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CALL FOR PAPERS Submissions are invited for an edited collection on director, writer, photographer, cultural commentator, and critic Ken Russell. Edited by Kevin M. Flanagan and tentatively called KEN RUSSELL: RE-VIEWING BRITAIN'S LAST MANNERIST (to be published by Scarecrow Press), this anthology will focus on new interpretations of Russell's work. Once a sensational fixture of the public sphere, Russell seemingly fell into obscurity, only recently re-emerging as a prescient, respected voice of British film culture. Why (and for what reasons) has Russell's work been marginalized? What emerging methodological approaches could be brought to bear on his films, from the traditionally celebrated (ELGAR, THE DEVILS, and ALTERED STATES) to the generally maligned (MINDBENDER, THE FALL OF THE LOUSE OF USHER, and CRIMES OF PASSION)? Potential topics could include: - The director as superstar: Russell's star persona since CELEBRITY BIG BROTHER - Russell's films under Thatcher and Blair - Aesthetic and cultural analysis of Russell's fashion photography - Historical research on his varied short films for Huw Weldon's MONITOR - A comparison between his prose fiction (MIKE AND GABY'S SPACE OPERA, BRAHMS GETS LAID, DELIUS: A MOMENT WITH VENUS, etc) and his films - Russell and genre. How do his films engage, define, or upturn contested film genres (horror, the biopic, the costume drama)? - Russell after auteurism. How can films by Ken Russell be understood in light of post-structuralism, postmodernism, and the cultural turn? - Russell's adaptations. Can Russell's celebrated Lawrence films be better served by recent re-orientations in adaptation studies? - Pieces on Russell's films which have been excluded from extant scholarly, historical, and critical consideration (much of Russell's work for the SOUTH BANK SHOW, his recent "amateur films," and on) Submit submission proposals by April 30, 2008. Send 400-900 word abstracts and a CV to kmflanag at ncsu dot edu OR kevmflanagan at gmail dot com Kevin M. Flanagan North Carolina State University -- Iain Robert Smith Institute of Film and Television School of American and Canadian Studies University of Nottingham University Park NG7 2RD