div>&nbsp;please allow me to advertise <i>Skepsi</i>, the =
online postgraduate journal of the School of European Culture and =
Languages, based at the University of Kent, UK. While not strictly =
dedicated to Italian studies, the journal welcomes proposals from all =
the humanities, with special attention to modern European languages, =
thought and literature.</div><div>Submissions for the forthcoming third =
issue are now closed, and we would like to announce that the fourth =
issue will be a collaborative effort with the Centre for Medieval and =
Early Modern Studies, and will be dedicated to 'Bad =
Behaviour'.</div><div>You can find more information at this =
website:&nbsp;<a =
href=3D"http://www.kent.ac.uk/secl/journals/skepsi/index.html">http://www.=
kent.ac.uk/secl/journals/skepsi/index.html</a> or writing to me at the =
following address: <a =
href=3D"mailto:[log in to unmask]">[log in to unmask]
.uk</a></div><div>I hope this may be of interest to you,</div><div>with =
my best regards,</div><div><br></div><div>Alvise Sforza =
Tarabochia</div><div><br></div><div><br><div><div><div>On 27 Oct 2009, =
at 14:01, Charlotte Ross wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">italian-studies: Scholarly discussions in any field of =
Italian studies
<o:smarttagtype =
namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags" =
name=3D"State">
<o:smarttagtype =
namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags" name=3D"City">=

<o:smarttagtype =
namespaceuri=3D"urn:schemas-microsoft-com:office:smarttags" =
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<div lang=3D"EN-GB" link=3D"blue" vlink=3D"blue">

<div class=3D"Section1"><p class=3D"MsoNormal"><font size=3D"2" =
color=3D"navy" face=3D"Arial"><span style=3D"font-size:
10.0pt;font-family:Arial;color:navy">Dear =
Jim,<o:p></o:p></span></font></p><p class=3D"MsoNormal"><font size=3D"2" =
color=3D"navy" face=3D"Arial"><span style=3D"font-size:
10.0pt;font-family:Arial;color:navy">There are already some online =
journals
relating to Italian Studies, such as the Bulletin of Italian Politics,
available here: <a =
href=3D"http://www.gla.ac.uk/politics/bulletinofitalianpolitics/">http://w=
ww.gla.ac.uk/politics/bulletinofitalianpolitics/</a><o:p></o:p></span></fo=
nt></p><p class=3D"MsoNormal"><font size=3D"2" color=3D"navy" =
face=3D"Arial"><span style=3D"font-size:
10.0pt;font-family:Arial;color:navy">I am sure colleagues will be able =
to
provide details of other online journals. While I agree that it is =
frustrating
to wait for scholarly articles to come out in print, part of this time =
lag is
due to the refereeing process.<o:p></o:p></span></font></p><p =
class=3D"MsoNormal"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size:
10.0pt;font-family:Arial;color:navy"><o:p>&nbsp;</o:p></span></font></p>

<div><p class=3D"MsoAutoSig"><font size=3D"2" color=3D"navy" =
face=3D"Arial"><span style=3D"font-size:
10.0pt;font-family:Arial;color:navy">Dr <st1:personname =
w:st=3D"on">Charlotte
 Ross</st1:personname><o:p></o:p></span></font></p><p =
class=3D"MsoAutoSig"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size:
10.0pt;font-family:Arial;color:navy">Department of Italian =
Studies</span></font><font color=3D"navy"><span =
style=3D"color:navy"><o:p></o:p></span></font></p><p =
class=3D"MsoAutoSig"><st1:place w:st=3D"on"><st1:placetype =
w:st=3D"on"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size:10.0pt;font-family:Arial;
  color:navy">University</span></font></st1:placetype><font size=3D"2" =
color=3D"navy" face=3D"Arial"><span =
style=3D"font-size:10.0pt;font-family:Arial;color:navy"> of =
<st1:placename =
w:st=3D"on">Birmingham</st1:placename></span></font></st1:place><font =
size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size:10.0pt;font-family:Arial;
color:navy"><o:p></o:p></span></font></p><p class=3D"MsoAutoSig"><font =
size=3D"2" color=3D"navy" face=3D"Arial"><span style=3D"font-size:
=
10.0pt;font-family:Arial;color:navy">Edgbaston<o:p></o:p></span></font></p=
><p class=3D"MsoAutoSig"><st1:city w:st=3D"on"><st1:place =
w:st=3D"on"><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size:10.0pt;font-family:Arial;
  color:navy">Birmingham</span></font></st1:place></st1:city><font =
size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size:10.0pt;font-family:Arial;
color:navy"><o:p></o:p></span></font></p><p class=3D"MsoAutoSig"><font =
size=3D"2" color=3D"navy" face=3D"Arial"><span style=3D"font-size:
10.0pt;font-family:Arial;color:navy">B15 =
2TT<o:p></o:p></span></font></p><p class=3D"MsoAutoSig"><font size=3D"2" =
color=3D"navy" face=3D"Arial"><span style=3D"font-size:
=
11.0pt;font-family:Arial;color:navy"><o:p>&nbsp;</o:p></span></font></p><p=
 class=3D"MsoAutoSig"><font size=3D"2" color=3D"navy" face=3D"Arial"><span=
 style=3D"font-size:
10.0pt;font-family:Arial;color:navy">Tel: +44 (0)121 =
4147505</span></font><font color=3D"navy"><span =
style=3D"color:navy"><o:p></o:p></span></font></p><p =
class=3D"MsoAutoSig"><font size=3D"3" color=3D"navy" face=3D"Times New =
Roman"><span =
style=3D"font-size:12.0pt;color:navy">&nbsp;<o:p></o:p></span></font></p><=
p class=3D"MsoAutoSig"><font size=3D"2" color=3D"navy" =
face=3D"Arial"><span style=3D"font-size:
10.0pt;font-family:Arial;color:navy">Gender and Sexuality Studies at =
<st1:city w:st=3D"on"><st1:place =
w:st=3D"on">Birmingham</st1:place></st1:city>: <a =
href=3D"http://www.gender.bham.ac.uk/">http://www.gender.bham.ac.uk/</a></=
span></font><font size=3D"2" color=3D"navy" face=3D"Arial"><span =
style=3D"font-size:11.0pt;font-family:Arial;
color:navy"><a =
href=3D"http://arts.monash.edu.au/lcl/conferences/gender-and-sexuality/ind=
ex.php"></a></span></font><font color=3D"navy"><span =
style=3D"color:navy"><o:p></o:p></span></font></p><p><font size=3D"2" =
color=3D"navy" face=3D"Arial"><span style=3D"font-size:10.0pt;font-family:=

Arial;color:navy">Birmingham-Warwick MA in Italian Studies: Culture and
Communication: </span></font><font size=3D"2" color=3D"navy" =
face=3D"Arial"><span =
style=3D"font-size:11.0pt;font-family:Arial;color:navy"><a =
href=3D"http://www.italian.bham.ac.uk/pg/ma.htm"><font size=3D"2"><span =
style=3D"font-size:10.0pt">http://www.italian.bham.ac.uk/pg/ma.htm</span><=
/font></a></span></font><o:p></o:p></p>

</div>

<div>

<div class=3D"MsoNormal" align=3D"center" =
style=3D"text-align:center"><font size=3D"3" face=3D"Times New =
Roman"><span lang=3D"EN-US" style=3D"font-size:12.0pt">

<hr size=3D"2" width=3D"100%" align=3D"center" tabindex=3D"-1">

</span></font></div><p class=3D"MsoNormal"><b><font size=3D"2" =
face=3D"Tahoma"><span lang=3D"EN-US" =
style=3D"font-size:10.0pt;font-family:Tahoma;font-weight:bold">From:</span=
></font></b><font size=3D"2" face=3D"Tahoma"><span lang=3D"EN-US" =
style=3D"font-size:10.0pt;font-family:Tahoma">
<st1:personname w:st=3D"on">Scholarly discussions in any field of =
Italian studies</st1:personname>
[mailto:[log in to unmask]] <b><span =
style=3D"font-weight:bold">On
Behalf Of </span></b>James Ward<br>
<b><span style=3D"font-weight:bold">Sent:</span></b> 27 October 2009 =
13:28<br>
<b><span style=3D"font-weight:bold">To:</span></b> <a =
href=3D"mailto:[log in to unmask]">[log in to unmask]
.UK</a><br>
<b><span style=3D"font-weight:bold">Subject:</span></b> [I-S] A modest =
proposal</span></font><span lang=3D"EN-US"><o:p></o:p></span></p>

</div><p class=3D"MsoNormal"><font size=3D"3" face=3D"Times New =
Roman"><span style=3D"font-size:
12.0pt"><o:p>&nbsp;</o:p></span></font></p><p class=3D"MsoNormal" =
style=3D"margin-bottom:12.0pt"><font size=3D"2" face=3D"Verdana"><span =
style=3D"font-size:10.0pt;font-family:Verdana">Cari colleghi,<br>
I would like to propose an idea for discussion among colleagues on this =
list:
an on-line journal of Italian studies. At the present time, there =
exists, to my
knowledge, no such journal; the only on-line resource of this type of =
which I
am aware is the excellent H-Italy, hosted by Michigan State University
(<a href=3D"http://www.h-net.org/~italy">www.h-net.org/~italy</a>), =
which publishes timely reviews of Italy-related books,
and has discussion forums for specific topics. Why shouldn't we have a =
similar
resource for scholarly articles?<br>
This proposal comes out of my personal experience. Currently, if I =
submit an
article to a journal, I must wait at least 6 months to hear a response, =
then
wait another 8-15 months before the article appears in print. At that =
point, I
can begin to receive feedback from colleagues on the article and the =
ideas in
it. Why should the flow of ideas and information in the humanities be so =
slow?
After all, in the hard sciences, the on-line publication of articles and
abstracts in a timely manner has been the norm for many years, which =
generates
immediate feedback and advances the pursuit of knowledge immensely. Are =
the
humanities really different from the hard sciences in some fundamental =
way? Or
might we benefit also from such an accelerated rhythm of the free and =
timely
exchange of ideas? After all, we already have such forums as this as a =
means of
asking scholarly questions on a specific topic. Why not extend this to =
articles
as a whole?<br>
Che ne dite? Perhaps this forum could be a place to discuss this idea. =
I'm
looking forward to hearing responses from colleagues on this =
proposal.<br>
Cordiali saluti.<br>
Jim Ward, <st1:place w:st=3D"on"><st1:city =
w:st=3D"on">Berkeley</st1:city>, <st1:state =
w:st=3D"on">CA</st1:state></st1:place><br>
<br>
<o:p></o:p></span></font></p>

<div class=3D"MsoNormal" align=3D"center" =
style=3D"text-align:center"><font size=3D"2" face=3D"Verdana"><span =
style=3D"font-size:10.0pt;font-family:Verdana">

<hr size=3D"2" width=3D"100%" align=3D"center">

</span></font></div><p class=3D"MsoNormal"><font size=3D"2" =
face=3D"Verdana"><span style=3D"font-size:10.0pt;
font-family:Verdana">Windows 7: Simplify your PC. <a =
href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID=
24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009" =
target=3D"_new">Learn more.</a><o:p></o:p></span></font></p>

</div>

</div>


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Date:         Wed, 28 Oct 2009 10:58:22 -0400
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Dino Cervigni <[log in to unmask]>
Subject:      Traditional journals & electronic journals
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear Colleagues,
The issue of electronic journals is very timely, and all those involved=20
in publishing have followed this fairly recent trend, which moves=20
precisely toward electronic publications.
For electronic publications, in this case journals, to be effective,=20
they must have the same high standards of traditional publications and=20
thus they may require as much time as traditional publications: see the=20
case of the new California Italian Studies, announced about a year ago,=20
and ready to appear shortly, as I read from Thomas Harrison's email.
As to Annali d'italianistica, the journal has a website=20
(www.ibiblio.org/annali), which contains the table of contents of all=20
issues, the introductory essay to recent volumes, and all book reviews=20
since 1998, freely accessible. I am considering expanding the electronic=20
publication of the journal.

What the initiator of this interesting debate had in mind, most likely,=20
may be a forum for discussion, some kind of blog (?), where one can post=20
one's research and receive some feedback from colleagues. Obviously this=20
list does also serve this purpose.

Concerning traditional journals, I would like to bring to the attention=20
of Italianists a journal published at Carolina, Romance Notes, open to=20
all of us. In fact the editor of the journal solicits submissions from=20
Italianists because historically essays on Italian issues have appeared=20
only sporadically. I am posting below pertinent information. For any=20
Hispanists of the list, I am also posting information about another=20
journal of our Department, Hispanofila.

Let's keep the discussion going.

Dino Cervigni



*ROMANCE NOTES* is published three times a year. The journal accepts=20
articles on any literary, cultural, or linguistic topic dealing with=20
Romance studies. Articles can be written in any Romance language and in=20
English. The articles should be no longer than 3,000 words in length and=20
should consist of original material not published or under consideration=20
for publication elsewhere. Romance Notes strictly adheres to MLA style=20
and citation format with a bibliographic list including all =93Works=20
Cited=94 at the end of the essay. The Editors have a policy of =93blind=20
submissions=94 to readers. Therefore, authors should send their name and=20
university affiliation on a separate cover sheet. Upon acceptance, one=20
must become a subscriber to the journal for at least one year. The=20
institutional subscription is $40.00, the individual subscription is=20
$30.00 and the student subscription is $15.00. Single numbers are $15.00

The 2009 (Volume 49) subscription rates will be: institutional=20
subscription $45.00, individual subscription $35.00, student=20
subscription $20.00. Single numbers $20.00

Download a current issue: *Romance Notes Volume XLVI, Number 3 Spring,=20
2006 <pdf/RN_XLVI.pdf>*

------------------------------------------------------------------------

Send manuscripts in duplicate to: Editor, Romance Notes, Department of=20
Romance Languages, CB# 3170 Dey Hall, The University of North Carolina=20
at Chapel Hill, Chapel Hill, NC, 27599-3170. Our email address is=20
[log in to unmask] <mailto:[log in to unmask]>.

Website:=20
http://74.125.47.132/search?q=3Dcache:http://romlpub.unc.edu/romance_note=
s/index.htm

The /Studies/ supports and disseminates scholarship in the Romance=20
Literatures. Almost 300 volumes have appeared, treating literary=20
movements, individual authors and works, themes, figures of speech and=20
of thought, archetypes and poetics, and making available editions of=20
unpublished literary manuscripts.

*HISPAN=D3FILA* appears three times a year. The journal accepts essays on=
=20
any literary, linguistic, or cultural topic dealing with the Spanish and=20
Portuguese-speaking worlds. Articles may be written in English, Spanish,=20
or Portuguese but cannot exceed 25 type-written pages. Previously=20
published work and work under consideration by other journals should not=20
be submitted.

