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0000,0000,0000From: 0000,0000,0000 [log in to unmask] 0000,0000,0000Subject: 0000,0000,0000 peripheral visions conference 0000,0000,0000 Peripheral Visions: Urban Space and Photography A one day conference taking place at the Sallis Benny Theatre, University of Brighton, Grand Parade, Brighton. Saturday October 29 2005 11.00 – 18.00 This conference will seek to explore aspects of visioning the spaces of the city through photography and the relationships of urban photography to the narrative possibilities offered by film and literature. Through bringing together practising photographers, filmmakers and novelists, the conference will consider in what ways have different mediums contributed to our understanding of the city, and in what ways they might equate with contemporary urban experience. And if the city itself is being fundamentally transformed in the era of globalisation what remains of its previous symbolic value? Thus, whilst the modern city has often been seen as synonymous with its sites of economic, political and cultural power, this conference will attend to the importance of marginal and peripheral urban spaces, and the city’s geographical as well as social ‘edges’ Contributors to the conference: the photographers Mark Power and Rut Blees Luxemburg, the novelist Iain Sinclair, filmmaker and writer Chris Petit, the cultural historian Stephen Barber and writer on photography Joanna Lowry. Conference Fee: £25/ £10 concessions (full-time students/unwaged). Fee includes lunch and morning and afternoon tea/coffee. Payment by cheque only and made payable to ‘University of Brighton’ to be sent to the address below. Contact: David Green, School of Historical and Critical Studies, University of Brighton, 10/11 Pavilion Parade, Brighton, BN2 1RA. Tel: 01273 643014 Fax: 01273 681935 Email: [log in to unmask] Notes on the Contributors Mark Power is one of the UK’s leading documentary photographers and a member of the prestigious Magnum photographic agency. His most recent projects and publications include The Shipping Forecast (1997) The Treasury Project (2002) and Dome (2000). Rut Blees Luxemburg has exhibited her photographs widely both in the UK and abroad and her work has been included in many key exhibitions of contemporary photography. Her practice has very largely focused upon nocturnal images of the city and these feature in the publications London – A Modern Project (1997), ffolly (2003) and Liebeslied/My Suicides (2000) which was transformed into an opera and performed at the ICA, London (2004). Chris Petit is an internationally acclaimed filmmaker. Since his first feature film Radio On (1979) he has written and directed numerous feature films and documentaries for both cinema and television. He has often collaborated with Iain Sinclair, in particular for a trilogy of films made for Channel 4 and on the screen version of London Orbital (2002). He has also published several novels and written on film. Iain Sinclair – novelist, poet and essayist - is regarded as one of the UK’s most inventive writers. Since the publication of his earliest works in the 1970s, the city of London has proved more subject than setting for his writings. His collection of essays Lights Out for the Territory (1997) won wide-spread critical acclaim and brought Sinclair’s work to a wide audience. He has in the past collaborated on projects with the photographer Marc Atkins and the filmmaker Chris Petit. His latest book – Edge of Orison – will shortly be published by Penguin. Stephen Barber is Professor of Media Arts at Kingston University. His books include Fragments of the European City (1995), Extreme Europe (2001), Tokyo Vertigo (2001), and Projected Cities (2002). His forthcoming books include Raw City/The Memory of Europe, a novel Tokyo Slaughterhouse, and a collaboration on a catalogue by the photographer Xavier Ribas, Sanctuario. ‘The Independent Newspaper’ has called him ‘a cultural historian of real distinction’ and ‘most dangerous man in Europe’. Joanna Lowry is Reader in Visual Theory at the University College of the Creative Arts at Maidstone. She has written widely on photography, video and contemporary art for such journals as Creative Camera, Portfolio and Contemporary Visual Arts. She has also published major essays on the work of Jeff Wall, Cindy Sherman, Douglas Gordon and Ori Gehrst. Peripheral Visions: Urban Space and Photography Sallis Benny Theatre, University of Brighton, Grand Parade, Brighton. Saturday October 29 2005 11.00 – 18.00 Booking Form Please reserve me ……..places(s) for the Peripheral Visions conference. I enclose a cheque made payable to the University of Brighton for ………. Name: ……………………………………………………… Institution (if applicable): ………………………………. Address: …………………………………………………... ………………………………………………………………. ………………………………………………………………. ………………………………………………………………. ………………………………………………………………. Tel: …………………………………………………………. E mail: ……………………………………………………... n.b Confirmation of your booking will be made by email (or post if an email address is not supplied. No tickets will be issued. Send this form to: David Green, School of Historical and Critical Studies, University of Brighton, 10/11 Pavilion Parade, Brighton, BN2 1RA.