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From:   Grütter Thomas <[log in to unmask]>

PETER LANG - European Academic Publishers

are pleased to announce a new book by

Carolin Duttlinger / Lucia Ruprecht / Andrew Webber (eds.)

PERFORMANCE AND PERFORMATIVITY IN GERMAN CULTURAL STUDIES

Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien,
2003. 259 pp., 12 ill. German Linguistic and Cultural Studies. Vol. 14
General Editor: Peter Rolf Lutzeier

ISBN 3-03910-150-1 / US-ISBN 0-8204-6960-2 pb.

sFr. 67.00 / EUR* 45.80 / EUR** 42.80 / £ 30.00 / US-$ 42.95
* includes VAT - only valid for Germany and Austria
** does not include VAT

This volume assembles the select proceedings of an international
conference held at the University of Cambridge in March 2002. The
conference took its cue from the 'performative turn', which has put
issues of performance and performativity at the centre of current
academic debate in the humanities. The volume aims to show the ways in
which German Studies have been turning towards questions of the
performative in recent years. On the one hand, this involves an
increased interest in the performing arts in the scholarship and
teaching of German Studies and a growing understanding of the literary
text too, as a performed process as much as a finished object, on the
other, an incorporation of theories of performativity, not least in the
area of gender and sexuality. The essays cover a range of performance
media (theatre, film, performance art, photography) as well as the
representation of turns or acts of performance in literary texts from
Goethe to key contemporary writers. Together, they indicate exciting
new ways forward for German Cultural Studies.

Contents: Carolin Duttlinger/Lucia Ruprecht: Introduction - Elizabeth
Boa: Aping and Parroting: Imitative Performance in Goethe's "Die
Wahlverwandtschaften" - Ellis Hanson: Confession as Seduction: The
Queer Performativity of the Cure in Sacher-Masoch's "Venus im Pelz" -
Johannes Türk: 'Die Taktik der inneren Linie': Performativity in
Discourse on Trauma and in Robert Musil's "Der Mann ohne Eigenschaften"
- Claudia Liebrand/ Ines Steiner: Techniques of Montage and
Performances of Gender in Gustav Machatı's "Ekstase" - Katrin Oltmann:
'The final act is yet to be played...': Gender Performance and
Masquerade in Alexander Korda's "Samson und Delila" - Marino Guida:
Resisting Performance: Straub/Huillet's Filming of Kafka's "Der
Verschollene" - David Barnett: Text as Material? The Category of
'Performativity' in Three Postdramatic German Theatre-Texts - Uta
Staiger: Beyond the Body Politic: Reconsidering Performance and the
State in Heiner Müller's Versions of Medea - David Prickett:
Envisioning the Homosexual: Gender Performance, Photography, and the
Modernist Homosexual Aesthetic - Beth Linklater: 'Ein einsames
unverstandenes Kunstwerk': Performing Gender through Make-up in
Ingeborg Bachmann's 'Probleme Probleme' and Cindy Sherman's "Untitled
Film Stills" - Cathy S. Gelbin: Metaphors of Genocide: The Staging of
Jewish History and Identity in the Art of Tanya Ury - Markus
Hallensleben: Performance of Metaphor: The Body as Text - Text
Implantation in Body Images.

The Editors: Carolin Duttlinger is Fellow and Tutor in German at Wadham
College, Oxford. Her PhD was on Kafka and photography and she has
published articles on Kafka, Benjamin, Freud and Sebald.

Lucia Ruprecht is Junior Research Fellow at Churchill College,
Cambridge. She works on modern German literature and the history and
theory of dance and has published several articles on the topic.

Andrew Webber is Senior Lecturer in German at the University of
Cambridge and a Fellow of Churchill College. He has published widely on
the culture of modern Germany.

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