Anthony Lawrence wrote: > the amazing sense of place that he's always been able to create. yes, open Omeros at random and one is almost sure to find a page crammed with detail: animals, vegetation, tools, merchandise, glimpses of daily life, all of which goes to build a convincing world for the reader much the same can be said of Arthur Golding's Ovid, in the context of which Zukofsky remarked "One should distinguish, however, between a poet who writes perfectly about one detail, and another who writes perfectly about the same detail and a host of other details covering a phase of civilization". [A Test of Poetry, II.4] and here we are pretty clearly in the territory of the epic. after all, epic simile is but one means by which Homer's texts attain an inclusiveness i am reminded also of Peter Ackroyd's review in The Times of the first vol of Anthony Burgess' autobiography: "Like his literary hero, James Joyce, he has a proper respect for what the world calls trivia" [hoping jacket blurbs are reliable as citations] :david