Print

Print


Is it essential for every query concerning the list to sent out to the list?
I would rather not receive these, if possible. Thanks, Jane Bryce
----- Original Message -----
From: "Virginia Valdes" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Monday, February 17, 2003 1:50 PM
Subject: Re: FILM-PHILOSOPHY Digest - 15 Feb 2003 to 16 Feb 2003 (#2003-42)


> Can you please manage to send me proper emails without the html code?
> If not possible, then remove me from list.
> Thanks
> Virginia valdes
>
>  There are 2 messages totalling 149 lines in this issue.
> >
> > Topics of the day:
> >
> > 1. FILM-PHILOSOPHY Digest - 10 Feb 2003 to 14 Feb 2003 - Special issue
> >    (#2003-39)
> > 2. cancel
> >
> > ----------------------------------------------------------------------
> >
> > Date:    Sun, 16 Feb 2003 13:27:46 -0000
> > From:    Philip Wood - 2CC <[log in to unmask]>
> > Subject: Re: FILM-PHILOSOPHY Digest - 10 Feb 2003 to 14 Feb 2003 -
Special
> > issue (#2003-39)
> >
> > RE: Subject: atomic bomb / experimental film / apocalyptic visions
> >
> > Peter Watkins' film "War Game" ( - think that's the right title),
although
> > no images of mushroom clouds, would be fairly useful in terms of an
> > apocalyptic vision of nuclear war and social anxieties - so much so the
BBC
> > who commisioned it wouldn't screen if for many years.
> >
> > ------------------------------
> >
> > Date:    Sun, 16 Feb 2003 14:28:00 +0000
> > From:    Bill Burgwinkle <[log in to unmask]>
> > Subject: cancel
> >
> > Could you please delete me from the server list?  I will be away for
several
> > months and will sign up again when I return.  Thank you,
> > William [log in to unmask]
> >
> >> From: Automatic digest processor <[log in to unmask]>
> >> Reply-To: Film-Philosophy Salon <[log in to unmask]>
> >> To: Recipients of FILM-PHILOSOPHY digests
<[log in to unmask]>
> >> Subject: FILM-PHILOSOPHY Digest - 14 Feb 2003 to 15 Feb 2003 (#2003-41)
> >> Date: Sat, 15 Feb 2003 18:00:00 +0000
> >>
> >> There is one message totalling 99 lines in this issue.
> >>
> >> Topics of the day:
> >>
> >>   1. atomic bomb / experimental film / apocalyptic visions
> >>
> >> ----------------------------------------------------------------------
> >>
> >> Date:    Fri, 14 Feb 2003 19:28:26 -0500
> >> From:    Blair Miller <[log in to unmask]>
> >> Subject: Re: atomic bomb / experimental film / apocalyptic visions
> >>
> >> <html><div style=3D'background-color:'><DIV>
> >> <P>If I may be so bold, myself and a scant few others hold the belief
tha=
> >> t Kubrick is the 'most experimental'&nbsp;mainstream artist (for the
Us, =
> >> to be sure).&nbsp; If you do indeed accept that, there's obviously some
o=
> >> ther places to go with it as well.<BR><BR></P></DIV>
> >> <DIV></DIV>
> >> <DIV></DIV>&gt;From: Ali Vatansever <[log in to unmask]>
> >> <DIV></DIV>&gt;Reply-To: Film-Philosophy Salon
<[log in to unmask]
> >> AC.UK>
> >> <DIV></DIV>&gt;To: [log in to unmask]
> >> <DIV></DIV>&gt;Subject: Re: atomic bomb / experimental film /
apocalyptic=
> >>  visions=20
> >> <DIV></DIV>&gt;Date: Fri, 14 Feb 2003 02:47:01 -0800=20
> >> <DIV></DIV>&gt;=20
> >> <DIV></DIV>&gt;Experimental filmmakers are mostly self-oriented, like
the=
> >>  genre in itself.=20
> >> <DIV></DIV>&gt;Stan Vanderbeek has some works with political content.
Esp=
> >> ecially his anti-war film "Breathdeath", which he dedicated to Charlie
Ch=
> >> aplin and Buster Keaton can match your topic. You can buy Stan
Vanderbeek=
> >> 's "Visibles" (contains Breathdeath) at http://www.re-voir.com.=20
> >> <DIV></DIV>&gt;=20
> >> <DIV></DIV>&gt;If you count German Caligarist films as experimental (as
I=
> >>  did), most of post-war (and also pre-war) German films are about
