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Damn fine.

Frederick Pollack <[log in to unmask]> wrote: Unemployed Elegy

 

 

The mood of a hand,

extended, finding

no returning clasp,

is that of the unemployed elegy. 

 

Soldiers, falling, fall in,

because orders, given and taken,

make order where there is none.

(Their enemies also,

shamefacedly, form ranks,

unnerved by the absence of

seventy virgins 

and some large, responsible voice.)

The multitudinous possibilities

of an afterlife, layer

upon layer of them, blur

into a single lie;

and in its milky light,

the soldiers recite

each his particular –

no leave now, no girl;

no street cred, returning;

no failed farm or suburb; no

job, ever –

in a flat burst like a serial number,

their voices soft and remarkably polite

as they are field-stripped by that milky light.

And the unemployed elegy

barks unnoticed

around their boots, dissolving, like a mascot.

 

Then flies home

among the coffins in a transport plane

always ironically at its disposal,

and thinks it should apply itself

to the middle class;

which is, however, not a class, and lives 

in the middle of nowhere –

ecstatic (which means “standing outside”),

rapt in texture:

the leather bucket seat like eunuchs’ flesh,

the felt of cubicles despair might stroke,

the subtle weave of sheets and grain of pixels,

real or unreachable and hence more real …

A whore at heart, the elegy would feel

pain in these things if asked, but won’t be.

Meanwhile, on either side of the border fence

at sunrise, the very poor

sink back in their crevices;

they can’t afford to see or hear 

this indigent or use its services.

 

So in its usual diner

the elegy consumes itself –

wondering if its extended hand

*was grasped, somehow, by a finger

unnoticeably small and sweet

that will mature into a fist,

beat down the author of all pain

and mourning, and,

like a good son, make its father obsolete.


 			
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