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Way off point but relevant in some dialectical way: Negative faciality: For exemple, in Jean-Luc Godard's ELOGE DE L'AMOUR, one rarely sees the face of Berthe, quite as if Godard intended to film an "objective correlative" to Edgar's noncognizance of her very presence, not to say, her feeling for him. John Maguire _________________________________________________________________ The new MSN 8: advanced junk mail protection and 2 months FREE* http://join.msn.com/?page=features/junkmail