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> The sad thing is that there is so much good American writing, but it has
to
> be hyped all the time, like everything else from the States. Muriel
> Rukeyser, WCW writing to Fordie in heaven, Pound's cracked genius, etc
etc.
>

Clarification: by which I mean these are examples of US writing that are
worthy of care and admiration.


David Bircumshaw

Leicester, England

Home Page

A Chide's Alphabet

Painting Without Numbers

www.paintstuff.20m.com/index.htm

http://homepage.ntlworld.com/david.bircumshaw/index.htm
----- Original Message -----
From: "david.bircumshaw" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, December 18, 2001 2:49 AM
Subject: Re: (no subject)


> > My comments have been at about the same level as others on the list;
> > they simply don't share the same sentimental-leftist America-bashing
> > assumptions.  "Towers of evil" - which did appear some emails back -
> > certainly deserved censure, but probably seemed, in the prevailing point
> > of view, an acceptable truism.  I pay back in the same coin others
> > use.
>
> Frederick
>
> It's not a matter of America-bashing. I can bash the UK just as much as I
> can 'bash' the US, and I'm sure Aus listees can think of plenty to say
> against said Aus. The point is that on gross material levels of culture
and
> behaviour the US is the most influential nation, not necessarily the most
> important. So it's very 'present', economically and culturally, and
strands
> in US culture are reprehensible, as are features of the UK's. But the US
has
> more clout. You seem unable to forget the fact that you are American, I
only
> remember I'm English if someone reminds me.
>
> Here's a poetical thought. But maybe not to your ears. The low-income
> nations of post-war Poland and Greece produced a poetry that is far
superior
> to post-war US poetry, despite the college funded hype. The greatest
> post-war _American_ poet was Octavio Paz. No US poetry of the Fifties
comes
> near to that produced by Erminia's beloved Montale in that period. If I
had
> to choose between consigning all of US twentieth century poetry to the bin
> or all or Russian poetry of the same period I wouldn't hesitate to throw
> away the former.
>
> The sad thing is that there is so much good American writing, but it has
to
> be hyped all the time, like everything else from the States. Muriel
> Rukeyser, WCW writing to Fordie in heaven, Pound's cracked genius, etc
etc.
>
> Best
>
> Dave
>
>
> David Bircumshaw
>
> Leicester, England
>
> Home Page
>
> A Chide's Alphabet
>
> Painting Without Numbers
>
> www.paintstuff.20m.com/index.htm
>
> http://homepage.ntlworld.com/david.bircumshaw/index.htm
> ----- Original Message -----
> From: "Frederick Pollack" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Tuesday, December 18, 2001 1:38 AM
> Subject: Re: (no subject)
>
>
> > Alison Croggon wrote:
> > >
> > > Frederick, I don't know why you're part of this list, since
> > > discussion seems the least of your interests.
> > >
> > > A
> > >
> > My comments have been at about the same level as others on the list;
> > they simply don't share the same sentimental-leftist America-bashing
> > assumptions.  "Towers of evil" - which did appear some emails back -
> > certainly deserved censure, but probably seemed, in the prevailing point
> > of view, an acceptable truism.  I pay back in the same coin others
> > use.
> >
>