All submissions must conform to the MLA style and citation format, and=20
include a =93Works Cited=94 bibliography at the end of the essay. The=20
original, one copy, and an electronic copy are required. Contributions=20
must be accompanied by a return envelope and loose postage. Upon=20
acceptance for publication, the author must subscribe to the journal for=20
at least one year. The institutional subscription is $45.00, the=20
individual subscription is $35.00, and the student subscription is=20
$20.00. Back issues and single copies may be purchased for $20.00.

Download a current issue: *Hispan=F3fila 151 (2007) <pdf/H151.pdf>*
*HISPAN=D3FILA*
237 Dey Hall, CB#3170
University of North Carolina at Chapel Hill
Chapel Hill, NC 27599-3170



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begin:vcard
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n:Cervigni;Dino S. 
org:The University of North Carolina at Chapel Hill;Romance Languages and Literatures
adr:;;Dey Hall 141;Chapel Hill;NC;27599-3170;USA
email;internet:[log in to unmask]
title:Professor of Italian and Editor of Annali d'Italianistica
tel;work:919 962 1470
tel;fax:919 962 5457
tel;home:919 942 3582
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--------------070702010207070603000003--
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Date:         Wed, 28 Oct 2009 15:31:03 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Giuseppe Stellardi <[log in to unmask]>
Subject:      Re: A modest proposal
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italian-studies: Scholarly discussions in any field of Italian studies



I fully agree with Federica. The EJGS - Edinburgh Journal of Gadda 
Studies is not only a journal, but also a set of online resources 
(bibliographies, texts, glossaries, etc.) on a single author, of 
invaluable utility to the specialists but also students and readers 
generally. I think we need a lot more of these.

Of course broader venues for the publication of academic articles (or 
simply the exchange of ideas) are also very much crucial. But on the 
internet (unlike in traditional libraries) there's room for everything...

Yours,
Giuseppe Stellardi


 ========================================================================================================

At 14:50 27/10/2009, you wrote:
>Received: from llc-fp.llc.ed.ac.uk (llc-fp.llc.ed.ac.uk [129.215.243.45])
>         by lmtp1.ucs.ed.ac.uk (8.13.8/8.13.7) with ESMTP id n9REtRA4000621
>         for <[log in to unmask]>; Tue, 27 Oct 2009 14:55:28 GMT
>Message-Id: <[log in to unmask]>
>From: Federica Pedriali <[log in to unmask]>
>To: Scholarly discussions in any field of Italian studies 
><[log in to unmask]>
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>Subject: Re: [I-S] A modest proposal
>Date: Tue, 27 Oct 2009 14:50:25 +0000
>References: <[log in to unmask]>
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>X-Edinburgh-Scanned: at lmtp1.ucs.ed.ac.uk
>     with MIMEDefang 2.52, Sophie, Sophos Anti-Virus
>X-Scanned-By: MIMEDefang 2.52 on 129.215.149.64
>
>italian-studies: Scholarly discussions in any field of Italian 
>studies Dear Jim,
>
>Couldn't agree more on the frustration. However, there are by now 
>several online journals in Italian Studies.
>
>In many ways, rather than have a generic Italian Studies venture, it 
>would seem to be best to continue to develop sub-area specific 
>e-periodicals. The risk with a generic super-venture would be the 
>size and the identity of the operation.
>
>On processing times. Web productions are quite time consuming and do 
>require investment and staff. So again, while it is great to have 
>these new facilities and expect faster processing times, we should 
>bear in mind that e-editors (i.e., busy academics) take on all 
>roles, going well beyond conventional editing, incl. web designing, 
>publishing and promoting.
>
>Can I invite you and other list members to visit the EJGS - 
>Edinburgh Journal of Gadda Studies - 
><http://www.arts.ed.ac.uk/italian/gadda/index.php>http://www.arts.ed.ac.uk/italian/gadda/index.php
>
>The EJGS is going for 10 next year. To mark the anniversary, the 
>EJGS Team is planning a series of events (soon to be announced to 
>the list) and a Decennial Special Edition.
>
>All best,
>
>Federica
>Federica G. Pedriali
>
>Professor of Literary Metatheory and Modern Italian Studies
>Director and General Editor of the Edinburgh Journal of Gadda Studies
>IPSE Honorary Director and Patron
>Head of Italian
>
>School of Literatures Languages and Cultures
>University of Edinburgh
>David Hume Tower
>George Square
>Edinburgh EH8 9JX
>Scotland UK
>direct dial: +44 0131 650 3642
>fax: +44 0131 651 1482
>
>personal web: 
><http://www.selc.ed.ac.uk/italian/staff/f_pedriali.htm>http://www.selc.ed.ac.uk/italian/staff/f_pedriali.htm
>departmental web: 
><http://www.selc.ed.ac.uk/italian/>http://www.selc.ed.ac.uk/italian/
>Gadda web: 
><http://www.arts.ed.ac.uk/italian/gadda/index.php>http://www.arts.ed.ac.uk/italian/gadda/index.php
>Gadda departmental web: 
><http://www.selc.ed.ac.uk/italian/gadda.htm>http://www.selc.ed.ac.uk/italian/gadda.htm
>
>On 27 Oct 2009, at 13:28, James Ward wrote:
>
>>italian-studies: Scholarly discussions in any field of Italian 
>>studies Cari colleghi,
>>I would like to propose an idea for discussion among colleagues on 
>>this list: an on-line journal of Italian studies. At the present 
>>time, there exists, to my knowledge, no such journal; the only 
>>on-line resource of this type of which I am aware is the excellent 
>>H-Italy, hosted by Michigan State University 
>>(<http://www.h-net.org/~italy)>www.h-net.org/~italy), which 
>>publishes timely reviews of Italy-related books, and has discussion 
>>forums for specific topics. Why shouldn't we have a similar 
>>resource for scholarly articles?
>>This proposal comes out of my personal experience. Currently, if I 
>>submit an article to a journal, I must wait at least 6 months to 
>>hear a response, then wait another 8-15 months before the article 
>>appears in print. At that point, I can begin to receive feedback 
>>from colleagues on the article and the ideas in it. Why should the 
>>flow of ideas and information in the humanities be so slow? After 
>>all, in the hard sciences, the on-line publication of articles and 
>>abstracts in a timely manner has been the norm for many years, 
>>which generates immediate feedback and advances the pursuit of 
>>knowledge immensely. Are the humanities really different from the 
>>hard sciences in some fundamental way? Or might we benefit also 
>>from such an accelerated rhythm of the free and timely exchange of 
>>ideas? After all, we already have such forums as this as a means of 
>>asking scholarly questions on a specific topic. Why not extend this 
>>to articles as a whole?
>>Che ne dite? Perhaps this forum could be a place to discuss this 
>>idea. I'm looking forward to hearing responses from colleagues on 
>>this proposal.
>>Cordiali saluti.
>>Jim Ward, Berkeley, CA
>>
>>
>>
>>----------
>>Windows 7: Simplify your PC. 
>><http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=PID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009>Learn 
>>more. 
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>><mailto:[log in to unmask]>[log in to unmask] 
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>
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<br><br>
I fully agree with Federica. The EJGS - Edinburgh Journal of Gadda
Studies is not only a journal, but also a set of online resources
(bibliographies, texts, glossaries, etc.) on a single author, of
invaluable utility to the specialists but also students and readers
generally. I think we need a lot more of these.<br><br>
Of course broader venues for the publication of academic articles (or
simply the exchange of ideas) are also very much crucial. But on the
internet (unlike in traditional libraries) there's room for
everything...<br><br>
Yours,<br>
Giuseppe Stellardi<br><br>
<br>
 ========================================================================================================<br>
<br>
At 14:50 27/10/2009, you wrote:<br>
<blockquote type=cite class=cite cite="">Received: from
llc-fp.llc.ed.ac.uk (llc-fp.llc.ed.ac.uk [129.215.243.45])<br>
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&lt;[log in to unmask]&gt;; Tue, 27 Oct 2009 14:55:28
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From: Federica Pedriali &lt;[log in to unmask]&gt;<br>
To: Scholarly discussions in any field of Italian studies
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Subject: Re: [I-S] A modest proposal<br>
Date: Tue, 27 Oct 2009 14:50:25 +0000<br>
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italian-studies: Scholarly discussions in any field of Italian studies
Dear Jim, <br><br>
Couldn't agree more on the frustration. However, there are by now several
online journals in Italian Studies. <br><br>
In many ways, rather than have a generic Italian Studies venture, it
would seem to be best to continue to develop sub-area specific
e-periodicals. The risk with a generic super-venture would be the size
and the identity of the operation. <br><br>
On processing times. Web productions are quite time consuming and do
require investment and staff. So again, while it is great to have these
new facilities and expect faster processing times, we should bear in mind
that e-editors (i.e., busy academics) take on all roles, going well
beyond conventional editing, incl. web designing, publishing and
promoting. <br><br>
Can I invite you and other list members to visit the EJGS - Edinburgh
Journal of Gadda Studies -
<a href="http://www.arts.ed.ac.uk/italian/gadda/index.php">
http://www.arts.ed.ac.uk/italian/gadda/index.php</a><br>
<br>
The EJGS is going for 10 next year. To mark the anniversary, the EJGS
Team is planning a series of events (soon to be announced to the list)
and a Decennial Special Edition.<br>
&nbsp;<br>
All best, <br><br>
Federica<br>
Federica G. Pedriali<br><br>
Professor of Literary Metatheory and Modern Italian Studies<br>
Director and General Editor of the Edinburgh Journal of Gadda
Studies<br>
IPSE Honorary Director and Patron<br>
Head of Italian<br><br>
School of Literatures Languages and Cultures<br>
University of Edinburgh<br>
David Hume Tower<br>
George Square<br>
Edinburgh EH8 9JX<br>
Scotland UK<br>
direct dial: +44 0131 650 3642<br>
fax: +44 0131 651 1482<br><br>
personal web:
<a href="http://www.selc.ed.ac.uk/italian/staff/f_pedriali.htm">
http://www.selc.ed.ac.uk/italian/staff/f_pedriali.htm</a><br>
departmental web:
<a href="http://www.selc.ed.ac.uk/italian/">
http://www.selc.ed.ac.uk/italian/</a><br>
Gadda web:
<a href="http://www.arts.ed.ac.uk/italian/gadda/index.php">
http://www.arts.ed.ac.uk/italian/gadda/index.php</a><br>
Gadda departmental web:
<a href="http://www.selc.ed.ac.uk/italian/gadda.htm">
http://www.selc.ed.ac.uk/italian/gadda.htm</a><br><br>
On 27 Oct 2009, at 13:28, James Ward wrote:<br><br>
<blockquote type=cite class=cite cite="">italian-studies: Scholarly
discussions in any field of Italian studies Cari colleghi,<br>
I would like to propose an idea for discussion among colleagues on this
list: an on-line journal of Italian studies. At the present time, there
exists, to my knowledge, no such journal; the only on-line resource of
this type of which I am aware is the excellent H-Italy, hosted by
Michigan State University
(<a href="http://www.h-net.org/~italy)">www.h-net.org/~italy)</a>, which
publishes timely reviews of Italy-related books, and has discussion
forums for specific topics. Why shouldn't we have a similar resource for
scholarly articles?<br>
This proposal comes out of my personal experience. Currently, if I submit
an article to a journal, I must wait at least 6 months to hear a
response, then wait another 8-15 months before the article appears in
print. At that point, I can begin to receive feedback from colleagues on
the article and the ideas in it. Why should the flow of ideas and
information in the humanities be so slow? After all, in the hard
sciences, the on-line publication of articles and abstracts in a timely
manner has been the norm for many years, which generates immediate
feedback and advances the pursuit of knowledge immensely. Are the
humanities really different from the hard sciences in some fundamental
way? Or might we benefit also from such an accelerated rhythm of the free
and timely exchange of ideas? After all, we already have such forums as
this as a means of asking scholarly questions on a specific topic. Why
not extend this to articles as a whole?<br>
Che ne dite? Perhaps this forum could be a place to discuss this idea.
I'm looking forward to hearing responses from colleagues on this
proposal.<br>
Cordiali saluti.<br>
Jim Ward, Berkeley, CA<br><br>
<br>
<hr>
Windows 7: Simplify your PC.
<a href="http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=PID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009">
Learn more.</a>
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Date:         Wed, 28 Oct 2009 08:49:22 -0700
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
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              <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies





































Cari colleghi=2C
Thanks so much to everyone who responded to my posting regarding on-line re=
sources in Italian studies. It seems that there are indeed many on-line pla=
ces for discussion of Italian topics. I strongly agree with Giorgio Guzzett=
a's suggestion of a preliminary exchange of material in advance of any conf=
erence. That way=2C time at conferences can be reserved for active discussi=
on of the ideas in the paper=2C a give-and-take which can only lead to furt=
her refinement of these ideas and suggestions for further research. Perhaps=
=2C besides a preliminary distribution of the paper via internet=2C the fir=
st five minutes of each talk could be devoted to a brief summation of the i=
deas to be presented in the paper=2C followed by a longer period of discuss=
ion. To me=2C this seems like a much more efficient (not to say interesting=
 and lively) way to go about things=2C rather than people sitting through l=
ong papers at a given session in which they may have little interest=2C to =
get to that one paper they are interested in=2C and then finally (if they a=
re lucky) being able to ask or hear one or two questions about that paper. =
Once again=2C if I am not mistaken=2C the hard sciences have been doing thi=
ngs this way for years. After all=2C the purpose of conferences is not for =
people to hear themselves talk=2C but to promote a lively exchange of ideas=
 leading to further research.
Cordiali saluti=2C
Jim Ward
 		 	   		 =20
_________________________________________________________________
Windows 7: Simplify your PC. Learn more.
http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID24727::T:=
WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009=

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Cari colleghi=2C<br>Thanks so much to everyone who responded to my posting =
regarding on-line resources in Italian studies. It seems that there are ind=
eed many on-line places for discussion of Italian topics. I strongly agree =
with Giorgio Guzzetta's suggestion of a preliminary exchange of material in=
 advance of any conference. That way=2C time at conferences can be reserved=
 for active discussion of the ideas in the paper=2C a give-and-take which c=
an only lead to further refinement of these ideas and suggestions for furth=
er research. Perhaps=2C besides a preliminary distribution of the paper via=
 internet=2C the first five minutes of each talk could be devoted to a brie=
f summation of the ideas to be presented in the paper=2C followed by a long=
er period of discussion. To me=2C this seems like a much more efficient (no=
t to say interesting and lively) way to go about things=2C rather than peop=
le sitting through long papers at a given session in which they may have li=
ttle interest=2C to get to that one paper they are interested in=2C and the=
n finally (if they are lucky) being able to ask or hear one or two question=
s about that paper. Once again=2C if I am not mistaken=2C the hard sciences=
 have been doing things this way for years. After all=2C the purpose of con=
ferences is not for people to hear themselves talk=2C but to promote a live=
ly exchange of ideas leading to further research.<br>Cordiali saluti=2C<br>=
Jim Ward<br> 		 	   		  <br /><hr />Windows 7: Simplify your PC. <a href=3D=
'http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID24727::T=
:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009' target=3D'_new'>Learn more.=
</a></body>
</html>=
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italian-studies: Scholarly discussions in any field of Italian studies

