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Robin:

ELEMENOPE Productions can do this:
>
>>  ISBN [where DO you get these?], etc.)


However, if this is a magazine you don't employ ISBN, but instead the
ISSN.  Unless I'm wrong.  When Publisher Bircumshaw decides to do an
anthology of ALL his accomplished editions in a perfectly bound
volume, then an ISBN will be used.  Right?  But if you need an ISBN,
I've got one.

>without re-screwing-up the pagination.


If you are using _Quark_, the *industry standard*, you get
-pagination-, as much as you want in any order you want.  (Not that
my diacriticality is * I.S. *. ).
It takes some familiarity.

I don't want to jump in there and claim I know as much as you.  I
don't.  I know what I know and that's about it.

Obviously, you'll make it.

Richard










>Josie:
>
>Just so that we don't get at cross-purposes, I'm talking cottage-industry
>here.
>
>>  > Barely -- just done a google-search for images of Sappho and Anacreon to
>get
>>  > pretty pictures for the cover -- admittedly, I didn't cost-in a
>wrap-around
>>  > 160 gm cover, printed by ink-jet (colour) -- that would add at the most
>>  > another 10p.
>>  >
>>  An offer for future reference. On PA I have access to 140
>>  printmakers, mostly professionals, some of whom have already
>>  done book illustrations. If at any time you, or anyone else
>>  on this lust, require some illustrative work please consider
>>  a collaborative effort with one of them. I am happy to post
>>  any image requests to PA and I'm sure that many would jump
>>  at the chance to collaborate. At the moment we are
>>  undertaking a project themed 'illustration' where the
>>  particpants are responding to a fragment of text of their
>>  choice and making an edition of prints to exchange. We are
>>  also setting up an exchnage based on digital printmaking
>>  which is another story
>
>Point.  As well, the images I pulled from the Net are prolly copyright (your
>accountant would know) -- but I was doing quick-and-dirty on this.
>
>And yes, it +costs+ to get properly trained in design and layout.  But I DO
>rather object to paying through the nose (paying whom?) when I can (in even
>my own amateurish fashion) Do Better Myself.
>
>>  Was that 40p to me? Promise not to spend it all at once ...
>
>FINALLY got the damn  thing paginated properly -- now all I have to do is
>work out how to shift all the pages three pages forward (and allow me to
>have a title/acknowledgements pages, ISBN [where DO you get these?], etc.)
>without re-screwing-up the pagination.
>
>40p plus postage (Australia is a bit away from here).
>
>>  All that was off the top of my head, in practice, 'real'
>>  cost accounting gets much much more complicated. I was
>>  merely pointing out some of the factors that tend to get
>>  overlooked when people gasp at the price of things. What I
>>  did leave out is the environmental and social costings but
>>  that's also another story.
>
>See above.  I'm not arguing your Real-World Costings (add in, e.g., business
>rates on running a print-shop) -- but when laser-printers dropped below £200
>to produce an identical end-product, the ball-game changed.
>
>>  > I had one of those chain-phone-calls on this.  The Demon Princess said,
>>  > "Daddy, you're an idiot -- they paid mum £100 for the cover of _The
>Coffee
>>  > House_."  Not that long after, my ex-wife was on the phone ["Do you know
>  > > where our daughter is at the moment?"]  and I said, inter alia, DID they
>pay
>  > > you £100 for the cover of _The Coffee House_?" and she said, "Are you
>  > > joking?  Zilch."
>>
>>  Yes, well, I can relate to this. Artists have all the same
>>  problems that writers have it would seem,
>
>You want to suffer, try writing an opera libretto.  My hair stood on end
>when i discovered that one of your compatriots (You Know Who I Mean) was
>flogging off an opera she wrote (and I wrote the libretto for) for seventy
>five frigging aussie dollars.  Really do wish i hadn't lost the contract
>that guaranteed me 7.5% of the royalties ...
>
>>  with the added
>>  factor of material costs. Most of the time they dont break
>>  even on materials and are expected to be grateful for an
>>  opportunity to get their work seen - but I'm not telling you
>>  anything you didn't already know, am I?  [funnily enough -
>>  mine own daughter gets occasionally called demon-spawn, are
>>  they related?]
>
>Almost certainly -- does your daughter knit?
>
>>  > Well, if you're so clever, _you_  print dave's b*gg*r*d to b*ts*y Chide
>1.
>>
>>  Not _that_ kind of printmaker *chuckle* How much is he
>>  payin?
>
>Paying?  You're joking.  I got lumbered for Chide as I have (for my sins) a
>laser printer and dave has an inkjet. Cost of consumables, and in an insane
>fit, I said, "I'll do it."  But you could try him for a (free)
>cover-illustration.
>
>Cheers
>
>Robin


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