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Some more examples: The Shining, the climactic chase sequence in the labyrinth. Popeye Doyle's (Gene Hackman) heavy breathing during the on-foot chase sequence in The French Connection. It would be interesting to look at breathing in connection with subjectivity/POV as a marker of horror (Halloween might be of interest here). And how about breathing in connection with smoking? There must be lots of examples... H * * Film-Philosophy Email Discussion Salon. After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosophy to: [log in to unmask] Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html For help email: [log in to unmask], not the salon. **