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Do you know Carlo Ginzburg's 1979 essay "Morelli, Freud and Sherlock Holmes: Clues and Scientific Method"? It should be useful to your endeavour. One film noir, a B picture, which deals specifically with a psychoanalyst, dreams, hypnosis, and detective work is Maxwell Shane's FEAR IN THE NIGHT (US 1947), based on a Cornell Woolrich story, "Nightmare" (Woolrich writing under the pseudonym of "William Irish" for reasons of blacklisting/HUAC). The film was remade in 1956 as NIGHTMARE, featuring Kevin McCarthy (who in the same year did INVASION OF THE BODY SNATCHERS) and Edward G. Robinson. The themes of hypnosis - and amnesia, one might add - appear in many other noirs, too. While MIRAGE (Edward Dmytryk, 1964) does not deal with hypnosis, it does so with amnesia, with the protagonist (Gregory Peck), suffering from memory loss after a traumatic experience, seeking out, among others, a shrink for help. Henry * * Film-Philosophy Email Discussion Salon. After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosophy to: [log in to unmask] For help email: [log in to unmask], not the salon. **