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i am writing a paper on the act of looking. i am examining sequences in doco where the camera almost ceases to move (save for the fact that it is handheld) when we are looking at images that contain no people. has anyone done any reading on HOW the viewer looks, and then looks further into the frame to find meaning (during the long take) particularly in shots that contain no people/animals. thanks rebecca * * Film-Philosophy Email Discussion Salon. After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosophy to: [log in to unmask] For help email: [log in to unmask], not the salon. **