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Re: Invitation to Caucus on Organization, Art and AesthetThis might fit well: This monday (!) a PhD has had its viva in Essex, by Achilleas Kouriyannis, (Heather Hoepfl supervised) using Stanislawski, Brecht and the acting / authenticity question in organisations. For anyone who is interested (((-: Henrik -----Ursprüngliche Nachricht----- Von: Aesthetics, Creativity, and Organisations Research Network [mailto:[log in to unmask]]Im Auftrag von Vincent Degot Gesendet: Freitag, 15. Mai 2009 16:03 An: [log in to unmask] Betreff: Re: ?authenticity? definition Jürgen, may be you could have a look at the work of Stanislavski "the training of the actor", "the construction of the character" (free translation from French!) which led to the actor's studio best Vincent ---------------------------------------------------------------------------- -- De : Aesthetics, Creativity, and Organisations Research Network [mailto:[log in to unmask]] De la part de Jürgen Bergmann Envoyé : vendredi 15 mai 2009 15:56 À : [log in to unmask] Objet : Re: ?authenticity? definition Merci Rochelle for the information. But what I'm looking for, was something else. It turned around the construction of authenticity. As an example served a musician, I think Meredith Monk. (I'm not sure.) It was more connected to the topic of branding. The information was communicated in relation to the announcement of a book, an article or call for papers. Nobody else knows something about? This would be really sorry. Best Jürgen ----- Original Message ----- From: Rochelle Mucha To: 'Jürgen Bergmann' ; [log in to unmask] Sent: Thursday, May 14, 2009 3:43 PM Subject: ?authenticity? definition Jurgen I am not sure what definition or context you are looking for…but I might have posted the definition of “authenticity” as one of the elements of Aesthetic Intelligence. I devote a chapter to the discussion of Authenticity in my book which should be available late June 2009. Below is an excerpt from that paragraph. Perhaps it will ignite your memory or address your query. ….All this leads to the definition of authenticity as it relates to AeI©. Authenticity is intentional characterization, thinking and preparing for whom you have to be, for that audience, for that purpose, at that time. Whether it is the good morning salutation, a staff meeting, an executive briefing or a sales call, you must be believable. Pine and Gilmore conclude that “multiple roles are required in today’s changing productions” [2]. Becoming intentional—that is, getting into character provides purpose. Like an actor, this is a deliberate process to interact, to perform at the highest level, and it is how you earn the label of being authentic. (excerpt from Aesthetic Intelligence: Reclaim the Power of Your Senses) Rochelle Rochelle T. Mucha Ph.D. o.770.649.8203 f.770.649.9898 m.770.367.1779 [log in to unmask] http://www.businessasperformanceart.com From: Aesthetics, Creativity, and Organisations Research Network [mailto:[log in to unmask]] On Behalf Of Jürgen Bergmann Sent: Thursday, May 14, 2009 4:14 AM To: [log in to unmask] Subject: ?authenticity? Dear Aacorners, just a question concerning a information which circulated through our network some time ago. I don't know exactly when and I don't remember who. The topic was, I think: The construction of authenticity within the context of marketing (or something like that). Who dit sent this information? What was it exactly? I would be very happy if I could find again that information and/or discuss and exchange around that topic. Best Jürgen