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medieval-religion: Scholarly discussions of medieval religion and culture

Dear All,

our discussion --endlessly interesting as it is-- seems to me to be
metasticising (or, perhaps, "morphing" would be a better word) into several
different areas, with long posts dealing with several subjects.  

i suggest that, if we can, we try and keep (more or less) to a single subject
in each post, perhaps with that subject noted in the subject field.

i can suggest this because my last post rambled on and on and wandered all
over the map.

i'll respond to the questions of diocean maps, cloister violence, the original
Abelard discussion in other, hopefully shorter and more focused posts.

on the subject of "ferculum" i am blisfully ignorant, never having seen the
word, as best i can recall.

now, i can't say for *certain* that these "statio...fercula" don't appear in
the Chartres documents --only that i didn't *notice* that they did, and i
could very easily have overlooked them, since i didn't have a clue as to what
they might have referred to.

but i've never seen reference to suchlike objects/institutions in the
secondary Chartrain literature, either, and i have a bit of an acquaintance
with a good bit of that.

so, i'd be willing to guess that, no, the terms don't occur in the Chartres
documents.

which is not at all to say that there wasn't some customs/institutions which
were precisely analogous to the Parisian ones at Chartres --indeed, it would
be a bit surprising if Paris were unique in the existance of such, just
(perhaps) unique in the termonology used to refer to it.


and i've been paying fairly close attention now to the obituary notices in the
necrologies and other documents dealing with wills, legacies, etc.

(btw --off topic-- here's a charter establishing the anniversary of an Abbot
of St. Peter's of Chartres who died in 1150 :
http://www.ariadne.org/centrechartraine/abbeys/st-peter/CSP391-2.htm )

in any event, it certainly does sound to me like we are dealing here with, as
John noted, "a full-blown, highly institutionalized practice that probably had
humbler beginnings" --this description fits so many elements of cathedral
life, including most all of the customs of the chapter itself, after all.

and one which, as Werner noted, then (later) referred to a "mere cash value,
without any natural products." 

i.e., what was originally --in the time of, essentially, a barter 
economy-- actual food was dispensed; but in later centuries this in-kind gift
was, like rents, etc., transmuted to a fixed monetary sum.

how about this :

*originally* what was meant --and what gave the name to whatever was referred
to in the 12th c.-- was (John again) a "bier with handles", something that
looked like this :

http://www.gent.be/gent/english/tourism/museums/finearts/collec/fbreug1.htm

http://www.kfki.hu/~arthp/art/b/bruegel/pieter_e/painting/wedding.jpg

just a "bier" (in this case, a small door, apparently) for carrying the food,
which was then "set up" on tables, perhaps ad hoc ones just consisting of "saw
horses" (http://www.handymanusa.com/articles/sawhorse.html ) on which the
"biers" themselves might be placed.

if i'm understanding Werner's references correctly, over time four (or five?)
"stations" in (or around/near?) the cloister were established --by custom--
for placement of the "anniversary distributions of food" (isn't that what they
are, Werner?).

(Werner's statio = stand  is certainly one meaning, but, John, couldn't
"statio" also refer to a specific, customarily established "location", as
well/in addition ?) 

then (gosh, this is becomming an awfully Darwinian and evolutionarily driven
speculation, btw), due to the pressures of population, weather, violence, and
simply the proliferation of the custom within the chapter and the
corresponding need to *formalise* and *regulate* it (like any budding
institution), these "stations" became semi-permanent "stalls" --Werner's
illustration (http://www.abaelard.de/abaelard/images/020paris43.JPG
 --i had trouble accessing it too, but finally was able to, somehow) shows
rather standard "stalls" in a high middleval city.

(but they weren't *called* "stalls" because, originally, they weren't "stalls"
but simple "stations" --locations/"stands"-- and they kept the
terminology/nomenclature of their origins, just as John's "traditional"
definition of "fercula" rather clearly had nothing to do with what they
"literally" might have looked like in the 12th c. --they could have been
"cartloads" at that time, after all)

as i envision it, the retention of the original terminology would have a
parallel in some terms which were the original reason why i got interested in
the historical aspects of the construction of the Chartres Royal Portal in the
first place, 35 years ago :

in  the cathedral necrology we find quite a few (about 20, in all) notations
of gifts/legacies made "ad opus turris," which i (following the traditional
interpretation of these texts by hapless art historians) take to mean "for the
construction of the tower(s)" --i.e., the West tower(s) of the cathedral which
appear, from the stylistic analysis of their architectural elements, to have
been begun in the early 12th century and worked on for most of the rest of
that century.

virtually all of these "ad opus turris" entries can be dated (from the
approximate death dates of their donors, who were, mostly Dignataries of the
Chapter) to the middle decades of the 12th century, which, of course, fits the
archeological evidence quite well.

however, one or two (at least) of them definitely date from the *13th*
century, so the question arrises, "What's going on?" --was there later work on
"the towers" which initiated more, later, legacies to support it?

or (and this is the idea i finally hit upon and which relates to the "fercula"
question), had "ad opus turris" become a sort of  "term of art,"
institutional, bookeeping jargon meaning, simply "to the building fund" --as
the terms "ad opus ecclesia" and "ad opus fabrice" (also found in the
necrology) refer, somewhat less ambiguously.

now, i've gone off on another tangent, so i'll quit.

best from here,

christopher

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