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my experiences of literature haven't all been so negative.  there are cynical manipulators in all walks of life, literature has more prestige than some others, and only in the eyes of a narrow elite.  cut the Arts Council out if the experience has been so bad, if you need them then move into another genre, write novels.  I learnt that a slight shift in emphasis can clear up many problems, some of them created by moi, of course.

>From: "david.bircumshaw" <[log in to unmask]>
>Reply-To: Poetryetc provides a venue for a dialogue relating to poetry and poetics <[log in to unmask]>
>To: [log in to unmask]
>Subject: Re: Padraic Fallon
>Date: Tue, 12 Nov 2002 02:50:17 -0000
>
>Well, Paul, I'm certainly 'working class' although I don't regard that as a
>badge of inverted superiority, I'd love to escape it but I don't want to be
>in any other class either. I just want out of status systems all round, and
>that particularly applies to poetry, where I have had some of the most
>heart-breaking experiences, of people using me over and over again, your
>remark about the Arts Council is most apposite there, moral: don't trust
>anyone connected to it, they will exploit you, ruin your friendships, and
>spit you out afterwards, I speak from experience, and pain.
>
>Naow, I've never been to Zurich!
>
>
>Best
>
>
>Dave
>
>
>
>David Bircumshaw
>
>Leicester, England
>
>Home Page
>
>A Chide's Alphabet
>
>Painting Without Numbers
>
>http://homepage.ntlworld.com/david.bircumshaw/index.htm
>----- Original Message -----
>From: "paul murphy" <[log in to unmask]>
>To: <[log in to unmask]>
>Sent: Tuesday, November 12, 2002 2:15 AM
>Subject: Re: Padraic Fallon
>
>
>I'd love for Hofmann to say, before a reading, 'listen everyone, basically
>I'm a pretentious swine, now we've got that over with, let's get on and
>enjoy ourselves.' And then let off a massive fart to signify that he too
>is a corporeal being, and not someone floating about in a haze of literary
>references, obscure vocabulary, and okay yah PCness. I think some take it
>too far the other way, and think that because they're very 'working class'
>that that makes them some kind of martyr to the cause. Most of the working
>class people I know would love to escape their class, and don't want to live
>in a ghetto or an estate - I know, I'm one of them. Most of these flunkies
>hang around, you guessed it, Arts Councils - the curse of the drinking
>classes. Flann O'Brien was still a very fine writer, he might have
>floundered on the Continent, Joyce certainly did, but was bailed out by his
>brother and various rich people, as Sylvia Beech. For ! all that, he still
>loved to eat in the best restaurants, when he couldn't, basically afford it.
>It's shit, isn't it, were he alive today he could dine in the best
>restaurants anywhere in the world, and much more. Perhaps he realised he
>was ahead of his time, and decided to live it up before he died. Have you
>been to the Fluntern cemetery in Zuerich?
>
>
>
> >From: "david.bircumshaw"
> >Reply-To: Poetryetc provides a venue for a dialogue relating to poetry and
>poetics
> >To: [log in to unmask]
> >Subject: Re: Padraic Fallon
> >Date: Tue, 12 Nov 2002 01:07:53 -0000
> >
> >Hi, Paul
> >
> >Michael Hofman is an interesting case, as I feel his prose translations of
> >German writers are very fine, yet his poems, although skilful, remind me of
> >dead frogs' legs twitching on a lab table. I do agree with you about the
> >benefit of the Continent to Irish writers, Flann O'Brien was possibly
>undone
> >by never leaving. Otherwise, with the literary scene, I am so pissed off
> >with it, it is full of creeps, and when people that you regard start get
> >sucked into that it brings in the clouds, everything seems wrong at present
> >to me. Especially if, as in my case, you've unintentionally facilitated, a
> >lovely administrative verb that, the very thing you hate.
> >
> >Best
> >
> >Dave
> >
> >
> >
> >David Bircumshaw
> >
> >Leicester, England
> >
> >Home Page
> >
> >A Chide's Alphabet
> >
> >Painting Without Numbers
> >
> >http://homepage.ntlworld.com/david.bircumshaw/index.htm
> >----- Original Message -----
> >From: "paul murphy"
> >To:
> >Sent: Monday, November 11, 2002 11:28 PM
> >Subject: Re: Padraic Fallon
> >
> >
> >Hi, I was talking about the contrast between a writer like Michael Hofmann,
> >who is all too aware of convention and literature and someone as refreshing
> >as Fallon, or Kavanagh, or even Yeats, who was admittedly, much more
> >cosmopolitan than the others mentioned. That's what I thought you meant?
