...well, as some may have guessed, I'm fervently opposed to "curating"
new-media, as this inevitably implies the routine regressive return to the
usual incestuous, abusive Artworld hierarchies... why insist on this
'extreme' position of forcing an open network into a closeted, unrepenant
institutional space (with or without beanbags?) who benefits (except the
usual authoritarian acolytes?)
The 12hr-ISBN-JPEG Project >>>> since 1994 <<<<
+ + + serial ftp://ftp.eskimo.com/u/b/bbrace
+ + + eccentric ftp://ftp.idiom.com/users/bbrace
+ + + continuous ftp://ftp.teleport.com/users/bbrace
+ + + hypermodern ftp://ftp.rdrop.com/pub/users/bbrace
+ + + imagery ftp://ftp.pacifier.com/pub/users/bbrace
News://alt.binaries.pictures.12hr ://a.b.p.fine-art.misc
Reverse Solidus: http://www.teleport.com/~bbrace/bbrace.html
http://www.eskimo.com/~bbrace/bbrace.html
Mirror: http://bbrace.laughingsquid.net/
{ brad brace } <<<< [log in to unmask] >>>> ~finger for pgp
Note: all "Teleport" addresses (web/ftp/email) are being eliminated:
no thanks to Earthlink scum. Please choose from listed alternates.
