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In reply to Roddy Lumsden, I've only just checked back
and realised the unnamed person you are asking for
comments from is me. I missed the post where you asked
- not all of us have time to read everything and it's
easy to miss something when you are skimming through a
digest. But I can't help about the "laziness and bad
manners" of poets who eschew clarity, because I can't
for the life of me recall saying it. It might have
been a reaction to the statement I sometimes hear from
some student when a roomful of people has expressed
total bafflement with a poem - "I write for myself and
I don't care whether other people like or understand
it". Fine, but in that case why show it to anyone
else?
I think any poet has the right to be as obscure as
he/she likes. And any reader has the right to decide
either "I don't get this but I like the sound of it,
so I'll persevere", or "life's too short; I'm going
where I can get some entertainment"  I have decided
both, at different times. I don't "get" Marius
Kocejewski (haven't spelt that right but don't have
books to hand) but he sounds so exciting I don't care.
And i don't "get" a lot of Adrienne Rich, who sounds
(to me)like a preachy bore so I gave up. One thing,
though: I once heard the late George Mackay Brown
criticised for being "too accessible". I said then,
and still think, that this was like criticising a
sprinter for being too fast. It may be possible for a
professional communicator to be too obscure; it isn't
possible for him/her to be too accessible. Too obvious
or superficial maybe, but not too accessible.
As for what I think of the list, I do think there's a
cliquey feel to some of it, mainly caused by the fact
that a few people seem to be able to spend all day
doing little but reading it and writing to it. They
must have very accommodating bosses! But your response
of, more or less, "bugger off then", seems illogical -
if everyone who feels like an outsider did that,
wouldn't it be even more cliquey?

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