post(pr=
> >> e)-war anxiety. Especially try to watch:=20
> >> <DIV></DIV>&gt;"Das Kabinett des Dr. Caligari"=20
> >> <DIV></DIV>&gt;"Golem"=20
> >> <DIV></DIV>&gt;"Berlin-Symphonie of a Great City" (pre-war Berlin's
docum=
> >> entary)=20
> >> <DIV></DIV>&gt;=20
> >> <DIV></DIV>&gt;if we name experimental films as avant-gardist
approaches,=
> >>  Rosselini's "Rome Open City" can also be count as an experimental film
b=
> >> ecause of its camera usage.=20
> >> <DIV></DIV>&gt;=20
> >> <DIV></DIV>&gt;=20
> >> <DIV></DIV>&gt; Ali Vatansever=20
> >> <DIV></DIV>&gt;=20
> >>
<DIV></DIV>&gt;----------------------------------------------------------=
> >> --------------=20
> >> <DIV></DIV>&gt;Quemadmodum possums scire utrum vere simus an solum
sentia=
> >> mus nos esse?=20
> >>
<DIV></DIV>&gt;----------------------------------------------------------=
> >> --------------=20
> >> <DIV></DIV>&gt;=20
> >> <DIV></DIV>&gt;=20
> >> <DIV></DIV>&gt;--- Matthew Hodgins
<[log in to unmask]>wrote:=20
> >> <DIV></DIV>&gt; &gt;atomic bomb, apocalyptic visions, post-war anxiety,
t=
> >> he end of History,=20
> >> <DIV></DIV>&gt; &gt;experimental film=20
> >> <DIV></DIV>&gt; &gt;=20
> >> <DIV></DIV>&gt; &gt;these expressions circumscribe the topos of a paper
t=
> >> hat i'm trying to write=20
> >> <DIV></DIV>&gt; &gt;for a course in experimental film. this project has
b=
> >> een sitting on the=20
> >> <DIV></DIV>&gt; &gt;corner of my desk for several months and it's high
ti=
> >> me to get working on=20
> >> <DIV></DIV>&gt; &gt;it, but i'd like to save myself the trouble of
rentin=
> >> g stacks of tapes in=20
> >> <DIV></DIV>&gt; &gt;search of mushroom clouds. can anyone name some
exper=
> >> imental films that=20
> >> <DIV></DIV>&gt; &gt;might be interesting within the above-mentioned
conte=
> >> xt? recommended=20
> >> <DIV></DIV>&gt; &gt;readings would also be appreciated. ultimately, it
wo=
> >> uld be nice to develop=20
> >> <DIV></DIV>&gt; &gt;a thesis linking essential aspects of the genre
itsel=
> >> f to the same=20
> >> <DIV></DIV>&gt; &gt;widespread social anxieties. i mean, is it just me?
d=
> >> oes not the image of=20
> >> <DIV></DIV>&gt; &gt;the mushroom cloud seem particularly well-suited to
t=
> >> he experimental genre?=20
> >> <DIV></DIV>&gt; &gt;why is this?=20
> >> <DIV></DIV>&gt; &gt;=20
> >> <DIV></DIV>&gt; &gt;thanks in advance,=20
> >> <DIV></DIV>&gt; &gt;=20
> >> <DIV></DIV>&gt; &gt;matthew hodgins=20
> >> <DIV></DIV>&gt; &gt;montr=C3=A9al, qu=C3=A9bec=20
> >> <DIV></DIV>&gt;=20
> >>
<DIV></DIV>&gt;__________________________________________________________=
> >> ___=20
> >> <DIV></DIV>&gt;Get your own Nepali E-mail address for free ---&gt;
http:/=
> >> /www.nepalimail.com=20
> >> <DIV></DIV>&gt;=20
> >>
<DIV></DIV>&gt;__________________________________________________________=
> >> ___=20
> >> <DIV></DIV>&gt;Select your own custom email address for FREE! Get
you@you=
> >> rchoice.com w/No Ads, 6MB, POP &amp; more!
http://www.everyone.net/select=
> >> mail?campaign=3Dtag=20
> >> <DIV></DIV></div><br clear=3Dall><hr>STOP MORE SPAM with  <a
href=3D"http=
> >> ://g.msn.com/8HMWENCA/2728">the new MSN 8 </a> and get 2 months FREE*
</h=
> >> tml>
> >>
> >> ------------------------------
> >>
> >> End of FILM-PHILOSOPHY Digest - 14 Feb 2003 to 15 Feb 2003 (#2003-41)
> >> *********************************************************************
> >
> >
> >
> >
> >
> >
> > _________________________________________________________________
> > Express yourself with cool emoticons http://messenger.msn.co.uk
> >
> > ------------------------------
> >
> > End of FILM-PHILOSOPHY Digest - 15 Feb 2003 to 16 Feb 2003 (#2003-42)
> > *********************************************************************
>