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Hi Armin On the Leonardo/Olats web site (http://www.olats.org), we have published the following, it is free access : - All the proceedings of the Space and the Arts Workshops (at least the texts sent by their authors), in English - The proceedings of the Lisibility-Visibility of Space Art, Art and Zero G., in French and English - The proceedings of the Artmedia VIII conf "From Aesthetics of Communication to Net art", all texts in French, some in translation in English - 2 "books" : one on multimedia art, one on digital literature, in French - Several texts in the Etudes et Essais section, among which the "historical" texts from the 80's by Edmond Couchot, in French - the whole "Pioneers & pathbreakers" project, in French (except one or 2 texts) and much more .... I would be happy to have one text submitted by you to this (some)thing done by Leonardo. Note, however, that even if the access to those publications are for free online, we still have some committee reviews before accepting them. Look if some of the topics we are addressing are of interest to you, and if not, we have the Etudes & Essais section where we publish without specific topics. Note also, that on Olats we priviledge things in French or bilingual, but it would be interesting to have a proposal by you in French, translating is also dissemination.... However ... we don't have money to pay for the translations ... But may be there is some translation/translators systems where you can have it translated for free. I don't know about it (would love it by the way ....translations are real costs and an obstacle to publishing and dissemination of knowledge). Best Annick Armin Medosch wrote: >Hi list > >the problem is, I can never submit a paper to anything done by Leonardo >because they adhere to the old copyright regime. I have made a decision, >that everything i write is published freely and should be available on >the internet without charge. now has this anything to do with FOSS? > >regards >Armin > > >On Tue, 2008-04-29 at 17:03 +1000, Sean Cubitt wrote: > > >>Apologies for cross posting >> >>MEDIA ART HISTORY 09 >>Re:live >>Third International Conference on the Histories of Media Art, Science and >>Technology >>Melbourne 26-29 November 2009 >> >>Call For Papers Deadline 19th December 2008 >>http://www.mediaarthistory.org >> >>Sponsored by Leonardo and the Victorian College of the Arts (University of >>Melbourne) >> >>Following the success of Media Art History 05 Re:fresh in Banff and Media >>Art History 07 Re:place in Berlin, Media Art History 09 Re:llve in Melbourne >>will host three days of keynotes, panels and poster sessions Media Art >>History 09 - Re:live, a refereed conference, is calling for papers, panels >>and posters on the histories of digital, electronic and technological media >>arts. With the theme of Re:live we are especially interested in expanding >>the range of topics to include sustainability, live arts and the >>technological arts of life, both organic and nonorganic. >> >>How do the media arts change? Through innovation, accident, discovery, >>mutation or crisis? How did contemporary media arts come to look and sound >>like they do? What options and potentialities and eccentricities in the >>history of media have been lost or overlooked or suppressed? What hopes have >>been realised and which dashed? What is the history of speculation on >>alternate histories, and how have they altered the course of media art >>history? >> >>Participants are asked to address at least one the following areas in their >>abstract: >>- histories of the art-science-technology connection in particular works, >>careers, exhibitions and institutions, especially in national and regional >>perspective >>- histories of biology, the life sciences and bioart in relation to media >>arts >>- histories of the environment, environmental sciences, ideas of >>sustainability and ecology in the discourses and practices of media arts >>- histories of liveness and performance in relation to media arts theory and >>practice, including network performance, multimedia performance and the >>relation of media to the histories of theatre >>- histories of the life of machines, cyborgs, virtual communities and the >>arts of transmission >>- histories of the liveness of real-time arts and art-science-technology >>collaborations in such areas as earth sciences, meteorology and astronomy >>- histories of innovation, accident, discovery, and speculation on >>alternative futures in media arts >> >>We particularly wish to encourage presentations from and about these >>histories in the Asia-Pacific region. Proposals are welcomed from artists, >>curators, arts organisers and researchers in media, art history, performance >>studies, literature, film, and science and technology studies. >> >>Selected papers from the conference will be published in Leonardo (MIT >>Press). We are negotiating with academic presses for one or two anthologies >>from the conference. >> >>Submissions: A dedicated website with updates and online paper submission >>system is available at http://www.mediaarthistory.org. Abstracts of >>proposals, panel presentations and posters should be submitted in either >>text, RTF, PDF or Word formats >> >>Deadline for 200 word abstracts: 19th December 2008. Please submit proposals >>at >>http://moodle.donau-uni.ac.at/relive/openconf.php >> >>Sean Cubitt and Paul Thomas, conference co-chairs. >> >>Prof Sean Cubitt >>[log in to unmask] >>Director, Media and Communications Program >>Faculty of Arts >>Room 127 John Medley East >>The University of Melbourne >>Parkville VIC 3010 >>Australia >> >>Tel: + 61 3 8344 3667 >>Fax:+ 61 3 8344 5494 >>M: 0448 304 004 >>Skype: seancubitt >>http://www.culture-communication.unimelb.edu.au/media-communications/ >>http://homepage.mac.com/waikatoscreen/seanc/ >>http://seancubitt.blogspot.com/ >>http://del.icio.us/seancubitt >> >>Editor-in-Chief Leonardo Book Series >>http://leonardo.info >> >> >> > > >