Hi Claire
 
I think there's a danger of crossed-lines and misconceptions threatening here, a not unknown event in e-mail-ville, but anyhow 'frangible' was around long before I discovered it, hence you are as free as anyone else to use it.
 
Now Sharon Olds' poems: all I've seen seem to be based on a language of psychotherapy, anecdote and first-foot-forward emotion, in that she seems to assume that statements of feelinghood are equivalent to the conveyance of them. I get the impression of an artist who hasn't got beyond the ego's tender needs for ministrations.
 
Yes, this list is like a community, and presences are vivid, but it's a specialization of a gathering, that let's us be, the big outdoors plays havoc with our realities, and who are we to compete with the material lords of power?
 
In the lingering of our words maybe, but not in the out-and-out-there.
 
Best
 
Dave
 
 
----- Original Message -----
From: [log in to unmask] href="mailto:[log in to unmask]">Claire Crowther
To: [log in to unmask] href="mailto:[log in to unmask]">[log in to unmask]
Sent: Friday, June 08, 2001 12:57 PM
Subject: Re: Levinas's door/ collaboration/ ideology

Dave

Sorry about Alison -  I must have missed something - many things probably -
but thought frangible was your (very stealable) word.

By the way, were this list to be perceived as a community, Alison has a
distinctive presence on it, I meditate over her posts for long times.

Just one thing - could you take me through the thinking behind your judgement
of Sharon Olds' work?

Claire