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re: "moment," could this refer to the convergence between or among individual life-experiences and discursive shifts, resulting in re-framing. Performance can heighten this re-framing opportunity by articulating discourse more explicitly through theatricality in multiple genres, e.g., Nora's door slam in A Doll's House, Deavere Smith's curatorial selection and juxtapostion of monologues, etc. Jeff Friedman Dance/Rutgers > A powerful reference I use in looking at the 'moment' is David > Applebaum's The Stop. SUNY Press, 1995. > > Warren Linds > >> >> >> ------------------------------------------------------------------------ >> >> *From:* Performative Social Science >> [mailto:[log in to unmask]] *On Behalf Of *nigel short >> *Sent:* Friday, April 10, 2009 5:30 AM >> *To:* [log in to unmask] >> *Subject:* soem help >> >> >> >> Dear all >> I am working on a piece that considers what DEnzin and Lincold refer >> to as the different 'moments' in qualitative research. I am wondering >> where perfomative approaches might begin to make their contributions? >> I have an idea that even though Denzin and Lincilns work implies a >> tight linear chronology that this is not neccasarily representative of >> the continuous blurs and tensions that continue to persist. >> I would welcome any comments >> Best for a holiday break (if you have one) >> nigel >> >> ------------------------------------------------------------------------ >> >> Get the New Internet Explore 8 Optimised for MSN. Download Now >> <http://extras.uk.msn.com/internet-explorer-8/?ocid=T010MSN07A0716U> >> >