Thinking about Patricia's observation about Benny's Video in connection
with this strand, both the girl in Benny's Video and Majid in Hidden stand for
the Other, that which is erased, whether by the murderer or by the domainant
culture, in Hidden's case mainstream France. The agricultural methods of
erasure, stun gun, sharp knife, suggests the dehumanization of the Other.
Concerned across a range of films with the attrition of European social
relations and cultures, Haneke chooses weapons that turn the victim into a
thing.
I take the point that the knife does not have to be a culturally
specific way of death. Aside from the peculiarly awful suddenness of
Majid death, as Patricia has stressed, the film makes you wish you could
have got to know Majid better. Still, I suppose by exposing the vacuity of the
Laurents, Haneke has made his point.
Richard