kasper I think It vARies iN itS IMPORtance. for sure. there is some;thing c logged/ in how people R ATTached to those initial uprights, consistencies etc but I always (well in once in a while) as myself I mean ask myself did People in the 18th century think in all those mercantile-capitalised Nouns? do Germans likewise? best bright and shiny in the morn dave 2009/6/18 kasper salonen <[log in to unmask]> > I have a personal interest in this general subject, since I stopped > capitalising quite soon in my poetry. I've also thought a lot about that > phenomenon, in poetry in general but mostly as it applies to what I > produce. > I might come up with a more sober answer when it isn't three o'clock in the > morning. > > KS > > 2009/6/16 Anny Ballardini <[log in to unmask]> > > > I found the following by browsing on the net: > > > > Alberto Rios, Department of English, Arizona State University > > > > http://www.public.asu.edu/~aarios/resourcebank/capitalizing/< > http://www.public.asu.edu/%7Eaarios/resourcebank/capitalizing/> > > > > American poets often stopped capitalizing their lines beginning loosely > > with > > the second half of the 20th Century, a period generally associated with > > free > > verse. > > > > Why poets even did this has essentially been lost to us, beyond the > > historicity of being able to say that poets just always did this. > > > > The idea of a breath being taken, or a dramatic point being made, may > also > > be a useful consideration in trying to understand line breaks. > > > > by Darksied on everything2: > > http://everything2.com/title/Capitalization%2520in%2520poetry > > > > capitalization stems from the necessity to > > emphasize<http://everything2.com/title/emphasize>particular words or > > phrases on paper that were accented by the speaker that > > the stories were taken from. > > > > This way of looking at an author's works was brought about by E. E. > > Cummings<http://everything2.com/title/E.%2520E.%2520Cummings>at a time > > when there was a formatting standard being developed. It was he > > that aided in stopping that trend <http://everything2.com/title/trend>. > > > > > > Undoubtedly the most complete answer is by Baron Wormser and Daivd > Cappella > > in Teaching the Art of Poetry > > > > > > > http://books.google.com/books?id=oBj4n3Fb0dMC&pg=PA85&lpg=PA85&dq=poetry+capitalization+why&source=bl&ots=5ChRHSShYW&sig=ddI93g8rKc8TukRQDEJVFMQjI-E&hl=en&ei=Lng3St_hOo6c_AbotOjdDQ&sa=X&oi=book_result&ct=result&resnum=10#PPP1,M1 > > > > > > In fact, the convention of capitalizing the first word of a line was not > > firmly established until the late fifteenth century when William Caxton > > became the first printer of books in England. The capitalizing of the > first > > word in a line hearkens to the roots of the word "verse" (from the Latin > > "versus") which refers to the furrow a plow or hoe makes in a field. One > > row > > in a field turns back to another row ("versus" literally means "turning") > > and the lines of a poem were likened to such rows. The beginning of a > "row" > > in a poem was noted by a capital letter. Indeed a poem typically returns > to > > the left margin so that the lines are uniform the way the rows of a field > > are uniform. This may seem far-fetched but it is a convention to which > the > > majority of poets have subscribed over centuries. They like how the > capital > > letter declares a new line; how it increases the sense of the ine as a > > distinct, rhythmic unit; and how it promotes a uniformity that igves the > > poem a decidedly polished look. No vagaries need apply. > > Many poets to not adhere to this convention. [...] > > This attitude toward capital letters in poetry, has become common and was > > pioneered by e.e.cummings in the 1920s. > > > > -- > > Anny Ballardini > > http://annyballardini.blogspot.com/ > > http://www.fieralingue.it/modules.php?name=poetshome > > http://www.lulu.com/content/5806078 > > http://www.moriapoetry.com/ebooks.html > > I Tell You: One must still have chaos in one to give birth to a dancing > > star! > > Friedrich Nietzsche > > > -- David Bircumshaw "Nothing can be done in the face of ordinary unhappiness" - PP Website and A Chide's Alphabet http://www.staplednapkin.org.uk The Animal Subsides http://www.arrowheadpress.co.uk/books/animal.html Leicester Poetry Society: http://www.poetryleicester.co.uk