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A couple of years ago there was an exhibition at The British Museum called:
‘The Museum of the Mind’. It was concerned with way in which cultures record
in their traditions, values and beliefs in their artefacts – the way they
are made and decorated and what they represent. The exhibit presented the
museum as more than just a collection of historical objects. It was also a
library of cultural memory.

The rise of digital technology is likely to increase, substantially, our
surrogate memory. We will find ourselves in the position to be reacquainted
second hand,with experiences that have been forgotten. 

In the past this would have been done through a diary, or perhaps a piece of
art. When I was young, my parent’s still camera, with a battery operated
flashbulb, took frozen snapshots of our lives. 

However the camera only came out on special occasions – Birthdays or
Christmas. Film cost money. It had to be sent off to be developed and turned
into slides. Watching these slides involved setting up the projector. There
was a financial burden and a lot of ceremony involved.

The accessibility of digital technology – both the decreasing price, the
portability and the convenience of built-in hard drives as a storage medium,
will lend itself to frequent, spontaneous use. Any footage can be
transferred to other mediums quickly and with very little fuss. 

The less effort required to use a piece of technology, the more likely it is
to be used. This generation may find their lives documented more than any in
the past. As adults, they will have access to a cache of visual and audio
data recording their early years. They will see themselves at the beginning
of their lives – a period that most of us only have sketchy memories of.

Furthermore after they are gone, if the archive is maintained, future
generations will be able to look deep into their family history and see
people, who they never met, in their historical context.

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