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	-----Original Message----- 
	From: Secret Cinema [mailto:[log in to unmask]] 
	Sent: Wed 30/06/2004 14:19 
	To: Secret Cinema 
	Cc: 
	Subject: [secretcinema] James Benning's Grand Opera, 2 July 2004 [faked-from][bayes]
	
	

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	Tate Modern, Friday 2 July 2004 at 7pm
	
	GRAND OPERA
	James Benning, USA 1978, 90 minutes
	
	James Benning's early films fused the Structuralist investigations into
	sound-image relationships by filmmakers like Michael Snow and Hollis
	Frampton with an interest in narrative and a deep sensitivity to colour,
	light, and landscape. He first grabbed the attention of the avant-garde film
	world with 8 1/2 x 11 and 11 x 14. Filmed in vivid colour in the rural and
	urban landscapes of his native Midwest, these two films would provide the
	kernel for his further investigations into film form. Benning's films'
	rigorous structures and exquisitely composed shots reflect his training as a
	mathematician, and their frequently autobiographical subject matter draws
	upon his working-class roots and his long-time commitment to political
	activism.
	
	"Throughout Grand Opera, Benning explores the relationship between the
	factual and the personal, between history and point of view. According to
	Benning, history must be seen as another form of narrative, played at
	several levels. Grand Opera includes passages in which George Landow, Hollis
	Frampton, Michael Snow and Yvonne Rainer allude to the final image of the
	film. Benning said he chose these four because of their influences on his
	work. Accordingly, there are many humorous allusions to their films... Each
	underlines the fact that the major contributions to the avant-garde film
	continue to be formed by personal points of view, despite the label
	'structural film'. (David English)
	
	
	screening at
	
	Starr Auditorium
	Tate Modern
	Bankside
	London
	
	Admission £3.50 (£2 concessions)
	Box Office 020 7887 8888
	http://www.tate.org.uk/modern/eventseducation/grandopera.htm
	
	
	
	
	
	
	
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