Dear All:
I also find this discussion quite stimulating, and I tend to agree =20
with Dino on all counts (which, by the way, may sound strange, but =20
it's true!). I also think that perhaps a forum for open discussion, =20
such as a blog, could be quite interesting and useful as a venue to =20
circulate our on-going research and get immediate feedback.
Ciao a tutti,
manuela gieri



Il giorno 28/ott/09, alle ore 15:58, Dino Cervigni ha scritto:

> italian-studies: Scholarly discussions in any field of Italian studies
>
> Dear Colleagues,
> The issue of electronic journals is very timely, and all those =20
> involved in publishing have followed this fairly recent trend, =20
> which moves precisely toward electronic publications.
> For electronic publications, in this case journals, to be =20
> effective, they must have the same high standards of traditional =20
> publications and thus they may require as much time as traditional =20
> publications: see the case of the new California Italian Studies, =20
> announced about a year ago, and ready to appear shortly, as I read =20
> from Thomas Harrison's email.
> As to Annali d'italianistica, the journal has a website =20
> (www.ibiblio.org/annali), which contains the table of contents of =20
> all issues, the introductory essay to recent volumes, and all book =20
> reviews since 1998, freely accessible. I am considering expanding =20
> the electronic publication of the journal.
>
> What the initiator of this interesting debate had in mind, most =20
> likely, may be a forum for discussion, some kind of blog (?), where =20=

> one can post one's research and receive some feedback from =20
> colleagues. Obviously this list does also serve this purpose.
>
> Concerning traditional journals, I would like to bring to the =20
> attention of Italianists a journal published at Carolina, Romance =20
> Notes, open to all of us. In fact the editor of the journal =20
> solicits submissions from Italianists because historically essays =20
> on Italian issues have appeared only sporadically. I am posting =20
> below pertinent information. For any Hispanists of the list, I am =20
> also posting information about another journal of our Department, =20
> Hispanofila.
>
> Let's keep the discussion going.
>
> Dino Cervigni
>
>
>
> *ROMANCE NOTES* is published three times a year. The journal =20
> accepts articles on any literary, cultural, or linguistic topic =20
> dealing with Romance studies. Articles can be written in any =20
> Romance language and in English. The articles should be no longer =20
> than 3,000 words in length and should consist of original material =20
> not published or under consideration for publication elsewhere. =20
> Romance Notes strictly adheres to MLA style and citation format =20
> with a bibliographic list including all =93Works Cited=94 at the end =
of =20
> the essay. The Editors have a policy of =93blind submissions=94 to =20
> readers. Therefore, authors should send their name and university =20
> affiliation on a separate cover sheet. Upon acceptance, one must =20
> become a subscriber to the journal for at least one year. The =20
> institutional subscription is $40.00, the individual subscription =20
> is $30.00 and the student subscription is $15.00. Single numbers =20
> are $15.00
>
> The 2009 (Volume 49) subscription rates will be: institutional =20
> subscription $45.00, individual subscription $35.00, student =20
> subscription $20.00. Single numbers $20.00
>
> Download a current issue: *Romance Notes Volume XLVI, Number 3 =20
> Spring, 2006 <pdf/RN_XLVI.pdf>*
>
> ----------------------------------------------------------------------=20=

> --
>
> Send manuscripts in duplicate to: Editor, Romance Notes, Department =20=

> of Romance Languages, CB# 3170 Dey Hall, The University of North =20
> Carolina at Chapel Hill, Chapel Hill, NC, 27599-3170. Our email =20
> address is [log in to unmask] <mailto:[log in to unmask]>.
>
> Website: http://74.125.47.132/search?q=3Dcache:http://romlpub.unc.edu/=20=

> romance_notes/index.htm
>
> The /Studies/ supports and disseminates scholarship in the Romance =20
> Literatures. Almost 300 volumes have appeared, treating literary =20
> movements, individual authors and works, themes, figures of speech =20
> and of thought, archetypes and poetics, and making available =20
> editions of unpublished literary manuscripts.
>
> *HISPAN=D3FILA* appears three times a year. The journal accepts =20
> essays on any literary, linguistic, or cultural topic dealing with =20
> the Spanish and Portuguese-speaking worlds. Articles may be written =20=

> in English, Spanish, or Portuguese but cannot exceed 25 type-=20
> written pages. Previously published work and work under =20
> consideration by other journals should not be submitted.
>
> All submissions must conform to the MLA style and citation format, =20
> and include a =93Works Cited=94 bibliography at the end of the essay. =20=

> The original, one copy, and an electronic copy are required. =20
> Contributions must be accompanied by a return envelope and loose =20
> postage. Upon acceptance for publication, the author must subscribe =20=

> to the journal for at least one year. The institutional =20
> subscription is $45.00, the individual subscription is $35.00, and =20
> the student subscription is $20.00. Back issues and single copies =20
> may be purchased for $20.00.
>
> Download a current issue: *Hispan=F3fila 151 (2007) <pdf/H151.pdf>*
> *HISPAN=D3FILA*
> 237 Dey Hall, CB#3170
> University of North Carolina at Chapel Hill
> Chapel Hill, NC 27599-3170
>
>
>
> **********************************************************************
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> to: [log in to unmask]
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Date:         Wed, 28 Oct 2009 18:01:07 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
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              <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

I could not agree more with you, James. Indeed, a thoroughly new  
strategy for conferencing whereby we, the audience, together with the  
speakers are called to discuss a known paper would be much more  
useful and stimulating. And yet, we can only make it a suggestion to  
the organizers of future conferences.
Ciao,
mg



Il giorno 28/ott/09, alle ore 16:49, James Ward ha scritto:

> italian-studies: Scholarly discussions in any field of Italian  
> studies Cari colleghi,
> Thanks so much to everyone who responded to my posting regarding on- 
> line resources in Italian studies. It seems that there are indeed  
> many on-line places for discussion of Italian topics. I strongly  
> agree with Giorgio Guzzetta's suggestion of a preliminary exchange  
> of material in advance of any conference. That way, time at  
> conferences can be reserved for active discussion of the ideas in  
> the paper, a give-and-take which can only lead to further  
> refinement of these ideas and suggestions for further research.  
> Perhaps, besides a preliminary distribution of the paper via  
> internet, the first five minutes of each talk could be devoted to a  
> brief summation of the ideas to be presented in the paper, followed  
> by a longer period of discussion. To me, this seems like a much  
> more efficient (not to say interesting and lively) way to go about  
> things, rather than people sitting through long papers at a given  
> session in which they may have little interest, to get to that one  
> paper they are interested in, and then finally (if they are lucky)  
> being able to ask or hear one or two questions about that paper.  
> Once again, if I am not mistaken, the hard sciences have been doing  
> things this way for years. After all, the purpose of conferences is  
> not for people to hear themselves talk, but to promote a lively  
> exchange of ideas leading to further research.
> Cordiali saluti,
> Jim Ward
>
> Windows 7: Simplify your PC. Learn more.  
> ********************************************************************** 
>  To join the list, send the message: join italian-studies YOUR NAME  
> to: [log in to unmask] To send a message to the list, address  
> it to: [log in to unmask] To leave the list, send the  
> message: leave italian-studies to: [log in to unmask] In order  
> to report problems or to contact the list's owners, write to:  
> [log in to unmask] For further information,  
> visit our web site: http://www.jiscmail.ac.uk/lists/italian- 
> studies.html


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italian-studies: Scholarly discussions in any field of Italian studies
<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
I could not agree more with you, James. Indeed, a thoroughly new =
strategy for conferencing whereby we, the audience, together with the =
speakers are called to discuss a known paper would be much more useful =
and stimulating. And yet, we can only make it a suggestion to the =
organizers of future =
conferences.<div>Ciao,</div><div>mg</div><div><br></div><div><br></div><di=
v><br><div><div>Il giorno 28/ott/09, alle ore 16:49, James Ward ha =
scritto:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">italian-studies: Scholarly discussions in any field of =
Italian studies    <style> .hmmessage P {margin:0px;padding:0px;} =
body.hmmessage {font-size:10pt;font-family:Verdana;} </style> <style> =
.hmmessage P {margin:0px;padding:0px;} body.hmmessage =
{font-size:10pt;font-family:Verdana;} </style> <style> .hmmessage P =
{margin:0px;padding:0px;} body.hmmessage =
{font-size:10pt;font-family:Verdana;} </style> <style> .hmmessage P =
{margin:0px;padding:0px;} body.hmmessage =
{font-size:10pt;font-family:Verdana;} </style> <style> .hmmessage P =
{margin:0px;padding:0px;} body.hmmessage =
{font-size:10pt;font-family:Verdana;} </style> <style> .hmmessage P =
{margin:0px;padding:0px;} body.hmmessage =
{font-size:10pt;font-family:Verdana;} </style> <style> .hmmessage P =
{margin:0px;padding:0px;} body.hmmessage =
{font-size:10pt;font-family:Verdana;} </style> Cari colleghi,<br>Thanks =
so much to everyone who responded to my posting regarding on-line =
resources in Italian studies. It seems that there are indeed many =
on-line places for discussion of Italian topics. I strongly agree with =
Giorgio Guzzetta's suggestion of a preliminary exchange of material in =
advance of any conference. That way, time at conferences can be reserved =
for active discussion of the ideas in the paper, a give-and-take which =
can only lead to further refinement of these ideas and suggestions for =
further research. Perhaps, besides a preliminary distribution of the =
paper via internet, the first five minutes of each talk could be devoted =
to a brief summation of the ideas to be presented in the paper, followed =
by a longer period of discussion. To me, this seems like a much more =
efficient (not to say interesting and lively) way to go about things, =
rather than people sitting through long papers at a given session in =
which they may have little interest, to get to that one paper they are =
interested in, and then finally (if they are lucky) being able to ask or =
hear one or two questions about that paper. Once again, if I am not =
mistaken, the hard sciences have been doing things this way for years. =
After all, the purpose of conferences is not for people to hear =
themselves talk, but to promote a lively exchange of ideas leading to =
further research.<br>Cordiali saluti,<br>Jim Ward<br> 		 	 =
  		  <br><hr>Windows 7: Simplify your PC. <a =
href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID=
24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009" =
target=3D"_new">Learn more.</a> =
********************************************************************** =
To join the list, send the message: join italian-studies YOUR NAME to: =
[log in to unmask] To send a message to the list, address it to: =
[log in to unmask] To leave the list, send the message: =
leave italian-studies to: [log in to unmask] In order to report =
problems or to contact the list's owners, write to: =
[log in to unmask] For further information, visit =
our web site: <a =
href=3D"http://www.jiscmail.ac.uk/lists/italian-studies.html">http://www.j=
iscmail.ac.uk/lists/italian-studies.html</a></blockquote></div><br></div><=
/body></html>=
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Date:         Wed, 28 Oct 2009 18:15:50 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Barbara Maio <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Maybe a forum like this could be useful for Italian Studies:
http://cultmediastudies.ning.com/

cheers, Barbara Maio


Il giorno 28/ott/09, alle ore 17:55, Manuela Gieri ha scritto:

> italian-studies: Scholarly discussions in any field of Italian studies
>
> Dear All:
> I also find this discussion quite stimulating, and I tend to agree =20
> with Dino on all counts (which, by the way, may sound strange, but =20
> it's true!). I also think that perhaps a forum for open discussion, =20=

> such as a blog, could be quite interesting and useful as a venue to =20=

> circulate our on-going research and get immediate feedback.
> Ciao a tutti,
> manuela gieri
>
>
>
> Il giorno 28/ott/09, alle ore 15:58, Dino Cervigni ha scritto:
>
>> italian-studies: Scholarly discussions in any field of Italian =20
>> studies
>>
>> Dear Colleagues,
>> The issue of electronic journals is very timely, and all those =20
>> involved in publishing have followed this fairly recent trend, =20
>> which moves precisely toward electronic publications.
>> For electronic publications, in this case journals, to be =20
>> effective, they must have the same high standards of traditional =20
>> publications and thus they may require as much time as traditional =20=

>> publications: see the case of the new California Italian Studies, =20
>> announced about a year ago, and ready to appear shortly, as I read =20=

>> from Thomas Harrison's email.
>> As to Annali d'italianistica, the journal has a website =20
>> (www.ibiblio.org/annali), which contains the table of contents of =20
>> all issues, the introductory essay to recent volumes, and all book =20=

>> reviews since 1998, freely accessible. I am considering expanding =20
>> the electronic publication of the journal.
>>
>> What the initiator of this interesting debate had in mind, most =20
>> likely, may be a forum for discussion, some kind of blog (?), =20
>> where one can post one's research and receive some feedback from =20
>> colleagues. Obviously this list does also serve this purpose.
>>
>> Concerning traditional journals, I would like to bring to the =20
>> attention of Italianists a journal published at Carolina, Romance =20
>> Notes, open to all of us. In fact the editor of the journal =20
>> solicits submissions from Italianists because historically essays =20
>> on Italian issues have appeared only sporadically. I am posting =20
>> below pertinent information. For any Hispanists of the list, I am =20
>> also posting information about another journal of our Department, =20
>> Hispanofila.
>>
>> Let's keep the discussion going.
>>
>> Dino Cervigni
>>
>>
>>
>> *ROMANCE NOTES* is published three times a year. The journal =20
>> accepts articles on any literary, cultural, or linguistic topic =20
>> dealing with Romance studies. Articles can be written in any =20
>> Romance language and in English. The articles should be no longer =20
>> than 3,000 words in length and should consist of original material =20=

>> not published or under consideration for publication elsewhere. =20
>> Romance Notes strictly adheres to MLA style and citation format =20
>> with a bibliographic list including all =93Works Cited=94 at the end =20=

>> of the essay. The Editors have a policy of =93blind submissions=94 to =
=20
>> readers. Therefore, authors should send their name and university =20
>> affiliation on a separate cover sheet. Upon acceptance, one must =20
>> become a subscriber to the journal for at least one year. The =20
>> institutional subscription is $40.00, the individual subscription =20
>> is $30.00 and the student subscription is $15.00. Single numbers =20
>> are $15.00
>>
>> The 2009 (Volume 49) subscription rates will be: institutional =20
>> subscription $45.00, individual subscription $35.00, student =20
>> subscription $20.00. Single numbers $20.00
>>
>> Download a current issue: *Romance Notes Volume XLVI, Number 3 =20
>> Spring, 2006 <pdf/RN_XLVI.pdf>*
>>
>> ---------------------------------------------------------------------=20=

>> ---
>>
>> Send manuscripts in duplicate to: Editor, Romance Notes, =20
>> Department of Romance Languages, CB# 3170 Dey Hall, The University =20=

>> of North Carolina at Chapel Hill, Chapel Hill, NC, 27599-3170. Our =20=

>> email address is [log in to unmask] <mailto:[log in to unmask]>.
>>
>> Website: http://74.125.47.132/search?q=3Dcache:http://=20
>> romlpub.unc.edu/romance_notes/index.htm
>>
>> The /Studies/ supports and disseminates scholarship in the Romance =20=

