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Actually the reason why I asked the question the last time about the idea of "re-inventing" the musical was because I was scheduled to write a review for a journal specifically on the films, "Moulin Rouge" and(or) "Chicago". A professor of mine called "Moulin Rouge" a heterosexualization of camp, and another that it was Baz Luhrmann's reflection of 'gay Sydney'. Somewhat conflicting views I am still trying to sort out. Anyone who has any idea about this strand of thought with regards to the films? Kevin