Rosanna - [medium] mediation - i have translated from german "Vermittler" mediate - "vermitteln" communicable - "vermittelbar" a pure presentation is not (per se) mediative in my sight esp. when the 'user' habits differ in such a way like in new media. but it's a bit more complicated and complex. (as al_ways) can the history of the art of the 20th be read (written) as "a steady 'go away' ('become astrange') from the public" or "a curry favour with"? i for myself would like art to be/come more readable/with more closeness by itself (which seems to be impossible in a 'splitted', expanding, pluralistic society [celebrating individuality and uniformity at the same time]). might be such a 'direction' - approached/realized in art and (+) exhibition can break some border. might be time for some collab (not only between artists). leisure, fun, thoughtfulness, meditation, reflection - all kinds of human being are not as different to get (but with some you can get more cash;) R. > I am interested in Reiner's definition of "mediation" in the context of the > museum. It brings to mind the notion of the "museum as medicine" - - good for > our cultural well-being, serving society through culture, but still having a > funny after-taste. Museums do not pretend to present themselves as raw, > unmediated spaces to show art; they are polished forums in which they attempt > to stratify art into many levels, to foster connections between the art and > its public - - and they do that thing that they do to bring in their visitors. > But museums - the larger ones, and the smaller ones too - have also identified > themselves as institutions of "leisure" and fund themselves to support all the > marketing/promotion/development that goes into presenting it as a leisure > attraction. > > What IS the responsibility of a museum to its public now, for net.art? Is it > just as a mediation - in its seamless presentation of the work? When the > technology fails, the seamlessness is lost. Can we define were the mediation > ends and the experience of an actual encounter with [net]art occurs? Is it > in the wall text, in the catalogue, and the acoustiguides used to explain and > illuminate the exhibition? The website that sometimes substitutes for the > exhibition for some visitors? Or, perhaps the mediation is ALL of it - the > very inclusion of artists in a big media art show, with the totality of > critics and curators and educators that bring it to the public. > > In that sense it makes it more complicated for the artists and the > institution. At some point, the artist decides that the mediation is not > appropriate for the work. The mediation is complicated by all its other > functions as an institution of leisure. Artist Paul Kaiser identified himself > as "P. Mutt" in Bitstreams due to the Whitney's connection with Phillip > Morris, and the byline in the New York Times' "Footlights" section ended with > the sentence "Phillip Morris is a leading corporate sponsor of the arts in an > era of reduced federal support." There it is - - another Duchampian reference > in net.art, but more powerfully, it's on the wall. > > Rosanna Flouty > Solomon R. Guggenheim