>> Literatures. Almost 300 volumes have appeared, treating literary =20
>> movements, individual authors and works, themes, figures of speech =20=

>> and of thought, archetypes and poetics, and making available =20
>> editions of unpublished literary manuscripts.
>>
>> *HISPAN=D3FILA* appears three times a year. The journal accepts =20
>> essays on any literary, linguistic, or cultural topic dealing with =20=

>> the Spanish and Portuguese-speaking worlds. Articles may be =20
>> written in English, Spanish, or Portuguese but cannot exceed 25 =20
>> type-written pages. Previously published work and work under =20
>> consideration by other journals should not be submitted.
>>
>> All submissions must conform to the MLA style and citation format, =20=

>> and include a =93Works Cited=94 bibliography at the end of the essay. =
=20
>> The original, one copy, and an electronic copy are required. =20
>> Contributions must be accompanied by a return envelope and loose =20
>> postage. Upon acceptance for publication, the author must =20
>> subscribe to the journal for at least one year. The institutional =20
>> subscription is $45.00, the individual subscription is $35.00, and =20=

>> the student subscription is $20.00. Back issues and single copies =20
>> may be purchased for $20.00.
>>
>> Download a current issue: *Hispan=F3fila 151 (2007) <pdf/H151.pdf>*
>> *HISPAN=D3FILA*
>> 237 Dey Hall, CB#3170
>> University of North Carolina at Chapel Hill
>> Chapel Hill, NC 27599-3170
>>
>>
>>
>> *********************************************************************=20=

>> *
>> To join the list, send the message: join italian-studies YOUR NAME
>> to: [log in to unmask]
>> To send a message to the list, address it to:
>> [log in to unmask]
>> To leave the list, send the message: leave italian-studies
>> to: [log in to unmask]
>> In order to report problems or to contact the list's owners, write =20=

>> to:
>> [log in to unmask]
>> For further information, visit our web site:
>> http://www.jiscmail.ac.uk/lists/italian-studies.html<cervigni.vcf>
>
> **********************************************************************
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> [log in to unmask]
> For further information, visit our web site:
> http://www.jiscmail.ac.uk/lists/italian-studies.html

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=========================================================================
Date:         Wed, 28 Oct 2009 13:34:07 -0400
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Francesca Savoia <[log in to unmask]>
Subject:      Re: A modest proposal
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italian-studies: Scholarly discussions in any field of Italian studies

Cari colleghi,

l'idea di Jim Ward, cos=EC come altre idee formulate in risposta alla sua
proposta, sono tutte degne di discussione. Mi chiedevo se, al prossimo
convegno AAIS, non vi sarebbe posto per un paio di tavole rotonde in cui
dibattere almeno alcune di queste questioni "viva voce"...

Francesca Savoia

University of Pittsburgh
Department of French and Italian
1328 Cathedral of Learning
Pittsburgh, PA 15260

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=========================================================================
Date:         Wed, 28 Oct 2009 18:46:08 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Manuela Gieri <[log in to unmask]>
Subject:      Re: Traditional journals & electronic journals
In-Reply-To:  <[log in to unmask]>
Mime-Version: 1.0 (Apple Message framework v753.1)
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italian-studies: Scholarly discussions in any field of Italian studies

I visited the web site barbara Maio suggested, and I immediately =20
joined it. It's fantastic, and I think it would be quite useful if we =20=

were to have a web site of this kind.
Grazie, Barbara!
mg


Il giorno 28/ott/09, alle ore 18:15, Barbara Maio ha scritto:

> italian-studies: Scholarly discussions in any field of Italian studies
>
> Maybe a forum like this could be useful for Italian Studies:
> http://cultmediastudies.ning.com/
>
> cheers, Barbara Maio
>
>
> Il giorno 28/ott/09, alle ore 17:55, Manuela Gieri ha scritto:
>
>> italian-studies: Scholarly discussions in any field of Italian =20
>> studies
>>
>> Dear All:
>> I also find this discussion quite stimulating, and I tend to agree =20=

>> with Dino on all counts (which, by the way, may sound strange, but =20=

>> it's true!). I also think that perhaps a forum for open =20
>> discussion, such as a blog, could be quite interesting and useful =20
>> as a venue to circulate our on-going research and get immediate =20
>> feedback.
>> Ciao a tutti,
>> manuela gieri
>>
>>
>>
>> Il giorno 28/ott/09, alle ore 15:58, Dino Cervigni ha scritto:
>>
>>> italian-studies: Scholarly discussions in any field of Italian =20
>>> studies
>>>
>>> Dear Colleagues,
>>> The issue of electronic journals is very timely, and all those =20
>>> involved in publishing have followed this fairly recent trend, =20
>>> which moves precisely toward electronic publications.
>>> For electronic publications, in this case journals, to be =20
>>> effective, they must have the same high standards of traditional =20
>>> publications and thus they may require as much time as =20
>>> traditional publications: see the case of the new California =20
>>> Italian Studies, announced about a year ago, and ready to appear =20
>>> shortly, as I read from Thomas Harrison's email.
>>> As to Annali d'italianistica, the journal has a website =20
>>> (www.ibiblio.org/annali), which contains the table of contents of =20=

>>> all issues, the introductory essay to recent volumes, and all =20
>>> book reviews since 1998, freely accessible. I am considering =20
>>> expanding the electronic publication of the journal.
>>>
>>> What the initiator of this interesting debate had in mind, most =20
>>> likely, may be a forum for discussion, some kind of blog (?), =20
>>> where one can post one's research and receive some feedback from =20
>>> colleagues. Obviously this list does also serve this purpose.
>>>
>>> Concerning traditional journals, I would like to bring to the =20
>>> attention of Italianists a journal published at Carolina, Romance =20=

>>> Notes, open to all of us. In fact the editor of the journal =20
>>> solicits submissions from Italianists because historically essays =20=

>>> on Italian issues have appeared only sporadically. I am posting =20
>>> below pertinent information. For any Hispanists of the list, I am =20=

>>> also posting information about another journal of our Department, =20=

>>> Hispanofila.
>>>
>>> Let's keep the discussion going.
>>>
>>> Dino Cervigni
>>>
>>>
>>>
>>> *ROMANCE NOTES* is published three times a year. The journal =20
>>> accepts articles on any literary, cultural, or linguistic topic =20
>>> dealing with Romance studies. Articles can be written in any =20
>>> Romance language and in English. The articles should be no longer =20=

>>> than 3,000 words in length and should consist of original =20
>>> material not published or under consideration for publication =20
>>> elsewhere. Romance Notes strictly adheres to MLA style and =20
>>> citation format with a bibliographic list including all =93Works =20
>>> Cited=94 at the end of the essay. The Editors have a policy of =20
>>> =93blind submissions=94 to readers. Therefore, authors should send =20=

>>> their name and university affiliation on a separate cover sheet. =20
>>> Upon acceptance, one must become a subscriber to the journal for =20
>>> at least one year. The institutional subscription is $40.00, the =20
>>> individual subscription is $30.00 and the student subscription is =20=

>>> $15.00. Single numbers are $15.00
>>>
>>> The 2009 (Volume 49) subscription rates will be: institutional =20
>>> subscription $45.00, individual subscription $35.00, student =20
>>> subscription $20.00. Single numbers $20.00
>>>
>>> Download a current issue: *Romance Notes Volume XLVI, Number 3 =20
>>> Spring, 2006 <pdf/RN_XLVI.pdf>*
>>>
>>> --------------------------------------------------------------------=20=

>>> ----
>>>
>>> Send manuscripts in duplicate to: Editor, Romance Notes, =20
>>> Department of Romance Languages, CB# 3170 Dey Hall, The =20
>>> University of North Carolina at Chapel Hill, Chapel Hill, NC, =20
>>> 27599-3170. Our email address is [log in to unmask] =20
>>> <mailto:[log in to unmask]>.
>>>
>>> Website: http://74.125.47.132/search?q=3Dcache:http://=20
>>> romlpub.unc.edu/romance_notes/index.htm
>>>
>>> The /Studies/ supports and disseminates scholarship in the =20
>>> Romance Literatures. Almost 300 volumes have appeared, treating =20
>>> literary movements, individual authors and works, themes, figures =20=

>>> of speech and of thought, archetypes and poetics, and making =20
>>> available editions of unpublished literary manuscripts.
>>>
>>> *HISPAN=D3FILA* appears three times a year. The journal accepts =20
>>> essays on any literary, linguistic, or cultural topic dealing =20
>>> with the Spanish and Portuguese-speaking worlds. Articles may be =20
>>> written in English, Spanish, or Portuguese but cannot exceed 25 =20
>>> type-written pages. Previously published work and work under =20
>>> consideration by other journals should not be submitted.
>>>
>>> All submissions must conform to the MLA style and citation =20
>>> format, and include a =93Works Cited=94 bibliography at the end of =20=

>>> the essay. The original, one copy, and an electronic copy are =20
>>> required. Contributions must be accompanied by a return envelope =20
>>> and loose postage. Upon acceptance for publication, the author =20
>>> must subscribe to the journal for at least one year. The =20
>>> institutional subscription is $45.00, the individual subscription =20=

>>> is $35.00, and the student subscription is $20.00. Back issues =20
>>> and single copies may be purchased for $20.00.
>>>
>>> Download a current issue: *Hispan=F3fila 151 (2007) <pdf/H151.pdf>*
>>> *HISPAN=D3FILA*
>>> 237 Dey Hall, CB#3170
>>> University of North Carolina at Chapel Hill
>>> Chapel Hill, NC 27599-3170
>>>
>>>
>>>
>>> ********************************************************************=20=

>>> **
>>> To join the list, send the message: join italian-studies YOUR NAME
>>> to: [log in to unmask]
>>> To send a message to the list, address it to:
>>> [log in to unmask]
>>> To leave the list, send the message: leave italian-studies
>>> to: [log in to unmask]
>>> In order to report problems or to contact the list's owners, =20
>>> write to:
>>> [log in to unmask]
>>> For further information, visit our web site:
>>> http://www.jiscmail.ac.uk/lists/italian-studies.html<cervigni.vcf>
>>
>> *********************************************************************=20=

>> *
>> To join the list, send the message: join italian-studies YOUR NAME
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Date:         Wed, 28 Oct 2009 20:45:57 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Barbara Maio <[log in to unmask]>
Subject:      Re: Traditional journals & electronic journals
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

I think I can open a forum like this. Let me know yours opinions, =20
suggestions, and if someone is interesting in collaborating with this =20=

project can email me privately at [log in to unmask]

ciao, Barbara

Il giorno 28/ott/09, alle ore 18:46, Manuela Gieri ha scritto:

> italian-studies: Scholarly discussions in any field of Italian studies
>
> I visited the web site barbara Maio suggested, and I immediately =20
> joined it. It's fantastic, and I think it would be quite useful if =20
> we were to have a web site of this kind.
> Grazie, Barbara!
> mg
>
>
> Il giorno 28/ott/09, alle ore 18:15, Barbara Maio ha scritto:
>
>> italian-studies: Scholarly discussions in any field of Italian =20
>> studies
>>
>> Maybe a forum like this could be useful for Italian Studies:
>> http://cultmediastudies.ning.com/
>>
>> cheers, Barbara Maio
>>
>>
>> Il giorno 28/ott/09, alle ore 17:55, Manuela Gieri ha scritto:
>>
>>> italian-studies: Scholarly discussions in any field of Italian =20
>>> studies
>>>
>>> Dear All:
>>> I also find this discussion quite stimulating, and I tend to =20
>>> agree with Dino on all counts (which, by the way, may sound =20
>>> strange, but it's true!). I also think that perhaps a forum for =20
>>> open discussion, such as a blog, could be quite interesting and =20
>>> useful as a venue to circulate our on-going research and get =20
>>> immediate feedback.
>>> Ciao a tutti,
>>> manuela gieri
>>>
>>>
>>>
>>> Il giorno 28/ott/09, alle ore 15:58, Dino Cervigni ha scritto:
>>>
>>>> italian-studies: Scholarly discussions in any field of Italian =20
>>>> studies
>>>>
>>>> Dear Colleagues,
>>>> The issue of electronic journals is very timely, and all those =20
>>>> involved in publishing have followed this fairly recent trend, =20
>>>> which moves precisely toward electronic publications.
>>>> For electronic publications, in this case journals, to be =20
>>>> effective, they must have the same high standards of traditional =20=

>>>> publications and thus they may require as much time as =20
>>>> traditional publications: see the case of the new California =20
>>>> Italian Studies, announced about a year ago, and ready to appear =20=

>>>> shortly, as I read from Thomas Harrison's email.
>>>> As to Annali d'italianistica, the journal has a website =20
>>>> (www.ibiblio.org/annali), which contains the table of contents =20
>>>> of all issues, the introductory essay to recent volumes, and all =20=

>>>> book reviews since 1998, freely accessible. I am considering =20
>>>> expanding the electronic publication of the journal.
>>>>
>>>> What the initiator of this interesting debate had in mind, most =20
>>>> likely, may be a forum for discussion, some kind of blog (?), =20
>>>> where one can post one's research and receive some feedback from =20=

>>>> colleagues. Obviously this list does also serve this purpose.
>>>>
>>>> Concerning traditional journals, I would like to bring to the =20
>>>> attention of Italianists a journal published at Carolina, =20
>>>> Romance Notes, open to all of us. In fact the editor of the =20
>>>> journal solicits submissions from Italianists because =20
>>>> historically essays on Italian issues have appeared only =20
>>>> sporadically. I am posting below pertinent information. For any =20
>>>> Hispanists of the list, I am also posting information about =20
>>>> another journal of our Department, Hispanofila.
>>>>
>>>> Let's keep the discussion going.
>>>>
>>>> Dino Cervigni
>>>>
>>>>
>>>>
>>>> *ROMANCE NOTES* is published three times a year. The journal =20
>>>> accepts articles on any literary, cultural, or linguistic topic =20
>>>> dealing with Romance studies. Articles can be written in any =20
>>>> Romance language and in English. The articles should be no =20
>>>> longer than 3,000 words in length and should consist of original =20=

>>>> material not published or under consideration for publication =20
>>>> elsewhere. Romance Notes strictly adheres to MLA style and =20
>>>> citation format with a bibliographic list including all =93Works =20=

>>>> Cited=94 at the end of the essay. The Editors have a policy of =20
>>>> =93blind submissions=94 to readers. Therefore, authors should send =20=

>>>> their name and university affiliation on a separate cover sheet. =20=

>>>> Upon acceptance, one must become a subscriber to the journal for =20=

>>>> at least one year. The institutional subscription is $40.00, the =20=

>>>> individual subscription is $30.00 and the student subscription =20
>>>> is $15.00. Single numbers are $15.00
>>>>
>>>> The 2009 (Volume 49) subscription rates will be: institutional =20
>>>> subscription $45.00, individual subscription $35.00, student =20
>>>> subscription $20.00. Single numbers $20.00
>>>>
>>>> Download a current issue: *Romance Notes Volume XLVI, Number 3 =20
>>>> Spring, 2006 <pdf/RN_XLVI.pdf>*
>>>>
>>>> -------------------------------------------------------------------=20=

