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The MLA Division for the English Renaissance Excluding Shakespeare invites papers for a session on "Renaissance Drama Excluding the Public Theatre: University, Closet, Court" at MLA 2007 (27-30 December in Chicago). How does coterie drama in private venues create its own theatrical language and conventions? What options does its amateur status enable? Please send one to two page abstracts by March 9 to both Maureen Quilligan <[log in to unmask]> and Margaret Hannay <[log in to unmask]>.