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medieval-religion: Scholarly discussions of medieval religion and culture
Macy
,
Gary
Title
The
theo
logi
es
of
the
Euch
aris
t in
the
earl
y
scho
last
ic
peri
od :
a
stud
y of
the
salv
ific
func
tion
of
the
sacr
amen
t
acco
rdin
g to
the
theo
logi
ans,
c.
1080
-c.
1220
/
Gary
Macy
Imprint
Oxfo
rd
[Oxf
ords
hire
] :
Clar
endo
n
Pres
s ;
New
York
:
Oxfo
rd
Univ
ersi
ty
Pres
s,
1984
Maureen A. Tilley
Coordinator of Undergraduate Studies
President, North American Patristics Society
University of Dayton, Department of Religious Studies
Dayton, OH 45469-1530
(937) 229-4564
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| | 09/16/2005 02:37 AM |
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| Subject: [M-R] Real Presence |
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medieval-religion: Scholarly discussions of medieval religion and culture
I asked a question about the presence of bleeding Hosts and the Corpus
Christi(including the crucified body of Christ as represented through the
actor) in medieval plays. So far, I have been considering the doctrine of
Real presence in relation to it. As in Corpus Christi and Jeu de Passion
plays, part of the stipulations being raised inside the plays would be that
the host(s) must bleed and especially produce signs of its transformation
in order to proselytize and convert hardened Jews and pagans. I am
wondering about the extent to which the rule of Real Presence, that the
bread and wine are indeed the Body and Blood of Christ, applies to the
onstage setting with the vital premise of mimesis. Are there any books
which can point me out to the doctrine of Real Presence and its sustained
developments over the course of the Middle Ages?
Thank you very much.
Sincerely,
Kevin Teo
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