>>>> -----
>>>>
>>>> Send manuscripts in duplicate to: Editor, Romance Notes, =20
>>>> Department of Romance Languages, CB# 3170 Dey Hall, The =20
>>>> University of North Carolina at Chapel Hill, Chapel Hill, NC, =20
>>>> 27599-3170. Our email address is [log in to unmask] =20
>>>> <mailto:[log in to unmask]>.
>>>>
>>>> Website: http://74.125.47.132/search?q=3Dcache:http://=20
>>>> romlpub.unc.edu/romance_notes/index.htm
>>>>
>>>> The /Studies/ supports and disseminates scholarship in the =20
>>>> Romance Literatures. Almost 300 volumes have appeared, treating =20
>>>> literary movements, individual authors and works, themes, =20
>>>> figures of speech and of thought, archetypes and poetics, and =20
>>>> making available editions of unpublished literary manuscripts.
>>>>
>>>> *HISPAN=D3FILA* appears three times a year. The journal accepts =20
>>>> essays on any literary, linguistic, or cultural topic dealing =20
>>>> with the Spanish and Portuguese-speaking worlds. Articles may be =20=

>>>> written in English, Spanish, or Portuguese but cannot exceed 25 =20
>>>> type-written pages. Previously published work and work under =20
>>>> consideration by other journals should not be submitted.
>>>>
>>>> All submissions must conform to the MLA style and citation =20
>>>> format, and include a =93Works Cited=94 bibliography at the end of =20=

>>>> the essay. The original, one copy, and an electronic copy are =20
>>>> required. Contributions must be accompanied by a return envelope =20=

>>>> and loose postage. Upon acceptance for publication, the author =20
>>>> must subscribe to the journal for at least one year. The =20
>>>> institutional subscription is $45.00, the individual =20
>>>> subscription is $35.00, and the student subscription is $20.00. =20
>>>> Back issues and single copies may be purchased for $20.00.
>>>>
>>>> Download a current issue: *Hispan=F3fila 151 (2007) <pdf/H151.pdf>*
>>>> *HISPAN=D3FILA*
>>>> 237 Dey Hall, CB#3170
>>>> University of North Carolina at Chapel Hill
>>>> Chapel Hill, NC 27599-3170
>>>>
>>>>
>>>>
>>>> *******************************************************************=20=

>>>> ***
>>>> To join the list, send the message: join italian-studies YOUR NAME
>>>> to: [log in to unmask]
>>>> To send a message to the list, address it to:
>>>> [log in to unmask]
>>>> To leave the list, send the message: leave italian-studies
>>>> to: [log in to unmask]
>>>> In order to report problems or to contact the list's owners, =20
>>>> write to:
>>>> [log in to unmask]
>>>> For further information, visit our web site:
>>>> http://www.jiscmail.ac.uk/lists/italian-studies.html<cervigni.vcf>
>>>
>>> ********************************************************************=20=

>>> **
>>> To join the list, send the message: join italian-studies YOUR NAME
>>> to: [log in to unmask]
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>>> [log in to unmask]
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>>> to: [log in to unmask]
>>> In order to report problems or to contact the list's owners, =20
>>> write to:
>>> [log in to unmask]
>>> For further information, visit our web site:
>>> http://www.jiscmail.ac.uk/lists/italian-studies.html
>>
>> *********************************************************************=20=

>> *
>> To join the list, send the message: join italian-studies YOUR NAME
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>
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Date:         Wed, 28 Oct 2009 19:53:18 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         George FERZOCO <[log in to unmask]>
Subject:      forum
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italian-studies: Scholarly discussions in any field of Italian studies

Dear italian-studies colleagues,

If there are sufficient numbers of you that are interested, the  
technical resources for such a forum, linked to our list, already are  
in place (albeit very recently, so its arrival is well timed). I  
propose to you that I consult my computing colleagues in this regard,  
and get back to you in the next couple of weeks with further details.

Best wishes,
George Ferzoco
list owner, italian-studies
[log in to unmask]

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Date:         Wed, 28 Oct 2009 21:24:03 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Emilio Speciale <[log in to unmask]>
Subject:      Re: Traditional journals & electronic journals
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Cara Manuela care amiche e cari amici,

un forum di italianistica di lunga data, ma ahim=E8 non sempre tanto =20
trafficato, esiste gi=E0 da pi=F9 di un decennio. Molti di voi si =20
ricorderanno della mia gloriosa mailing list "Lettere Italiane" che da =20=

qualche hanno =E8 diventata appunto un forum dove mi piacerebbe vedere =20=

dibattiti, suggerimenti ecc. ecc. come quelli discussi intorno alle =20
riviste on-line.
Vi invito a scrivervi, partecipare e discutere sul mio forum:
http://www.in-su-la.com/forum/index.php

Un caro saluto
Emilio Speciale

On 28/ott/2009, at 17.55, Manuela Gieri wrote:

> Dear All:
> I also find this discussion quite stimulating, and I tend to agree =20
> with Dino on all counts (which, by the way, may sound strange, but =20
> it's true!). I also think that perhaps a forum for open discussion, =20=

> such as a blog, could be quite interesting and useful as a venue to =20=

> circulate our on-going research and get immediate feedback.
> Ciao a tutti,
> manuela gieri


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italian-studies: Scholarly discussions in any field of Italian studies
<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Cara =
Manuela care amiche e cari amici,<div><br></div><div>un forum di =
italianistica di lunga data, ma ahim=E8 non sempre tanto trafficato, =
esiste gi=E0 da pi=F9 di un decennio. Molti di voi si ricorderanno della =
mia gloriosa mailing list "Lettere Italiane" che da qualche hanno =E8 =
diventata appunto un forum dove mi piacerebbe vedere dibattiti, =
suggerimenti ecc. ecc. come quelli discussi intorno alle riviste =
on-line.</div><div>Vi invito a scrivervi, partecipare e discutere sul =
mio forum:</div><div><a =
href=3D"http://www.in-su-la.com/forum/index.php">http://www.in-su-la.com/f=
orum/index.php</a></div><div><br></div><div>Un caro =
saluto</div><div>Emilio Speciale</div><div><br><div><div>On 28/ott/2009, =
at 17.55, Manuela Gieri wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"font-family: monospace; ">Dear =
All:<br>I also find this discussion quite stimulating, and I tend to =
agree with Dino on all counts (which, by the way, may sound strange, but =
it's true!). I also think that perhaps a forum for open discussion, such =
as a blog, could be quite interesting and useful as a venue to circulate =
our on-going research and get immediate feedback.<br>Ciao a =
tutti,<br>manuela =
gieri</span></blockquote></div><br></div></body></html>=
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=========================================================================
Date:         Wed, 28 Oct 2009 22:40:17 -0700
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
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              <[log in to unmask]>
From:         Arnold Schmidt <[log in to unmask]>
Subject:      NCSA Award Opportunities
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italian-studies: Scholarly discussions in any field of Italian studies

Hi, all:

I forward the below for a colleague, as I think it may interest list=20
members.  Cheers!

Arnold

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D


NCSA Emerging Scholars Award

The Nineteenth Century Studies Association (NCSA) is pleased to announce=20
the 2010 Emerging Scholars Award.

The work of emerging scholars represents the promise and long-term=20
future of interdisciplinary scholarship in 19th-century studies. In=20
recognition of the excellent publications of this constituency of=20
emerging scholars, this award recognizes an outstanding article or essay=20
published within five years of the author's doctorate. Entries can be=20
from any discipline focusing on any aspect of the long 19th century=20
(French Revolution to World War I), must be published in English or be=20
accompanied by an English translation, and must be by a single author.=20
Submission of essays that are interdisciplinary is especially encouraged.

Entrants must be within five years of having received a doctorate or=20
other terminal professional degree, and must have less than seven years=20
of experience either in an academic career, or as a post-terminal-degree=20
independent scholar or practicing professional.

Only articles physically published between September 1, 2008 and August=20
31, 2009 (even if the citation date of the journal is different) are=20
eligible for the 2010 Emerging Scholar Award. Articles published in any=20
scholarly journal, including on-line journals, or in edited volumes of=20
essays are eligible and may be submitted either by the author or the=20
publisher of a journal, anthology, or volume containing independent=20
essays. In any given year, an applicant may submit more than one article=20
for this award.

The winning article will be selected by a committee of=20
nineteenth-century scholars representing diverse disciplines. Articles=20
submitted to the NCSA Article Prize competition are ineligible for the=20
Emerging Scholars Award.

The winner will receive $500 to be presented at the 31st Annual NCSA=20
Conference, =93Theatricality and the Performative in the Long Nineteenth=20
Century,=94 in Tampa, Florida, March 11-13, 2010. Prize recipients need=20
not be members of the NCSA, but are encouraged to attend the conference=20
to receive the award.

Deadline for submission is November 16, 2009.

Send three off-prints or photocopies of published articles/essays to the=20
committee chair: Dr. Maria K. Bachman / Department of English / Coastal=20
Carolina University / P.O Box 261954 / Conway, SC 29528-6054.=20
(Electronic submissions will not be accepted.) Address all questions to=20
[log in to unmask] Please note that applicants must verify date of=20
actual publication for eligibility and provide an email address so that=20
receipt of their submissions may be acknowledged.



NCSA Article Prize

The NCSA Article Prize recognizes excellence in scholarly studies from=20
any discipline focusing on any aspect of the long 19th century (French=20
Revolution to World War I). The winner will receive a cash award of $500=20
to be presented at the 31st Annual NCSA Conference, =93Theatricality and=20
the Performative in the Long Nineteenth Century,=94 in Tampa, Florida,=20
March 11-13, 2010.

Articles published between September 1, 2008 and August 31, 2009 are=20
eligible for consideration for the 2010 prize and may be submitted by=20
the author or the publisher of a journal, anthology, or volume=20
containing independent essays. The submission of essays that take an=20
interdisciplinary approach is especially encouraged. The winning article=20
will be selected by a committee of NCSA scholars representing diverse=20
disciplines.

Send three photocopies of published articles/essays, including the=20
publication=92s name/volume/date etc. to the chair of the committee at th=
e=20
following address: Dr. Deborah Maltby, Department of English, University=20
of Missouri-St. Louis, 436 Lucas Hall, One University Blvd., St. Louis,=20
MO 63121. Questions may be addressed to Dr. Maltby at [log in to unmask]
Applicants must verify date of actual publication for eligibility and=20
provide an email address so that receipt of their submissions may be=20
acknowledged. One entry per scholar or publisher is allowed annually.=20
Essays written in part or entirely in a language other than English must=20
be accompanied by English translations.

Deadline for submission is November 16, 2009.








--=20
------------------------------------

Arnold Anthony Schmidt, Ph.D.
Professor of English
California State University
http://www.csustan.edu/ENGLISH/schmidt/schmidt.htm

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=========================================================================
Date:         Thu, 29 Oct 2009 11:33:29 -0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
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              <[log in to unmask]>
From:         Everson J <[log in to unmask]>
Subject:      trauma series
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italian-studies: Scholarly discussions in any field of Italian studies

The School of Modern Languages, Literatures and Cultures at Royal
Holloway, University of London, is launching a research series entitled
'Trauma Fiction History'. The first event will be held on 18 November at
5.00 pm at 2 Gower Street, London WC1E 6DP. Colin Davis will introduce
the session with a short paper, 'Why Trauma?', outlining the
significance of trauma studies for work in the Humanities. This will be
followed by a paper by Professor Lucille Cairns, Durham University,
entitled 'Trauma and Testimony: the Case of Myriam Anissimov'. More
details can be found by following the link at
www.rhul.ac.uk/modern-languages/research/trauma.html.

=20

=20

=20

=20

=20

=20

Jane E.Everson

Professor of Italian Literature

School of Modern Languages, Literatures and Cultures

Royal Holloway University of London

Egham TW20 0EX

tel. 01784 443236

=20


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<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>The <st1:PlaceType w:st=3D"on">School</st1:PlaceType> of =
<st1:PlaceName
w:st=3D"on">Modern Languages</st1:PlaceName>, Literatures and Cultures =
at Royal
Holloway, <st1:place w:st=3D"on"><st1:PlaceType =
w:st=3D"on">University</st1:PlaceType>
 of <st1:PlaceName w:st=3D"on">London</st1:PlaceName></st1:place>, is =
launching a
research series entitled &#8216;Trauma Fiction History&#8217;. The first =
event
will be held on <strong><b><font face=3D"Times New Roman">18 =
November</font></b></strong>
at 5.00 pm at <st1:address w:st=3D"on"><st1:Street w:st=3D"on">2 Gower =
Street</st1:Street>,
 <st1:City w:st=3D"on">London</st1:City> <st1:PostalCode =
w:st=3D"on">WC1E 6DP</st1:PostalCode></st1:address>.
Colin Davis will introduce the session with a short paper, &#8216;Why
Trauma?&#8217;, outlining the significance of trauma studies for work in =
the
Humanities. This will be followed by a paper by <strong><b><font
face=3D"Times New Roman">Professor Lucille Cairns</font></b></strong>, =
<st1:place
w:st=3D"on"><st1:PlaceName w:st=3D"on">Durham</st1:PlaceName> =
<st1:PlaceType w:st=3D"on">University</st1:PlaceType></st1:place>,
entitled <strong><b><font face=3D"Times New Roman">&#8216;Trauma and =
Testimony:
the Case of Myriam Anissimov&#8217;</font></b></strong>. More details =
can be
found by following the link at </span></font><a
href=3D"http://www.rhul.ac.uk/modern-languages/research/trauma.html">www.=
rhul.ac.uk/modern-languages/research/trauma.html</a>.<o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span =
style=3D'font-size:10.0pt;
font-family:"Courier New"'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Jane E.Everson</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Professor of Italian =
Literature</span></font><o:p></o:p></p>

<p class=3DMsoNormal><st1:place w:st=3D"on"><st1:PlaceType =
w:st=3D"on"><font size=3D2
  face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>School</span></font></st1:Pl=
aceType><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> of <st1:PlaceName
 w:st=3D"on">Modern</st1:PlaceName></span></font></st1:place><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> =
Languages,
Literatures and Cultures</span></font><o:p></o:p></p>

<p class=3DMsoNormal><st1:PlaceName w:st=3D"on"><font size=3D2 =
face=3DArial><span
 =
style=3D'font-size:10.0pt;font-family:Arial'>Royal</span></font></st1:Pla=
ceName><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> <st1:PlaceName
w:st=3D"on">Holloway</st1:PlaceName> <st1:PlaceType =
w:st=3D"on">University</st1:PlaceType>
of <st1:City w:st=3D"on"><st1:place =
w:st=3D"on">London</st1:place></st1:City></span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Egham TW20 0EX</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>tel. 01784 443236</span></font><o:p></o:p></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
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=========================================================================
Date:         Thu, 29 Oct 2009 15:53:50 -0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Katia Pizzi <[log in to unmask]>
Subject:      Cold War conference and study day, 24-25 Sept 2010
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italian-studies: Scholarly discussions in any field of Italian studies

CALL FOR PAPERS:

=20

=20

Conference: Art Histories, Cultural Studies and the Cold War

=20

Date: Friday 24 September 2010

=20

Venue: Institute of Germanic & Romance Studies, University of London

=20

Keynote Speaker: Miranda Carter (author of Anthony Blunt: His Lives,
2001)

=20

=20

Study Day: Cold War Cities

=20

Date: Saturday 25 September 2010

=20

Venue: Institute of Germanic & Romance Studies, University of London

=20

Twenty years ago the world witnessed the most momentous geo-political

changes since the end of the Second World War: the fall of the Berlin
Wall,

the implosion of the Soviet Union and the emergence of the USA as the=20

global superpower. The period of the Cold War (c.1948-89) was one of=20

ideological struggle and profound cultural crisis, no less so than for
the=20

discipline of Art History, rooted in the ideals and aspirations of  the=20

European Enlightenment. But the crucible of the Cold War also witnessed=20

the re-definition of Art History, the birth of the New Left and a
nascent=20

tradition of Cultural Studies.

