Re: Music in Spenser
This lip-loosener was always my
fave, if not Mel Gibson's:
Curse on that Crosse (quoth then
the Sarazin)
That keepes
thy body from the bitter fitŠ.
[note: this message has misspellings; sent
anyway]
I'm a sucker
for the most obvious harmonies. My favorite line (doesn't
everybody have at least one?) has always been "The Eugh obedient
to the bender's will," because I really do sense the combination
of resistance and obedience in the play between the dipthong,
emphasized by orthography, of "eugh" as it modulates into
the long "o" of "obedient," and the remarkable
series of vowells and consonants that follows. I feel both the
bender's will and the eugh's resistant bending together in that
line.
David Lee Miller
Department of
English 543 Boonesboro Avenue
University of
Kentucky
Lexington, Kentucky 40508
Lexington, KY
40506-0027
(859)
257-6965 (858) 252-3680
FAX 323-1072
From: Sidney-Spenser Discussion List
[mailto:[log in to unmask]] On Behalf Of Germaine
Warkentin
Sent: Wednesday, March 03, 2004 1:49 PM
To: [log in to unmask]
Subject: Noises in Spenser
Now here's an idea for a new thread.
I've been reading Northrop Frye's Diaries 1942-1955 as a
prelude to writing the headnotes and introduction to a volume of his
collected works (the "Early Critical Writings, 1933-63"),
and on Monday, March 20, 1950, he writes as follows:
"The graduate group went very smoothly, with a lot of absentees,
but for once I got somewhere near Spenser. It was just the straight
stuff about the rhetorical allegory, or decorum, being largely a
matter of imitative harmony, the sound being an echo of the sense.
Also all of the funny noises in Spenser."
Have we ever given any thought to funny noises in Spenser? If
not, we clearly have some catching up to do. Germaine.
--
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Germaine Warkentin // English (Emeritus)
VC 205, Victoria College (University of Toronto),
73 Queen's Park Crescent East, Toronto, Ont. M5S 1K7, CANADA
[log in to unmask] (fax number on request)
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