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>>The reel changes ARE edits (in the sense of 'cuts'), btw. hmm . . . maybe, maybe not . . . if an edit is understood as any mechanical process of attaching one length of film to another, regardless of what images are on those two lengths of film, then yes, reel changes are ipso facto edits but if we understand editing more phenomenologically as a shift - however big or small - is the perceptual POV provided by two lengths of film where they join, then reel changes of the kind hitchcock employed are not strictly speaking cuts mike . * * Film-Philosophy salon After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosophy to: [log in to unmask] Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html For help email: [log in to unmask], not the salon. * Film-Philosophy journal: http://www.film-philosophy.com Contact: [log in to unmask] **