PUBLISHING
JUNE 2008
Identity
Theft
Cultural
Colonisation and Contemporary Art
edited by
Jonathan Harris
Identity
Theft examines the complex socio-political forces that powerfully
influence the production of visual art in our postcolonial and globalised
world. Offering multiple and detailed case-studies drawn from around the world
– the work of exiled Iranian and Palestinian artists, contemporary art in
Turkey, the architectural reconstruction of Berlin since World War Two, hybrid
urban development in Latin American countries, recent film in India, modern art
in Nigeria, and wood sculpture in New Guinea commissioned by multinational
mining companies – this collection of essays asks questions about the
transformed meanings of ‘art’ and ‘identity’ in an era
dominated by a hyperinternationalisation of cultural production.
Identity
Theft is essential reading for all students and academics interested in
the fate of modern art and the prospects for future cultural production in a
globalised art world economy.
For further information or
to order this book please click
here
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