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To all:
1) An   note for Dan Shaw's query about the distinction between 
film-philosophy versus film criticism added to previous comments on focus: Film-Philosophy 
avoids sweeping and unsubstatiatable generalizations, whereas this is the meat 
of film criticism. So, besides focus, methodology is the distinguishing 
factor.
2) People who think film is not a language think that the minimum unit is the 
shot.   People who think that its the frame however, can see that in fact 
film is definitely and demonstrably a language, albeit a very young one.   Which 
is it, really?   It's true that the potential of the frame is vastly 
underutilized as yet, but still it's there.   Especially as goes the potential of the 
medium for philosophical investigations - if you don't accept the primacy of 
the frame as a unit of meaning, consider.
Signed,
Hoping to stir up some summer (winter for some) trouble

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