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The Hardcore Continuum? A discussion Presented by the Centre for Cultural Studies Research, University of East London In association with The Wire (www.thewire.co.uk) --------------------- April 29th 2009 2:00pm-6:00pm UEL Docklands Campus (Cyprus DLR) Room wb.1.01 For full travel details see: http://www.uel.ac.uk/about_uel/why_uel/docklands.htm http://www.uel.ac.uk/about_uel/why_uel/travelwise.htm#docklands Room wb.1.01is located on the first floor of the West Building (the building to the right upon entering the main square from Cyprus DLR) --------------------- Simon Reynolds'’ commentary on the ‘'hardcore continuum'’ - the mutating sequence of dancefloor music to have emerged from the breakbeat hardcore matrix of the early 1990s - has recently generated intense debate in the musical blogosphere. What is the value of this concept? Does it still usefully describe the context from which dynamic new beat musics emerge? Can the conditions of creativity in the 1990s be replicated in the era of web 2.0? Should we even want them to be? Speakers: Mark Fisher (K-Punk), Alex Williams (Splintering Bone Ashes), Steve Goodman (Kode 9), Lisa Blanning (The Wire), Dan Hancox (Guardian, New Statesman), Kodwo Eshun (Author of More Brilliant than the Sun), Joe Muggs (Mixmag, The Wire), Jeremy Gilbert (Co-author of Discographies) Attendance is free but pre-registration is recommended. For info or to register contact [log in to unmask]