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medieval-religion: Scholarly discussions of medieval religion and culture On the subject of gestures; one of the wall-paintings uncovered in St Teilo's church, south Wales, shows an angel in one of the window reveals (each window had an angel on one side and a saint on the other). The angel in question - see attachment showing a replica painting of the original - has its [assuming that an angel is neither a 'he' or a 'she'] right hand raised across its chest and left hand pointing downwards. the pose might suggest that it is holding/playing an instrument, but there was no evidence of such an item. Do the positions of the hands signify anything specific? Was it a recognised gesture? The saint on the opposite reveal was St roche. Gerallt ________________________________ From: medieval-religion - Scholarly discussions of medieval religious culture [mailto:[log in to unmask]] On Behalf Of jill stevenson Sent: 22 June 2009 13:22 To: [log in to unmask] Subject: [M-R] CFP: Exploring Performative Gestures in the Middle Ages (9/15/09; Medieval Congress in Kalamazoo, May 2010) medieval-religion: Scholarly discussions of medieval religion and culture Exploring Performative Gestures in the Middle Ages International Medieval Congress in Kalamazoo, Michigan 13-16 May 2010 Recent work by David McNeill suggests that gestures do not merely support or illustrate speech, but that they play a crucial role in creating thoughts and ideas. Research in cognitive psychology that explores embodied thought affirms this suggestion. But McNeill's conclusions also echo conceptualizations of gesture that were pervasive throughout the medieval world. In the Middle Ages, gestures did not simply make abstractions concrete, but they were also expected to give ideas, relationships, agreements, promises, and theologies actuality and reality; gesture constituted a fundamental way to make meaning in both formal and informal settings. This panel invites papers that explore how gestures and their performances functioned throughout medieval cultures. The panel welcomes diverse approaches to gesture that explore how we might identify, reconstruct, and theorize the value of gesture across a range of medieval contexts. Such contexts might include plays, spectacles, literature, devotion, music, art images and objects, domestic life, royal rituals, legal practices, courtship, warfare, professional negotiations, etc. The panel's organizer welcomes work from all medieval periods and geographic regions. Submission Details: Submit one-page abstracts and contact information to Jill Stevenson at [log in to unmask]<mailto:[log in to unmask]> no later than September 15, 2009. ********************************************************************** To join the list, send the message: join medieval-religion YOUR NAME to: [log in to unmask] To send a message to the list, address it to: [log in to unmask] To leave the list, send the message: leave medieval-religion to: [log in to unmask] In order to report problems or to contact the list's owners, write to: [log in to unmask] For further information, visit our web site: http://www.jiscmail.ac.uk/lists/medieval-religion.html YMWADIAD Mae pob neges ebost a anfonir i neu gan Amgueddfa Cymru yn cael ei sganio gan systemau diogelwch awtomatig er mwyn rheoli negeseuon digymell a dileu cynnwys amhriodol neu beryglus. Cafodd y neges hon ei sganio am firysau cyn ei hanfon, ond dylech hefyd fodloni’ch hun bod y neges, a phob atodiad ynddi, yn rhydd o firysau cyn ei defnyddio gan nad yw’r Amgueddfa’n derbyn cyfrifoldeb am unrhyw golled neu ddifrod o ganlyniad i agor y neges neu unrhyw atodiadau. Gall y neges hon ac unrhyw ffeiliau a atodir ynddi gynnwys gwybodaeth gyfrinachol a fwriadwyd ar gyfer y derbynnydd yn unig. Os ydych chi wedi derbyn y neges trwy gamgymeriad, rhowch wybod i ni a dilëwch y neges. Safbwyntiau personol yr awdur yw’r safbwyntiau a fynegir yn y neges hon, ac nid ydynt o reidrwydd yn cynrychioli safbwyntiau’r Amgueddfa. Nid yw’r Amgueddfa’n atebol am unrhyw wallau, llygredd neu esgeulustod a allai godi wrth drosglwyddo’r neges hon, felly peidiwch â dibynnu ar y cynnwys heb ofyn am ganiatâd ysgrifenedig. 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