=20

In 1952 Erwin Panofsky wrote a paper surveying Three Decades of Art
History in

the United States - an essay pervaded by an acute sense of how the
development=20

of the discipline of Art History, and the lives of individual art
historians, had been shaped by the momentous political events of the
1930s and 40s. In a specific reference to McCarthyism, Panofsky noted
how 'nationalism and intolerance' remained a terrifying threat to
academic freedom and that 'even when dealing with the remote past, the
historian cannot be entirely objective.' Although the situation=20

was less extreme in the UK, intellectuals and academics with left wing
sympathies such as Frederick (Frigyes) Antal, Francis Klingender and
Eric Hobsbawm still faced 'red baiting' and other challenges in gaining
employment in universities and other teaching-related posts.=20

=20

Writing in 1960 to Adrian Stokes about his book Art and Illusion, Ernst
Gombrich reflected on the 'considerable shock' with which he discovered
that Art History had been misused to propagate pseudo-historical myths
on both the Right and the Left.=20

Some decades later Peter Fuller was faced with a changing political
landscape and

the need to re-consider his own response to national identity and to the
Marxism he had cherished earlier in his career.=20

=20

This conference on Friday 24 September, organized by the department of
History & Philosophy of Art at the University of Kent, aims to explore
how the Cold War delineated approaches to Art History, Historiography
and Cultural Studies and how its conditions and constraints shaped the
professional careers and influenced the writings and ideas of scholars
and cultural theorists. We welcome a wide range of perspectives that
might include, for example, the use of particular methodologies, the
choice of specific subjects for analysis that were explicitly
politically motivated or contextualised readings of particular art
historical monographs or reviews of wider art historical topics, such as
'the Renaissance' or 'the history of Modern Art', as sites of displaced
ideological conflict.=20

=20

Alternatively, papers might involve the exploration of state patronage
and of the intellectual debates and cultural events around the visual
arts, whether overt in the form of Soviet Realism, or more covert as in
the CIA-funded Congress for Cultural Freedom. Contributions are not
confined to Anglo-Saxon Art History and we welcome Post-Colonial and
European perspectives (from both sides of the former Iron Curtain).=20

=20

A related study day on Saturday 25 September, organized by the Centre
for the Study of Cultural Memory (CCM) at the Institute of Germanic &
Romance Studies, will explore Cold War Cities. We welcome papers from a
variety of angles and disciplines, including history, art history, film,
architecture, politics, memory and cultural studies. Amongst other
things, papers may address: post-war memories; cities at the
centre/cities at the fringes; architecture, including divisive
architecture (e.g. walls); cities in film; the Eastern Bloc, especially
former Yugoslavia; utopian/distopian cities; cities and the space race;
migration; terrorism and the city.

=20

Please send your abstract (250 words max) by 24 February 2010 to
[log in to unmask] or [log in to unmask] (for the Art Histories
Conference); to [log in to unmask] or [log in to unmask] (for
the Cold War Cities study day).

=20

=20

Dr Katia Pizzi

Institute of Germanic & Romance Studies

School of Advanced Study

University of London

Stewart House

Malet Street, London WC1E 7HU.

Tel. n. 02078628962

Fax. n. 02078628672

Email: [log in to unmask]

=20


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<div class=3DSection1>

<p class=3DMsoNormal style=3D'text-align:justify'><b>CALL FOR =
PAPERS:<o:p></o:p></b></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b>Conference: <i>Art =
Histories,
Cultural Studies and the Cold War</i><o:p></o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b>Date: Friday 24 =
September 2010<o:p></o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b>Venue: Institute of =
Germanic
&amp; Romance Studies, University of London<o:p></o:p></b></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b>Keynote Speaker: =
Miranda
Carter (author of <i>Anthony Blunt: His Lives</i>, =
2001)<o:p></o:p></b></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b>Study Day: <i>Cold =
War Cities</i><o:p></o:p></b></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b>Date: Saturday =
25<sup> </sup>September
2010<o:p></o:p></b></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'><b><o:p>&nbsp;</o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b>Venue: Institute of =
Germanic
&amp; Romance Studies, University of London<o:p></o:p></b></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span =
style=3D'color:black'>Twenty
years ago the world witnessed the most momentous =
geo-political<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span =
style=3D'color:black'>changes
since the end of the Second World War: the fall of the Berlin =
Wall,<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span =
style=3D'color:black'>the
implosion of the Soviet Union and the emergence of the USA as the =
<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify'><span =
style=3D'color:black'>global
superpower. </span>The period of the Cold War (<span =
style=3D'color:black'>c.1948</span>-89)
was one of <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>ideological struggle =
and profound
cultural crisis, no less so than for the <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>discipline of Art =
History, rooted
in the ideals and aspirations of&nbsp; the <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>European =
Enlightenment. But the
crucible of the Cold War also witnessed <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>the re-definition of =
Art History,
the birth of the New Left and a nascent <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>tradition of Cultural =
Studies.<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>In 1952 Erwin Panofsky =
wrote a
paper surveying <i>Three Decades of Art History in<o:p></o:p></i></p>

<p class=3DMsoNormal style=3D'text-align:justify'><i>the United States =
</i>&#8211;
an essay pervaded by an acute sense of how the development =
<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>of the discipline of =
Art History,
and the lives of individual art historians, had been shaped by the =
momentous
political events of the 1930s and 40s. In a specific reference to =
McCarthyism,
Panofsky noted how &#8216;nationalism and intolerance&#8217; remained a
terrifying threat to academic freedom and that &#8216;even when dealing =
with
the remote past, the historian cannot be entirely objective.&#8217; =
Although
the situation <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>was less extreme in =
the UK,
intellectuals and academics with left wing sympathies such as Frederick
(Frigyes) Antal, Francis Klingender and Eric Hobsbawm still faced =
&#8216;red
baiting&#8217; and other challenges in gaining employment in =
universities and
other teaching-related posts. <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>Writing in 1960 to =
Adrian Stokes
about his book <i>Art and Illusion</i>, Ernst Gombrich reflected on the
&#8216;considerable shock&#8217; with which he discovered that Art =
History had
been misused to propagate pseudo-historical myths on both the Right and =
the
Left. <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>Some decades later =
Peter Fuller
was faced with a changing political landscape and<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>the need to =
re-consider his own
response to national identity and to the Marxism he had cherished =
earlier in
his career. <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>This conference on =
Friday 24
September, organized by the department of History &amp; Philosophy of =
Art at
the University of Kent, aims to explore how the Cold War delineated =
approaches
to Art History, Historiography and Cultural Studies and how its =
conditions and
constraints shaped the professional careers and influenced the writings =
and
ideas of scholars and cultural theorists. We welcome a wide range of
perspectives that might include, for example, the use of particular
methodologies, the choice of specific subjects for analysis that were
explicitly politically motivated or contextualised readings of =
particular art
historical monographs or reviews of wider art historical topics, such as
&#8216;the Renaissance&#8217; or &#8216;the history of Modern =
Art&#8217;, as
sites of displaced ideological conflict. <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>Alternatively, papers =
might
involve the exploration of state patronage and of the intellectual =
debates and
cultural events around the visual arts, whether overt in the form of =
Soviet
Realism, or more covert as in the CIA-funded Congress for Cultural =
Freedom.
Contributions are not confined to Anglo-Saxon Art History and we welcome
Post-Colonial and European perspectives (from both sides of the former =
Iron
Curtain). <o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'>A related study day on =
Saturday
25 September, organized by the Centre for the Study of Cultural Memory =
(CCM) at
the Institute of Germanic &amp; Romance Studies, will explore <b>Cold =
War
Cities</b>. We welcome papers from a variety of angles and disciplines,
including history, art history, film, architecture, politics, memory and
cultural studies. Amongst other things, papers may address: post-war =
memories;
cities at the centre/cities at the fringes; architecture, including =
divisive
architecture (e.g. walls); cities in film; the Eastern Bloc, especially =
former
Yugoslavia; utopian/distopian cities; cities and the space race; =
migration;
terrorism and the city.<o:p></o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal style=3D'text-align:justify'><b>Please send your =
abstract (250
words max) by 24 February 2010 to <a =
href=3D"mailto:[log in to unmask]">[log in to unmask]</a>
or <a =
href=3D"mailto:[log in to unmask]">[log in to unmask]</a> (for
the Art Histories Conference); to <a =
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or <a =
href=3D"mailto:[log in to unmask]">[log in to unmask]</a> (for
the Cold War Cities study day).<o:p></o:p></b></p>

<p class=3DMsoNormal =
style=3D'text-align:justify'><b>&nbsp;<o:p></o:p></b></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Dr Katia Pizzi<o:p></o:p></p>

<p class=3DMsoNormal>Institute of Germanic &amp; Romance =
Studies<o:p></o:p></p>

<p class=3DMsoNormal>School of Advanced Study<o:p></o:p></p>

<p class=3DMsoNormal>University of London<o:p></o:p></p>

<p class=3DMsoNormal>Stewart House<o:p></o:p></p>

<p class=3DMsoNormal>Malet Street, London WC1E 7HU.<o:p></o:p></p>

<p class=3DMsoNormal>Tel. n. 02078628962<o:p></o:p></p>

<p class=3DMsoNormal>Fax. n. 02078628672<o:p></o:p></p>

<p class=3DMsoNormal>Email: [log in to unmask]<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

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Date:         Thu, 29 Oct 2009 11:10:53 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         pam krist <[log in to unmask]>
Subject:      Re: CONFERENCE: Italy and the Emotions, London Nov 09
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies


Dear Penny

=20

Unfortunately I can't print off your form as I have on-going problems with =
both my printers and I'm an off-campus student! Could you please accept my =
details as below and than I could send the cheque for =A325 to IGRS with an=
 explanatory note?

=20

My name is Pam Krist=2C member of ASMI=2C e-mail address as above and I'm a=
n MPhil/PhD student in the Dept of Italian=2C RHUL. No food=2C thanks. I tr=
y not to put my home address on the internet whenever possible if that is a=
lright with you.=20

