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Thought you might be interested in responses to contemporary archaeologies by art practitioners. In late March I attended the Locative Media workshop in Helsinki. This brought together a range of media artists (from video artists to database theoreticians to people working with mobile technologies and GPS) plus Mike Pearson, Lotta Svinhufvud and Victor Buchli to collaborate on re-thinking the central railway station in Helsinki. Mike and Lotta did some work on the archaeology of sound, exploring ideas around continuities of sound *artifacts*. Victor was following the cleaners when I last saw him so perhaps he might like to update us. I did a series of timed fieldwalking exercises and photographed and collected everything I could find at floor level (except, i have to admit, the dog poop that happened to be there in my time slot before the very efficient cleaners magicked it away). But the other people involved in the workshop are more broadly involved with questions of location/place and material residue and there is certainly potential for future interesting collaborations between archaeologists and arts-based practitioners (in the UK the work of Louise K Wilson with English Heritage at Spadeadam is noteworthy). Check out http://www.pixelache.ac/locative/. In the Baltic, there's been some interesting work done at Karosta in Latvia. Check out Sara Kolster's and Derek Holzer's work at http://karosta.edworks.net/index.cfm?id=1. The Baltic countries more generally seem particularly active in the interweaving of new media and other arts practices with the standing remains and material culture of the Cold War. And anthropologist Anne Galloway http://www.purselipsquarejaw.org/index.php has also put together interesting material for those of us concerned with the emerging archaeologies of now. I know that Cornelius and Dan are probably more engaged with current practices than I am (see esp. the recently advertised sculpture_archaeology conference), but it certainly seems that just as performativity dominated academic metaphor through the 1990s, archaeology seems like the hot ticket for non-archaeologists at the moment. Something to think about. Angela