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medieval-religion: Scholarly discussions of medieval religion and culture

John,
I'm far from being an expert in masonry structure, but I don't think that structural 
weaknesses, if they existed, would necessarily show up in the crypt or even at ground level: 
they might just as well have manifested themselves as deformations in the vaults or upper 
walls -- difficult to know since all reconstructions of the upper parts of Suger's hemicycle are 
speculative (the arrangement at Vezelay is often cited as a probable close copy).  Even as 
things stand now, the supports of the hemicycle are far from beefy and probably carried 
symbolic weight.  Besides encasing the Carolingian crypt, Suger actually had columns from 
the Carolingian church incorporated in his new chevet, and the columnar supports used 
throughout there are not as typical in early Gothic churches as compound piers.  There are 
still many unknowns about Suger's structure, as is pointed out by Christopher Wilson's 
contention in The Gothic Cathedral that Suger's east end originally incorporated flying 
buttresses, which rested on the still apparent broad buttress piers located between the 
chevet chapels; this possibility, to my knowledge, has not received unanimous support 
(although it seems reasonable to me).  
	As you say, the 13th-century rebuilding was certainly somewhat higher than Suger 
built and would have necessitated demolition of some of Suger's elevation, not only for 
structural purposes but also for "aesthetic" demands, since the Rayonnant design of Saint-
Denis is remarkably harmonized and synthetic -- apart from the hemicycle piers and chevet 
which may have been retained, in a spirit comparable to Suger's, for its symbolic value of 
maintaining the venerable identity of the structure.  What I've never been clear about is why 
Suger would have had the old crypt enlarged, since I believe his intention from the beginning 
was to move the relics from the crypt up to the main floor level of the new church.
	In any case, I'm not so sure that there may not have been structural problems with 
Suger's upper parts (we will probably never know for sure), but I think, as well, that you 
should also consider the symbolic importance of at least aspects of the structure of Saint-
Denis.  On Suger's reuse of Carolingian materials in his new east end, see the articles by 
Eric Fernie and Bill Clark in Artistic Integration in Gothic Buildings, ed. Virginia Raguin et al 
(University of Toronto Press, 1995).  I'm not familiar enough with Bruzelius to know if she 
makes similar symbolic claims for the 13th-century building.
Cheers,
Jim Bugslag 


On 22 Aug 2007 at 3:16, John Briggs wrote:

> medieval-religion: Scholarly discussions of medieval religion and
> culture
> 
> jbugslag wrote:
> >
> > A useful, very full, and highly informed overview of fairly recent
> > work on Saint-Denis (and virtually any other major Gothic church)
> > can be found in the copious notes added by Paul Crossley to his
> > revised edition of Paul Frankl, Gothic Architecture (Yale
> > U.P./Pelican, 2000).
> 
> Many thanks, I shall certainly pursue that.  The more I think about
> it, I am convinced that Suger's choir was not completed.  It makes no
> sense to me to carefully dismantle a 'choir' (actually a retrochoir)
> less than a century old, without disturbing the surrounding
> ambulatory.  The older explanation was structural failure, but
> Bruzelius discounts this, and there is no sign of that in the
> ambulatory or the crypt (where I would expect such signs to have
> appeared.)
> 
> An 'outer crypt' had been added in the 9th century to the east end of
> the 8th century church (immediately to the east of the high altar), to
> accommodate pilgrims viewing the relics, etc.  This was more or less
> at ground level.  What Suger did was surround this by his own crypt,
> consisting of ambulatory and chapels, again more or less at ground
> level.  On this platform he built his 'choir', ambulatory and
> radiating chapels. This new 'ground floor' level was thus elevated
> above the level of the high altar. The chevet columns were not aligned
> directly above the corresponding supports in the crypt below, but that
> doesn't seem to have mattered (and wasn't changed in the 13th century
> rebuilding.)  But the columns for the straight portion of the choir
> were positioned over the barrel vault of the crypt ambulatory (which
> seems to be wider than the ambulatory above).  I find this
> structurally dubious, and so did the 13th century masons, who inserted
> supports into the crypt below the columns when rebuilding the choir. 
> Would they have done this if they had just demolished a perfectly
> sound full-height choir?
> 
> I think the 13th century masons found a 'choir' which didn't rise much
> above arcade level - hence their readiness to dismantle it and rebuild
> it to full height and in an up-to-date style, and with stronger
> underpinning, columns and arches - before moving on to build a new
> sanctuary and transepts.
> 
> John Briggs
> 
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