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** The Music and Science list is managed by the Institute of Musical Research (www.music.sas.ac.uk) as a bulletin board and discussion forum for researchers working at the shared boundaries of science and music. **

MESSAGE FOLLOWS:



Apologies, a couple of mistakes in the previous email. It is on  
Tuesday and will be Laurent this time, not Guillaume. Take two:

Dear all,

Next Tuesday 2 June, at 3pm, Laurent Daudet will present the seminar  
Less is more: sparse representations for audio.

The seminar will take place in room 105 in the Electronic Engineering  
Department, Queen Mary University of London, Mile End Road, London E1  
4NS. Directions of how to get to Queen Mary are available at http://www.elec.qmul.ac.uk/research/seminars/ 
  as are details of future seminars. The room is under access control,  
so people from outside QM will need to contact C4DM to get in - the  
lab phone number is +44 (0)20 7882 5528 and if I'm not available,  
anyone else in the lab should be able to help. If you are coming from  
outside Queen Mary, please let me know, so I can make sure no-one's  
stuck outside the doors.

All are welcome to attend. For those unable to attend a video  
recording of the seminar should be available on the above website  
after a few days.

If you wish to be added to / removed from our mailing list, please  
send me an email and I'll be happy to do so.


Tuesday's seminar (2 June 3pm):

Title:
Less is more: sparse representations for audio

Speaker:
Laurent Daudet
Musical Acoustics Group, D'Alembert Institute for Mechanical  
Engineering, University Pierre-and-Marie-Curie - Paris 6


Abstract:
This talk will be focused on signal modeling using sparse  
decompositions in overcomplete dictionaries, with a strong focus on  
audio signals. In such models, a signal is approximated by combining a  
small number of elementary waveforms ("atoms"), taken from a very  
large collection ("dictionary"). This provides extra flexibility (e.g.  
apparently avoids time-frequency resolution constraints) but comes  
with increased complexity over standard Fourier-based analysis. Greedy  
techniques have however been developed that provide near-optimal  
decompositions in reasonable computational cost, i.e. applicable on  
large-scale multimedia databases. After a general overview, I will  
discuss recent applications that takes advantage of sparsity,  
combining scalable audio coding with Music Information Retrieval  
applications.


Bio:
Laurent Daudet is Associate Professor at the Pierre-and-Marie-Curie  
University (UPMC aka Paris 6), France. He's also Visiting Senior  
Lecturer at Queen Mary University of London. After a physics education  
at the Ecole Normale Superieure, Paris, France, he received a Ph.D.  
degree in applied mathematics from the Universite de Provence,  
Marseille, France, in 2000. In 2001 and 2002, he was an EU Marie Curie  
Post-doctoral Fellow with Prof Mark Sandler at the Centre for Digital  
Music at Queen Mary University of London. Since 2002, he has been  
working at UPMC where he joined the Musical Acoustics Laboratory  
(LAM), now part of the D'Alembert Institute for mechanical  
engineering. He is author or coauthor of over 70 publications on  
various aspects of digital audio signal processing. His research  
focuses mainly on applications of sparse signal processing for the  
analysis and synthesis of audio signals.



Tim Murray Browne

--
Centre for Digital Music (C4DM)
Electronic Engineering Department
Queen Mary, University of London
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Tel: +44 (0)20 7882 5528
Fax: +44 (0)20 7882 7997

C4DM Web-site : http://www.elec.qmul.ac.uk/digitalmusic/index.html