=20

Best wishes=2C

Pam Krist
=20
> Date: Tue=2C 27 Oct 2009 15:56:31 +0000
> From: [log in to unmask]
> Subject: [I-S] CONFERENCE: Italy and the Emotions=2C London Nov 09
> To: [log in to unmask]
>=20
> italian-studies: Scholarly discussions in any field of Italian studies
>=20
> Registration is now open for the following conference. The full=20
> programme is also available. Please go to:=20
> http://igrs.sas.ac.uk/index.php?id=3D369
>=20
> Association for the Study of Modern Italy (ASMI)
> Annual Conference 2009
>=20
> ITALY AND THE EMOTIONS
> PERSPECTIVES FROM THE 18^TH CENTURY TO THE PRESENT
>=20
> Institute for Germanic and Romance Studies=2C University of London
> 27-28 November 2009
>=20
> Keynote speakers: Professor Alberto Mario Banti (University of Pisa)
> Professor Luisa Passerini (University of Turin)
> Special guest: Natalia Aspesi=2C journalist=2C /La Repubblica/
>=20
> Starting from the premise that emotions are historically and culturally=20
> conditioned=2C this conference focuses on emotions in historical=20
> perspective in Italy =96 an area whose modes of social interaction and=20
> cultural production have long had an influential role in shaping ideas=20
> about emotions well beyond its own geographical borders. Among the=20
> themes examined by over 65 speakers will be
>=20
> * Emotions=2C politics and public life
> * The emotions of war=2C colonial conquest=2C victory and defeat
> * Emotion in Italian art=2C music=2C literature and cinema
> * Fascism as a politics of emotion
> * The gendering of emotions
> * Religion and the emotional imagination
> * Italy=92s international influence on concepts of emotion
>=20
> The conference is the first of its kind=2C and as the range of themes=20
> suggests=2C it offers valuable potential for interdisciplinary exchange.=
=20
> The keynote speakers are internationally pioneering scholars whose work=20
> on the emotions has led the way in re-thinking major areas of research=20
> such as politics and war. As well as bringing together established=20
> scholars from Europe=2C the USA=2C and Australasia=2C the conference also=
=20
> provides a forum for younger researchers to contribute to an approach=20
> that places emotions at the forefront of humanities research rather than=
=20
> seeing them as a by-product of other historical processes.
>=20
> As the whole western world is increasingly forced to re-evaluate its=20
> unsustainable addiction to consumption as the basis of happiness=2C this=
=20
> focus on human emotions in historical perspective is particularly=20
> timely. The conference therefore aims not only to develop new ways of=20
> approaching research in its own subject areas=2C but also to contribute t=
o=20
> a broader process of reflection about the trajectories =96 past=2C presen=
t=20
> and future =96 of western society.
>=20
> **********************************************************************
> To join the list=2C send the message: join italian-studies YOUR NAME
> to: [log in to unmask]
> To send a message to the list=2C address it to:
> [log in to unmask]
> To leave the list=2C send the message: leave italian-studies
> to: [log in to unmask]
> In order to report problems or to contact the list's owners=2C write to:
> [log in to unmask]
> For further information=2C visit our web site:
> http://www.jiscmail.ac.uk/lists/italian-studies.html
 		 	   		 =20
_________________________________________________________________
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Dear Penny<BR>
&nbsp=3B<BR>
Unfortunately I can't print off your form&nbsp=3Bas I have on-going problem=
s with both my printers and I'm an off-campus student! Could you please acc=
ept my details as below and than I&nbsp=3Bcould send the cheque for =A325 t=
o IGRS with an explanatory note?<BR>
&nbsp=3B<BR>
My&nbsp=3Bname is Pam Krist=2C member of ASMI=2C e-mail address as above an=
d I'm an MPhil/PhD student in the Dept of Italian=2C RHUL. No food=2C thank=
s. I try not to put&nbsp=3Bmy home address on the internet whenever possibl=
e if that is alright with you.&nbsp=3B<BR>
&nbsp=3B<BR>
Best wishes=2C<BR>
Pam Krist<BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 27 Oct 2009 15:56:31 +0000<BR>=
&gt=3B From: [log in to unmask]<BR>&gt=3B Subject: [I-S] CONFE=
RENCE: Italy and the Emotions=2C London Nov 09<BR>&gt=3B To: ITALIAN-STUDIE=
[log in to unmask]<BR>&gt=3B <BR>&gt=3B italian-studies: Scholarly discussion=
s in any field of Italian studies<BR>&gt=3B <BR>&gt=3B Registration is now =
open for the following conference. The full <BR>&gt=3B programme is also av=
ailable. Please go to: <BR>&gt=3B http://igrs.sas.ac.uk/index.php?id=3D369<=
BR>&gt=3B <BR>&gt=3B Association for the Study of Modern Italy (ASMI)<BR>&g=
t=3B Annual Conference 2009<BR>&gt=3B <BR>&gt=3B ITALY AND THE EMOTIONS<BR>=
&gt=3B PERSPECTIVES FROM THE 18^TH CENTURY TO THE PRESENT<BR>&gt=3B <BR>&gt=
=3B Institute for Germanic and Romance Studies=2C University of London<BR>&=
gt=3B 27-28 November 2009<BR>&gt=3B <BR>&gt=3B Keynote speakers: Professor =
Alberto Mario Banti (University of Pisa)<BR>&gt=3B Professor Luisa Passerin=
i (University of Turin)<BR>&gt=3B Special guest: Natalia Aspesi=2C journali=
st=2C /La Repubblica/<BR>&gt=3B <BR>&gt=3B Starting from the premise that e=
motions are historically and culturally <BR>&gt=3B conditioned=2C this conf=
erence focuses on emotions in historical <BR>&gt=3B perspective in Italy =
=96 an area whose modes of social interaction and <BR>&gt=3B cultural produ=
ction have long had an influential role in shaping ideas <BR>&gt=3B about e=
motions well beyond its own geographical borders. Among the <BR>&gt=3B them=
es examined by over 65 speakers will be<BR>&gt=3B <BR>&gt=3B * Emotions=2C =
politics and public life<BR>&gt=3B * The emotions of war=2C colonial conque=
st=2C victory and defeat<BR>&gt=3B * Emotion in Italian art=2C music=2C lit=
erature and cinema<BR>&gt=3B * Fascism as a politics of emotion<BR>&gt=3B *=
 The gendering of emotions<BR>&gt=3B * Religion and the emotional imaginati=
on<BR>&gt=3B * Italy=92s international influence on concepts of emotion<BR>=
&gt=3B <BR>&gt=3B The conference is the first of its kind=2C and as the ran=
ge of themes <BR>&gt=3B suggests=2C it offers valuable potential for interd=
isciplinary exchange. <BR>&gt=3B The keynote speakers are internationally p=
ioneering scholars whose work <BR>&gt=3B on the emotions has led the way in=
 re-thinking major areas of research <BR>&gt=3B such as politics and war. A=
s well as bringing together established <BR>&gt=3B scholars from Europe=2C =
the USA=2C and Australasia=2C the conference also <BR>&gt=3B provides a for=
um for younger researchers to contribute to an approach <BR>&gt=3B that pla=
ces emotions at the forefront of humanities research rather than <BR>&gt=3B=
 seeing them as a by-product of other historical processes.<BR>&gt=3B <BR>&=
gt=3B As the whole western world is increasingly forced to re-evaluate its =
<BR>&gt=3B unsustainable addiction to consumption as the basis of happiness=
=2C this <BR>&gt=3B focus on human emotions in historical perspective is pa=
rticularly <BR>&gt=3B timely. The conference therefore aims not only to dev=
elop new ways of <BR>&gt=3B approaching research in its own subject areas=
=2C but also to contribute to <BR>&gt=3B a broader process of reflection ab=
out the trajectories =96 past=2C present <BR>&gt=3B and future =96 of weste=
rn society.<BR>&gt=3B <BR>&gt=3B ******************************************=
****************************<BR>&gt=3B To join the list=2C send the message=
: join italian-studies YOUR NAME<BR>&gt=3B to: [log in to unmask]<BR>&=
gt=3B To send a message to the list=2C address it to:<BR>&gt=3B italian-stu=
[log in to unmask]<BR>&gt=3B To leave the list=2C send the message: leave =
italian-studies<BR>&gt=3B to: [log in to unmask]<BR>&gt=3B In order to=
 report problems or to contact the list's owners=2C write to:<BR>&gt=3B ita=
[log in to unmask]<BR>&gt=3B For further information=2C vi=
sit our web site:<BR>&gt=3B http://www.jiscmail.ac.uk/lists/italian-studies=
.html<BR> 		 	   		  <br /><hr />New Windows 7: Simplify what you do everyd=
ay. <a href=3D'http://www.microsoft.com/uk/windows/buy/' target=3D'_new'>Fi=
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Date:         Fri, 30 Oct 2009 15:26:10 +0100
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Annemarie Eskerod <[log in to unmask]>
Subject:      Re: A modest proposal
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear Listmenbers
I have followed your interesting discussion - and have noticed some titles =
I didn't knew. I wonder why nobody has mentioned Heliotropia
http://www.heliotropia.org/.
Heliotropia and Fulgor are both listed in "Directory of Open Access Journal=
s" http://www.doaj.org/doaj?func=3Dhome and now I ask: Why only these two?
Best regards
Annemarie Eskerod


Annemarie Eskerod
Forskningsbibliotekar/Research librarian
Statsbiblioteket/State and University Library
Universitetsbiblioteksomr=E5det
Universitetsparken
8000 =C5rhus C
Telf. 89462250  Mobil 22650072

From: Scholarly discussions in any field of Italian studies [mailto:ITALIAN=
[log in to unmask]] On Behalf Of James Ward
Sent: Tuesday, October 27, 2009 2:28 PM
To: [log in to unmask]
Subject: [I-S] A modest proposal

italian-studies: Scholarly discussions in any field of Italian studies
Cari colleghi,
I would like to propose an idea for discussion among colleagues on this lis=
t: an on-line journal of Italian studies. At the present time, there exists=
, to my knowledge, no such journal; the only on-line resource of this type =
of which I am aware is the excellent H-Italy, hosted by Michigan State Univ=
ersity (www.h-net.org/~italy), which publishes timely reviews of Italy-rela=
ted books, and has discussion forums for specific topics. Why shouldn't we =
have a similar resource for scholarly articles?
This proposal comes out of my personal experience. Currently, if I submit a=
n article to a journal, I must wait at least 6 months to hear a response, t=
hen wait another 8-15 months before the article appears in print. At that p=
oint, I can begin to receive feedback from colleagues on the article and th=
e ideas in it. Why should the flow of ideas and information in the humaniti=
es be so slow? After all, in the hard sciences, the on-line publication of =
articles and abstracts in a timely manner has been the norm for many years,=
 which generates immediate feedback and advances the pursuit of knowledge i=
mmensely. Are the humanities really different from the hard sciences in som=
e fundamental way? Or might we benefit also from such an accelerated rhythm=
 of the free and timely exchange of ideas? After all, we already have such =
forums as this as a means of asking scholarly questions on a specific topic=
. Why not extend this to articles as a whole?
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm =
looking forward to hearing responses from colleagues on this proposal.
Cordiali saluti.
Jim Ward, Berkeley, CA

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<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Dear Listmenbers<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>I have followed your interesting discussion - and have notic=
ed
some titles I didn't knew. I wonder why nobody has mentioned </span><span
style=3D'font-size:9.0pt;font-family:"Verdana","sans-serif";color:#333333'>=
Heliotropia<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><a href=3D"http://www.heliotropia.org/">http://www.heliotrop=
ia.org/</a>.
<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Heliotropia and Fulgor are both listed in &quot;</span><span
style=3D'font-size:10.0pt;font-family:"Verdana","sans-serif"'>Directory of =
Open
Access Journals&quot; </span><span style=3D'font-family:"Verdana","sans-ser=
if"'><a
href=3D"http://www.doaj.org/doaj?func=3Dhome">http://www.doaj.org/doaj?func=
=3Dhome</a><span
style=3D'color:#1F497D'> </span></span><span style=3D'font-size:10.0pt;font=
-family:
"Verdana","sans-serif";color:#1F497D'>and now I ask: Why only these two?<o:=
p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Verdana",=
"sans-serif";
color:#1F497D'>Best regards</span><span style=3D'font-family:"Verdana","san=
s-serif"'><o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Annemarie Eskerod<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Annemarie Eskerod<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Forskningsbibliotekar/Research librarian<o:p></o:p></span></=
p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Statsbiblioteket/State and University Library<o:p></o:p></sp=
an></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Universitetsbiblioteksomr=E5det<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Universitetsparken<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>8000 =C5rhus C<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>Telf. 89462250=A0 Mobil 22650072<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-left:solid blue 1.5pt;padding:0cm 0cm 0cm =
4.0pt'>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0cm =
0cm 0cm'>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Tahoma=
","sans-serif"'>From:</span></b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Scholarly
discussions in any field of Italian studies
[mailto:[log in to unmask]] <b>On Behalf Of </b>James Ward<br>
<b>Sent:</b> Tuesday, October 27, 2009 2:28 PM<br>
<b>To:</b> [log in to unmask]<br>
<b>Subject:</b> [I-S] A modest proposal<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>italian-studies: Scholarly discussions in any field of
Italian studies <o:p></o:p></p>

<div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span style=3D'font-siz=
e:10.0pt;
font-family:"Verdana","sans-serif"'>Cari colleghi,<br>
I would like to propose an idea for discussion among colleagues on this lis=
t:
an on-line journal of Italian studies. At the present time, there exists, t=
o my
knowledge, no such journal; the only on-line resource of this type of which=
 I
am aware is the excellent H-Italy, hosted by Michigan State University
(www.h-net.org/~italy), which publishes timely reviews of Italy-related boo=
ks,
and has discussion forums for specific topics. Why shouldn't we have a simi=
lar
resource for scholarly articles?<br>
This proposal comes out of my personal experience. Currently, if I submit a=
n
article to a journal, I must wait at least 6 months to hear a response, the=
n
wait another 8-15 months before the article appears in print. At that point=
, I
can begin to receive feedback from colleagues on the article and the ideas =
in
it. Why should the flow of ideas and information in the humanities be so sl=
ow?
After all, in the hard sciences, the on-line publication of articles and
abstracts in a timely manner has been the norm for many years, which genera=
tes
immediate feedback and advances the pursuit of knowledge immensely. Are the
humanities really different from the hard sciences in some fundamental way?=
 Or
might we benefit also from such an accelerated rhythm of the free and timel=
y
exchange of ideas? After all, we already have such forums as this as a mean=
s of
asking scholarly questions on a specific topic. Why not extend this to arti=
cles
as a whole?<br>
Che ne dite? Perhaps this forum could be a place to discuss this idea. I'm
looking forward to hearing responses from colleagues on this proposal.<br>
Cordiali saluti.<br>
Jim Ward, Berkeley, CA<br>
<br>
<o:p></o:p></span></p>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><span
style=3D'font-size:10.0pt;font-family:"Verdana","sans-serif"'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Verdana",=
"sans-serif"'>Windows
7: Simplify your PC. <a
href=3D"http://www.microsoft.com/Windows/windows-7/default.aspx?ocid=3DPID2=
4727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_evergreen1:102009"
target=3D"_new">Learn more.</a><o:p></o:p></span></p>

</div>

<p class=3DMsoNormal>******************************************************=
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--_000_A8732EFB143DE54599BE19B267013EAB01043328283ASBMAILBOX1s_--
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Date:         Fri, 30 Oct 2009 14:32:20 +0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         George FERZOCO <[log in to unmask]>
Subject:      electronic journals
In-Reply-To:  <[log in to unmask]>
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italian-studies: Scholarly discussions in any field of Italian studies

Dear italian-studies friends,

Off line, our colleague John Scott has pointed out to me the  
Electronic Bulletin of the Dante Society of America; the URL is:  
http://www.princeton.edu/~dante/ebdsa/

Needless to say, this is a publication of the highest quality.

Best wishes to all, George

--
George FERZOCO
[log in to unmask]

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italian-studies: Scholarly discussions in any field of Italian studies
<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
<div>Dear italian-studies friends,</div><div><br></div>Off line, our colleague John Scott has pointed out to me&nbsp;the Electronic&nbsp;Bulletin of the Dante Society of America; the URL&nbsp;is:&nbsp;<a href="http://www.princeton.edu/~dante/ebdsa/">http://www.princeton.edu/~dante/ebdsa/</a><div><br><div><div><div> <span class="Apple-style-span" style="font-size: 12px; ">Needless to say, this is a publication of the highest quality.</span></div><div><br></div><div><span class="Apple-style-span" style="font-size: 12px; ">Best wishes to all, George<br class="Apple-interchange-newline"><div><br class="khtml-block-placeholder"></div><div>--</div><div>George FERZOCO</div><div><a href="mailto:[log in to unmask]">[log in to unmask]</a></div></span></div></div></div></div></body></html>
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--Apple-Mail-2--566933349--
=========================================================================
Date:         Fri, 30 Oct 2009 16:13:41 -0000
Reply-To:     Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
Sender:       Scholarly discussions in any field of Italian studies
              <[log in to unmask]>
From:         Lucia Rinaldi <[log in to unmask]>
Organization: UCL
Subject:      Conference: Leonardo Sciascia's Defiance - London,
              6-7 November 2009
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italian-studies: Scholarly discussions in any field of Italian studies

Dear Colleagues,

I would like to draw your attention to our event in honour of Leonardo =
Sciascia:

Interantional Conference



Leonardo Sciascia's Defiance: Literature, History, Politics


University College London, 6-7 November 2009



Confirmed keynote speakers : Prof Joseph Farrell (University of =
Strathclyde); Prof Salvatore Lupo (Universit=E0 di Palermo)

=20

Conference organizers: Dr Lucia Rinaldi; Dr Florian Mussgnug



The event is free of charge, but places are limited. Please rsvp Lucia =
Rinaldi ([log in to unmask]) if you wish to attend.





