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> > Zhang Yimou's HERO or THE HOUSE OF FLYING > DAGGERS which signify 'Chineseness' (or 'Sinicity'?) to the world > market and which would indicate that these are films of no genuinely > national origin. > Surely this makes no sense? How can the market of any film remove its national origin, especially when both of the films you mentioned have one? There is also the term "Transcultural" which is part the title of a Postgrad. I will start in September. http://www.soas.ac.uk/studying/courseinfo.cfm?courseinfoid=169 * * Film-Philosophy Email Discussion Salon. After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosophy to: [log in to unmask] For help email: [log in to unmask], not the salon. **