New publication:

 

Byron’s Romantic Celebrity

Industrial Culture and the Hermeneutic of Intimacy

Tom Mole


July 2007 138mm x 216mm

£45 (half price to BARS members until 31/10/07)

1−4039−9993−7

248 Pages Hardback

 

'This superb book provides an adroit analysis of the ways that a

specifically Romantic celebrity culture informs Byron’s oeuvre − from

the 'Frame Bill' ode to Don Juan. Yet it does much more than that. In fact,

Mole manages to recontextualize the entire concept of Romantic fame as

a complex interplay between industrial print culture, historical

individuals, and the readerly paradigms of the era. It is this broader lens

that enables the book to shine new light on such issues as Romantic

subjectivity, authorship, visual iconography, and the nineteenth−century

dialectic between public and private.' − Professor Michael Macovski,

Georgetown University, USA

 

Byron's Romantic Celebrity offers a new history and theory of modern

celebrity. It argues that celebrity is a cultural apparatus that emerged in

response to the Romantic industrialization of print culture and that Lord

Byron should be understood as one of its earliest examples and most astute

critics. Under that rubric, it investigates the often strained interactions of

artistic endeavour and commercial enterprise, the material conditions of

Byron's publications, and the place of celebrity culture in history of the self.

 

List of Figures and Tables − Preface − Acknowledgements − Abbreviated

Titles − Romantic Celebrity − 'An Ode to the Framers of the Frame Bill': The

Embarrassment of Industrial Culture − Childe Harold's Pilgrimage: Beginning

the Hermeneutic of Intimacy − Scopophilia and Somatic Inscription in Byron's

Verse Tales − The Visual Discourse of Byron's Celebrity − The Handling of

Hebrew Melodies Childe Harold Canto Three: Rewriting ReadingDon

Juan: Celebrity and the Subject of Modernity − Envoi − Bibliography − Index

 

TOM MOLE is Assistant Professor of English at McGill University, Canada. He

is the editor of a volume of Blackwood's Magazine 1817−1825 (2006) and has

published articles in Romanticism, the Keats−Shelley Journal, the Byron

Journal and Nineteenth−Century Contexts.

 

www.palgrave.com/bars

 

 

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