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Laurent Mannoni: The Great Art of Light and Shadow. Massive, highly 
detailed (pre) history.


On 28 Oct 2006, at 11:28, Sutton, Damian wrote:

>  Cinema relies on photography.

True in an institutional sense, but movies were made (Zoopraxiscopes, 
Zoetropes etc) and are made (digital animations) without photography.



> . Only now that digital photography has released the image from the 
> straightjacket of the celluloid strip can we start to return to the 
> formal explorations that were left behind in the 1890s.

Good idea!

Nicky Hamlyn.
>
> Rant over.
>
> Anyhow, I've just been reading Rebecca Solnit's _River of Shadows_, on 
> Muybridge's experiments, which I have enjoyed and would recommend. 
> There's also Mary Ann Doane's _Emergence of Cinematic Time_. I have 
> some papers too, Eduardo, so if you want to contact me offlist, feel 
> free. I'd be really interested to read your stuff.
>
> best
> Damian
>
> ____________________
>
> Dr Damian Peter Sutton
>
> Research Developer
> School of Fine Art, School of Design, Department of Historical and 
> Critical
> Studies - Tel. 0141 331 1847
>
> Lecturer
> Department of Historical and Critical Studies - 0141 353 4560
>
> The Glasgow School of Art
> 167 Renfrew Street
> Glasgow
> G3 6RQ
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> Fax: +44 (0)141 353 4557
> email: [log in to unmask]
>
> ________________________________
>
> From: Film-Philosophy Salon on behalf of pedro
> Sent: Sat 10/28/2006 01:15
> To: [log in to unmask]
> Subject: RE : early instant photography and early film[Scanned-Clean]
>
>
>
> Giuliana Bruno's work in general would be good for your research,
> especially "Atlas of e-motion"
>
> -----Message d'origine-----
> De : Film-Philosophy Salon [mailto:[log in to unmask]] De 
> la
> part de Eduardo Abrantes
> Envoyé : sexta-feira, 27 de outubro de 2006 20:31
> À : [log in to unmask]
> Objet : early instant photography and early film
>
> Dear list,
>
> I'm preparing a paper mapping connections between early instant
> photography (mid to late 19th century) and the early history of film. I
> would greatly welcome bibliographical suggestions!
>
> Thank you so much,
>
> Eduardo Abrantes
>
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