> >Ireland has either teetered backwards upon itself in a self-absorbed but
> >occassionally useful parochialism, but mostly Irish writers have looked to
> >the Continent, and this is when Irish writing is at its best - when the
>best
> >elements of the parochial mix with more sophisticated patterns -so ,we have
> >Joyce, Beckett - I love their work, it goes beyond mere appreciation of
> >literature,
> >
> >PM
> >
> >
> >
> > >From: "david.bircumshaw"
> > >Reply-To: Poetryetc provides a venue for a dialogue relating to poetry
>and
> >poetics
> > >To: [log in to unmask]
> > >Subject: Re: Padraic Fallon
> > >Date: Mon, 11 Nov 2002 23:01:31 -0000
> > >
> > >Paul
> > >
> > >your question has me totally lost - yup, living in backwaters might help
>in
> > >being unaware of conventions, but that wasn't what I was thinking about.
>I
> > >want to be angry about the way poetry is now: fraud, deceit, theft, lies
> >are
> > >its commonplaces, I don't want to complacently burble on about theory, I
> > >want to say: THIS IS NOT RIGHT.
> > >
> > >Essentially, poetry, like all the other arts, like our culture in
>general,
> > >is corrupt, poetry is a very minor participant, coz there ain't all that
> > >much money in it, but it happens, I know all too well about the users and
> > >abusers that inhabit the scene, who feign and fake moral concern while
> > >really looking out for themselves alone, you just try being ripped off by
> > >people on the scale I have, it is not a nice experience.
> > >
> > >
> > >
> > >David Bircumshaw
> > >
> > >Leicester, England
> > >
> > >Home Page
> > >
> > >A Chide's Alphabet
> > >
> > >Painting Without Numbers
> > >
> > >http://homepage.ntlworld.com/david.bircumshaw/index.htm
> > >----- Original Message -----
> > >From: "paul murphy"
> > >To:
> > >Sent: Monday, November 11, 2002 10:34 PM
> > >Subject: Re: Padraic Fallon
> > >
> > >
> > >you mean that it was written outside the conventions of what passed for
> > >literature in that period? For goodness sake, people living in backwater
> > >Ireland are always going to be writing in the way you describe, simply
> > >because they don't know what the conventions of literature should be, or
> >are
> > >probably reading writers who are at least 30 years out of date.
> > >
> > >
> > >
> > > >From: "david.bircumshaw"
> > > >Reply-To: Poetryetc provides a venue for a dialogue relating to poetry
> >and
> > >poetics
> > > >To: [log in to unmask]
> > > >Subject: Re: Padraic Fallon
> > > >Date: Mon, 11 Nov 2002 19:52:48 -0000
> > > >
> > > >Doug
> > > >
> > > >I remember buying the very same out-of-date Padraic Fallon when I was
> >about
> > > >nineteen, I think. His poems struck me, very uneven but full of
>texture,
> >of
> > > >charges of rhythm and sound, very unlike the boring stuff that is
>mostly
> > > >produced today, they took risks, but when people are writing poems not
> >from
> > > >an inner need but to an eye to grants, winning competitions, being
> >invited
> > > >to read, status in the the literary community, as it were, the result
>is
> > > >utter dullness. I could say more but I'd better not.
> > > >
> > > >Best
> > > >
> > > >Dave
> > > >
> > > >
> > > >David Bircumshaw
> > > >
> > > >Leicester, England
> > > >
> > > >Home Page
> > > >
> > > >A Chide's Alphabet
> > > >
> > > >Painting Without Numbers
> > > >
> > > >http://homepage.ntlworld.com/david.bircumshaw/index.htm
> > > >----- Original Message -----
> > > >From: "Douglas Clark"
> > > >To:
> > > >Sent: Monday, November 11, 2002 4:39 PM
> > > >Subject: Padraic Fallon
> > > >
> > > >
> > > >Just to say that I got the new Carcanet catalogue in this
> > > >morning and see that in Autumn 2003 they intend issuing a
> > > >new Padraic Fallon Selected POems to replace the out-of-print
> > > >book that I have. I think it is the only book in the catalogue
> > > >that I will buy as basically I part company with keeping
> > > >up-to-date with poetry.
> > > >
> > > >
> > > >
> > > >Douglas Clark, Bath, England mailto: [log in to unmask]
> > > >Lynx: Poetry from Bath ..........
> >http://www.bath.ac.uk/~exxdgdc/lynx.html
> > >
> > >
> >
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