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Hi there

I'm a third year film student at Sheffield University
and want to write a paper on the ways in which
Christopher Nolan's Memento illustrates Deleuze's
concept of the time-image. I'm a new subscriber to
film-philosophy and would appreciate it if anyone has
any ideas on this subject - criticism of Memento is
proving quite difficult to find!

Sincerely,

Jenny Alsop

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