Programme


=20

All sessions take place in the Haldane Room (Wilkins Building), Gower =
Street


=20

Friday 6 November

=20

2.30pm          Welcome and Introduction

                        Florian Mussgnug (University College London)

=20

3.00pm          Keynote Speech:

                        Salvatore Lupo (University of Palermo)

                        'L'ombra del prefetto Mori. Sciascia garantista'

                       =20

4.00pm          Coffee Break

=20

4.30pm          Kathleen LaPenta (Rutgers University)

                        'Terms of Engagement: Revolutionizing the Story =
of Bronte'

=20

5.00pm          Serena Todesco (University College Cork)

                             'La religiosit=E0 sciasciana: alcune =
riflessioni scaturite da Dalle parti degli infedeli'

=20

5.30pm          Judith Harris (Journalist and Writer)

                       =20

=20

7.30pm          Conference Dinner - Tas Bloomsbury

=20

=20

Saturday 7 November


=20

9.30am          Rossana Dedola (Scuola Normale Superiore di Pisa)

                        'Todo Modo e la pittura della verit=E0'

=20

10.00am        Andrea Pera (Independent Scholar)

                        'La narrativa di Sciascia durante gli anni del =
compromesso storico: dalla denuncia di Todo Modo alla disillusione di =
Candido'

=20

10.30am        Mariano D'Amora (Royal Holloway, University of London)

                        'L'Onorevole, metafora espressiva della =
letteratura civile di Sciascia'

=20

11.00am        Ilaria De Seta (Independent Scholar)

                        'Sciascia e Borgese: ritratto o autoritratto?'

=20

11.30 am       Coffee Break

=20

12.00              Keynote Speech:

                        Joseph Farrell (University of Strathclyde)

                        'Judging Sciascia'

=20

1.00pm          Lunch=20

=20

2.00pm          Alessandro Marini (University of Olomouc)=20

                        'Sciascia on Screen, tra pamphlet e thriller: =
Porte aperte e Una storia semplice'

=20

2.30pm          Daragh O'Connell (University College Cork)

                        'Anthologizing Sicily: Sciascia's Essays, =
Prefaces and Anthologies'

=20

3.00pm          Lucia Rinaldi (University College London)

                        'Sciascia & Camilleri'

=20

3.30pm          Closing remarks

=20

=20

We would like to thank the Department of Italian at UCL, the Society for =
Italian Studies (SIS) and the Association for the Study of Modern =
Italy(ASMI) for their support.




---------------------------------
Dr Lucia Rinaldi
Teaching Fellow
Department of Italian
University College London
Gower Street
London WC1E 6BT

email [log in to unmask]
Tel  +44 (0) 20 7679 3022
Fax  +44 (0) 20 7209 0638

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Dear Colleagues,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I would like to draw your attention to =
our=20
event&nbsp;in honour of Leonardo&nbsp;Sciascia:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-outline-level: 1"=20
align=3Djustify><SPAN=20
style=3D"FONT-SIZE: 18pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB"><FONT=20
size=3D3>Interantional Conference</FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-outline-level: 1"=20
align=3Djustify><SPAN=20
style=3D"FONT-SIZE: 18pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB"><FONT=20
size=3D3></FONT></SPAN>&nbsp;</P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-outline-level: 1"=20
align=3Djustify><B style=3D"mso-bidi-font-weight: normal"><SPAN=20
style=3D"FONT-SIZE: 18pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB">Leonardo=20
Sciascia=92s Defiance: </SPAN></B><B style=3D"mso-bidi-font-weight: =
normal"><SPAN=20
style=3D"FONT-SIZE: 14pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB">Literature,=20
History, Politics<?xml:namespace prefix =3D o ns =3D=20
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></B></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center"=20
align=3Djustify><B style=3D"mso-bidi-font-weight: normal"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3></FONT></o:p></SPAN></B></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: center; =
mso-outline-level: 1"=20
align=3Djustify><FONT size=3D3><B style=3D"mso-bidi-font-weight: =
normal"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB">University=20
College London, </SPAN></B><B style=3D"mso-bidi-font-weight: =
normal"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB">6-7 November=20
2009</SPAN></B></FONT></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: center; =
mso-outline-level: 1"=20
align=3Dcenter><B style=3D"mso-bidi-font-weight: normal"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
face=3DArial size=3D3></FONT></SPAN></B>&nbsp;</P><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3><o:p>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify; tab-stops: =
177.2pt"><FONT=20
size=3D3><SPAN=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB">Confirmed=20
keynote speakers :<SPAN style=3D"mso-tab-count: 1"> </SPAN><SPAN=20
style=3D"mso-tab-count: 1"></SPAN>Prof Joseph Farrell (University of =
Strathclyde);=20
</SPAN><SPAN lang=3DIT=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: 'Arial','sans-serif'">Prof =
Salvatore Lupo=20
(Universit=E0 di Palermo)</SPAN></FONT></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify; tab-stops: =
177.2pt"><SPAN=20
lang=3DIT=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: =
'Arial','sans-serif'"><o:p></o:p></SPAN>&nbsp;</P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify; tab-stops: =
177.2pt"><SPAN=20
lang=3DIT style=3D"FONT-SIZE: 11pt; FONT-FAMILY: =
'Arial','sans-serif'"><FONT=20
size=3D3>Conference organizers:&nbsp;Dr Lucia Rinaldi</FONT><FONT =
size=3D3>;=20
</FONT></SPAN><SPAN=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; =
mso-fareast-language: IT; mso-bidi-language: AR-SA"><FONT=20
size=3D3>Dr Florian Mussgnug</FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify; tab-stops: =
177.2pt"><SPAN=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; =
mso-fareast-language: IT; mso-bidi-language: AR-SA"></SPAN>&nbsp;</P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify; tab-stops: =
177.2pt"><SPAN=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; =
mso-fareast-language: IT; mso-bidi-language: AR-SA"><FONT=20
size=3D3><B style=3D"mso-bidi-font-weight: normal"><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB">The=20
event is free of charge, but places are limited. P</SPAN></B><B=20
style=3D"mso-bidi-font-weight: normal"><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB">lease=20
rsvp Lucia Rinaldi (<A=20
href=3D"mailto:[log in to unmask]">[log in to unmask]</A>) if you wish =
to=20
attend.</SPAN></B><B style=3D"mso-bidi-font-weight: normal"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p></o:p></SPAN></B></FONT></P></SPAN>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify; tab-stops: =
177.2pt"><SPAN=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; =
mso-fareast-language: IT; mso-bidi-language: AR-SA"></SPAN>&nbsp;</P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify; tab-stops: =
177.2pt"><SPAN=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; =
mso-fareast-language: IT; mso-bidi-language: =
AR-SA"></SPAN>&nbsp;</P><SPAN=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; =
mso-fareast-language: IT; mso-bidi-language: AR-SA">
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-outline-level: 1"=20
align=3Dcenter><B style=3D"mso-bidi-font-weight: normal"><U><SPAN=20
style=3D"FONT-SIZE: 16pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB"><FONT=20
size=3D3>Programme<o:p></o:p></FONT></SPAN></U></B></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-outline-level: 1"=20
align=3Dcenter><B><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3></FONT></o:p></SPAN></B></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-outline-level: 1"=20
align=3Dcenter><B><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></B></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-outline-level: 1"=20
align=3Dcenter><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB; =
mso-bidi-font-weight: bold"><FONT=20
size=3D3>All sessions take place in the <STRONG>Haldane Room =
</STRONG>(Wilkins=20
Building), Gower Street<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-outline-level: 1"=20
align=3Dcenter><B style=3D"mso-bidi-font-weight: normal"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3></FONT></o:p></SPAN></B></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-outline-level: 1"=20
align=3Dcenter><B style=3D"mso-bidi-font-weight: normal"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></B></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: =
1"><B=20
style=3D"mso-bidi-font-weight: normal"><U><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>Friday 6 November<o:p></o:p></FONT></SPAN></U></B></P>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: =
1"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>2.30pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Welcome and Introduction<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Florian Mussgnug (University College =
London)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>3.00pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN><B style=3D"mso-bidi-font-weight: normal">Keynote=20
Speech:<o:p></o:p></B></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Salvatore Lupo (University of =
Palermo)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><FONT=20
size=3D3><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN><SPAN lang=3DIT style=3D"FONT-FAMILY: =
'Arial','sans-serif'">=91L'ombra=20
del prefetto Mori. Sciascia garantista=92<o:p></o:p></SPAN></FONT></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><FONT =
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN><o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>4.00pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Coffee Break<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt 3cm; TEXT-INDENT: -3cm; mso-outline-level: =
1; tab-stops: 70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>4.30pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Kathleen LaPenta (Rutgers =
University)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt 3cm; TEXT-INDENT: -3cm; mso-outline-level: =
1; tab-stops: 70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>=91Terms of Engagement: Revolutionizing the Story of=20
Bronte=92<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt 3cm; TEXT-INDENT: -3cm; mso-outline-level: =
1; tab-stops: 70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt 3cm; TEXT-INDENT: -3cm; mso-outline-level: =
1; tab-stops: 70.9pt"><FONT=20
size=3D3><SPAN lang=3DIT style=3D"FONT-FAMILY: =
'Arial','sans-serif'">5.00pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Serena Todesco </SPAN><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB">(University</SPAN><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"> College=20
Cork)<o:p></o:p></SPAN></FONT></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt 70.9pt; TEXT-INDENT: -3cm; =
mso-outline-level: 1; tab-stops: 70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><FONT =
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>=91La religiosit=E0 sciasciana: alcune riflessioni scaturite da =
<I=20
style=3D"mso-bidi-font-style: normal">Dalle parti degli=20
infedeli=92</I><o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt 3cm; TEXT-INDENT: -3cm; mso-outline-level: =
1; tab-stops: 70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt 3cm; TEXT-INDENT: -3cm; mso-outline-level: =
1; tab-stops: 70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>5.30pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Judith Harris (Journalist and =
Writer)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN><o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p></o:p></SPAN><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>7.30pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Conference Dinner =96 Tas Bloomsbury<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify; tab-stops: =
177.2pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><B=20
style=3D"mso-bidi-font-weight: normal"><U><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>Saturday 7 November<o:p></o:p></FONT></SPAN></U></B></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><B=20
style=3D"mso-bidi-font-weight: normal"><U><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><SPAN=20
style=3D"TEXT-DECORATION: none"><FONT=20
size=3D3></FONT></SPAN></o:p></SPAN></U></B></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><FONT =
size=3D3>9.30am<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Rossana Dedola (Scuola Normale Superiore di=20
Pisa)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><FONT =
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>=91<I style=3D"mso-bidi-font-style: normal">Todo Modo</I> e la =
pittura della=20
verit=E0=92<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>10.00am<SPAN=20
style=3D"mso-tab-count: 1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Andrea Pera (Independent Scholar)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt 70.9pt; TEXT-INDENT: -70.9pt; =
mso-outline-level: 1; tab-stops: 70.9pt"><FONT=20
size=3D3><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN><SPAN lang=3DIT style=3D"FONT-FAMILY: =
'Arial','sans-serif'">=91La=20
narrativa di Sciascia durante gli anni del compromesso storico: dalla =
denuncia=20
di <I style=3D"mso-bidi-font-style: normal">Todo Modo</I> alla =
disillusione di <I=20
style=3D"mso-bidi-font-style: =
normal">Candido=92</I><o:p></o:p></SPAN></FONT></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>10.30am<SPAN=20
style=3D"mso-tab-count: 1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Mariano D=92Amora (Royal Holloway, University of=20
London)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><FONT=20
size=3D3><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN><SPAN lang=3DIT style=3D"FONT-FAMILY: =
'Arial','sans-serif'">=91<I=20
style=3D"mso-bidi-font-style: normal">L=92Onorevole</I>, metafora =
espressiva della=20
letteratura civile di Sciascia=92<o:p></o:p></SPAN></FONT></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>11.00am<SPAN=20
style=3D"mso-tab-count: 1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Ilaria De Seta (Independent Scholar)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm -35.5pt 0pt 0cm; mso-outline-level: 1; tab-stops: =
70.9pt"><FONT=20
size=3D3><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN><SPAN lang=3DIT style=3D"FONT-FAMILY: =
'Arial','sans-serif'">=91Sciascia=20
e Borgese: ritratto o autoritratto?=92<o:p></o:p></SPAN></FONT></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>11.30 am<SPAN=20
style=3D"mso-tab-count: 1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</SPAN>Coffee=20
Break<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>12.00 <SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;=20
</SPAN><B style=3D"mso-bidi-font-weight: normal">Keynote=20
Speech:</B><o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Joseph Farrell (University of =
Strathclyde)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoPlainText=20
style=3D"MARGIN: 0cm 0cm 0pt 3cm; TEXT-INDENT: -3cm; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB"><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>=91</SPAN><SPAN lang=3DIT=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Arial','sans-serif'">Judging=20
Sciascia=92<o:p></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>1.00pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Lunch <o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><FONT =
size=3D3>2.00pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Alessandro Marini (University of Olomouc) =
<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm -28.4pt 0pt 70.9pt; TEXT-INDENT: -70.9pt; =
mso-outline-level: 1; tab-stops: 70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><FONT =
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>=91Sciascia on Screen, tra pamphlet e thriller: <I=20
style=3D"mso-bidi-font-style: normal">Porte aperte </I>e <I=20
style=3D"mso-bidi-font-style: normal">Una storia=20
semplice=92<o:p></o:p></I></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>2.30pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Daragh O=92Connell (University College =
Cork)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>=91Anthologizing Sicily: Sciascia=92s Essays, Prefaces and=20
Anthologies=92<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
lang=3DIT style=3D"FONT-FAMILY: 'Arial','sans-serif'"><FONT =
size=3D3>3.00pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Lucia Rinaldi (University College =
London)<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><FONT=20
size=3D3><SPAN lang=3DIT style=3D"FONT-FAMILY: =
'Arial','sans-serif'"><SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN></SPAN><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB">=91Sciascia=20
&amp; Camilleri=92<o:p></o:p></SPAN></FONT></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><FONT=20
size=3D3>3.30pm<SPAN=20
style=3D"mso-tab-count: =
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</SPAN>Closing remarks<o:p></o:p></FONT></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: =
EN-GB"><o:p><FONT=20
size=3D3>&nbsp;</FONT></o:p></SPAN></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; mso-outline-level: 1; tab-stops: =
70.9pt"><FONT=20
size=3D3><I style=3D"mso-bidi-font-style: normal"><SPAN=20
style=3D"FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB">We =
would=20
like to thank the Department of Italian at UCL, the Society for Italian =
Studies=20
(SIS) and the Association for the Study of Modern Italy(ASMI) =
for</SPAN></I><I=20
style=3D"mso-bidi-font-style: normal"><SPAN=20
style=3D"FONT-SIZE: 11pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-ansi-language: EN-GB">=20
their support.<o:p></o:p></SPAN></I></FONT></P>
<P class=3DMsoNormal=20
style=3D"MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify; tab-stops: =
177.2pt"><FONT=20
size=3D2></FONT></SPAN></o:p></FONT></SPAN></P></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>---------------------------------<BR>Dr =
Lucia=20
Rinaldi<BR>Teaching Fellow<BR>Department of Italian<BR>University =
College=20
London<BR>Gower Street<BR>London WC1E 6BT</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>email <A=20
href=3D"mailto:[log in to unmask]">[log in to unmask]</A><BR>Tel&nbsp; =
+44 (0)=20
20 7679 3022<BR>Fax&nbsp; +44 (0) 20 7209 =
0638</FONT></DIV></BODY></HTML>
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