----- Original Message -----
Sent: Tuesday, May 08, 2001 9:05 PM
Subject: Tr: design point of view II
----- Original Message -----
Sent: Tuesday, May 01, 2001 10:43 AM
Subject: design point of view II
Dear Rosan, David, Brynjulf, Rob, and
Lubomir,
Let me give some precisions about what I mean by
"individualistic ethics" and dispel some misunderstandings due to my
insufficient mastery of the English language.
I certainly don't mean by that "one's egoistic
maximization regardless of
consequences for others" or "that every individual
should have
his/her personal morals, that stand above whatever the rest of
the society
might believe to be the right moral"; those attitudes describe
the negative and extremist sides of individualism, which are unfortunately more
common than one would wish. Morality is definitely a social and collective
matter (this is, by the way, synonymous with "political" in the classical,
non-politician, sense), since ethics has fundamentally to do with "The Other".
Brynjulf's categorization of ethics, with which philosophers agree and on which
they debate, is very helpful in design indeed. I also couldn't agree more with
the statement that "[ethics] is about
what goes on between people", but
one must admit that if there must be anything happening there, then something
else must have happened before "in an individual's head" or, I prefer, in the
individual's heart. In my
view also, "all human acts are potentially moral if
they have implications for the
wellbeing of others" and "a moral person is
one who tries to take account of
others in their actions. As such the
morality emerges out of that 'taking
into account' ", but again,
if anything has to emerge at all, if the 'taking into account' has to
take place, then there must be a moral agent first of all, i.e. an
individual, a personal will. For "the specific morality [to] emerge from
the engagement with the 'other' ", there must be a "specific" somebody who wants
this emergence to take place and who is willing to engage. Therefore, what
interests me in a pedagogical perspective, is to find out how
this individual will is put into action for a moral act, how the individual
moral judgment is activated in the 'taking into account', what does 'engagement
with the other' feel like and where in the individual soul it springs from, what
is the difference between a moral, an aesthetic, and a cognitive judgment, how
these three fundamental individual judgments are harmonized (or not) in a design
act, and so on. My emphasis is on the genesis of the moral act within each
INDIVIDUAL, not "in general", since every human being is unique and will have
his/her personal way (depending on the temperament, the biography, the
experience, the education, the expertise, the aspirations, etc.) of dealing with
the moral issue. And true, ideally, every moral -and for that matter every
design- act has to be re-invented again in every situation, otherwise we have
routine, or customs, or mores. It is for these reasons that I mentioned the fact
that it is preferable to teach ethics first on the individual level, to ground
ethics anthropologically on the individual moral judgment, rather than to talk
about ethics in design in a general way (this also has to do with the context in
which this conclusion arose, i.e. a three-year research project followed by a
conference on 'Ethics, Technology, and Responsibility in Design'). In this
respect, I definitely am in favor of a 'situation ethics' and certainly closer
to the 'virtue ethicists' than to the Kantian or 'deontic ethicists', the
'utilitarianists' (the most common in design) having, in my view, false
anthropological (that is:statistical) foundations ("Niemals als
Mittel, stăndig als Zweck"!).
By the way, another conclusion of that research
(published in a former article in Design Issues), is that every
technological act is potentially a moral act. Therefore, I find it more
fruitful when discussing design theory to systematically consider any design act
as a moral act, in other terms to focus primarily on the ethical, rather than
on the logical or epistemological, structure and nature of design; in
Aristotelian terminology, to consider design as praxis rather than mere
poiesis.
I hope this has made things a little
clearer.
Best,
Alain