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medieval-religion: Scholarly discussions of medieval religion and culture

chances are at that early of a period there would have been no permanent
seats, those attending mass would have stood, or brought their own or
stools. there is a long tradition of seating according to status and
sex--check out margaret aston's article "Segregation in Church." Studies in
Church History 27 (1990): 237-94. miriam gill has also written on english
wall paintings and has some things to say about the placement of paintings
vis-a-vis seating. she has an article "Female piety and impiety: selected
images of women in wall paintings in england after 1300" in Gender and
Holiness: Men, women, and saints in late medieval Europe eds. Samantha
riches and Sarah Salih (London: Routledge, 2002),101-120.
At 05:41 AM 2/28/2003 +0000, you wrote:
>medieval-religion: Scholarly discussions of medieval religion and culture
>
>Dear Colleagues:
>
>I am a graduate medieval art history student writing a research paper on
>the nave frescoes (c. 1100) at St.-Savin-sur-Gartempe in France.  Here is
>my question: where would various segments of the congregation have been
>placed during the Mass and would there have been processions through the
>church?  The frescoes are on the barrel vault of the hall church and I am
>trying to determine if there was an optimal viewing space (if so, and the
>spaces were regulated, then they were aimed at a specific audience).  The
>frescoes are of Genesis/Exodus scenes but are set up in a zig-zag order,
>perhaps in response to a procession; I don't know.
>
>Does anyone know of sources where I might find out about designated spaces
>during Mass and about processions?
>
>If anyone has further theories, I'd be glad to hear them; off-list
>discussions are also welcome.
>
>Thanks,
>Patricia Kiernan
>Rutgers University
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>
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