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I appreciate your comment, Fred.  Thanks.

Judy

----- Original Message ----- 
From: "Frederick Pollack" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Thursday, August 10, 2006 6:40 AM
Subject: Re: Bea's Lovely Poetry Workshop


> Very good, Judy.  The last word especially witty, unexpectedly 
> understated.
>
>
> ----- Original Message ----- 
> From: "judy prince" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Wednesday, August 09, 2006 3:18 PM
> Subject: Poem: Bea's Lovely Poetry Workshop
>
>
> Bea's Lovely Poetry Workshop
>
>
> "We've been coming to this workshop for upwards of 6 years now," said 
> Evelyn Utter, "and after last week's workshop we met for tea, coffee, 
> crackers, biscuits and scones at the Buck and Ram.  Once Oliver had gone 
> home, we swiftly came to a decision---not one dissenting vote!"
>
> "Well?  And what was it?" said Bea.
>
> "We want to change everything we've been doing in the workshop to make it 
> more ... interesting."
>
> "I'm all ears!" Bea said, listening with only half an ear.
>
> Evelyn had lost her courage.  After all, she had only written 14 poems in 
> 6 years---which the other participants had told her was because of the 
> boringness of the workshops.  She nudged Angela.
>
> Immensely uncomfortable in confronting The Poetry Authority (which was 
> Bea), Angela nevertheless proclaimed:  "We want things to look at!"
>
> "Like what?"
>
> "I should think a good start would be flowers ... " Angela said, beginning 
> to falter.
>
> "Fine.  Why don't we arrange for one of us to bring flowers from home each 
> week?  That settled?  Ready to do poetry, my dear workshoppers?"
>
> Angela seemed comforted.  But Evelyn was clearly not to be put off so 
> quickly.  "We need more than flowers!" she yelped.  "We need something 
> more than that!"
>
> Bea determined that she would not only make her participants happy, but 
> she would give them quite a surprise.  "Tell you what.  Next week I'll 
> arrange for you to have 'something more than that', and if you're still 
> wanting more, we'll discuss it again."
>
> The participants, in various postures and expressions, relented.  They'd 
> give it a whirl.  Nothing to be lost by seeing what happened next week. 
> They took up their notebooks and scribbled their versions of what had just 
> happened, trying to make it sound poetic.
>
> The following week, Bea came into the bare workshop room with a bouquet of 
> gardenias in a glass vase.  Evelyn and Angela sat in front and exclaimed 
> at the flowers' beauty and fragrance.  You could see that they felt it was 
> fine----but not enough to be 'something more interesting'.
>
> The other three participants came in, followed by a tech person who 
> brought in 5 easels.  He put them in front of each participant's chair, 
> and then brought in a chaise longue which he placed in the center of the 
> room in perfect view of the workshoppers.  Then he left.
>
> The door opened and an arm extended, its fingers holding the tip of a 
> black velvet something.  In came the rest of the person, a red-haired man 
> covered with a full-length cape.  He strolled past the workshoppers toward 
> the room's center, bent and smelled the gardenias, selected one and gave 
> it to Evelyn.
>
> Then he unfastened the braid frog at the cape's top, swished off the cape, 
> twirled it around and flung it onto the chaise longue.  Then he reclined, 
> nude, on the chaise.
>
> Evelyn's gardenia trembled.  Angela gripped her notebook.  No one, not 
> even the naked man, moved.
>
> "We'll have him do 60-second poses first so that we can write or even 
> sketch on the easel with heightened emotions and rapid reactions.  Since 
> we've become such a democratic group of late, perhaps you'll have 
> suggestions as to his poses,"  Bea said and waited.
>
> "Yes, I should think he'd be more comfortable if he had a pillow behind 
> his head," Angela ventured.
>
> She always sat on a cushion brought from home, so she stood, took the 
> cushion to the chaise and placed it under his head.  He thanked her with a 
> gleaming smile.
>
> Evelyn stood up suddenly, walked quickly to the chaise and moved the man's 
> left leg up onto it.
>
> Angela was shocked.  "Don't you think that's a bit forward!"
>
> Evelyn countered, "It's up, not forward."
>
> At last the man spoke:  "I am perfectly comfortable with however you 
> decide to arrange me.  Feel free."
>
> The three other participants rushed up and began arranging the man who was 
> beginning to enjoy himself immensely (as was difficult not to notice).
>
> Bea thought, on balance, that her solution had caught on quite nicely and 
> that her husband wouldn't mind.  He was always a good sport and didn't 
> mind drafts.
>